Sundown (Number Twenty)

2019 - Photography (Photography)

152.4 x 114.3 cm

Xaviera Simmons

location: Brooklyn, New York
year born: 1974
gender: female
nationality: American
home town: New York, New York

Xaviera Simmons often employs her own body and collected materials in the service of her photographs and performances. Not to be mistaken as mere portraiture, however, Simmons’ works are explorations of the Black body in relation to landscape and other dimensions of non-linear space and time. Concealing and flattening her subjects with costumes and collage-like, abstract pictorial devices, the artist arranges archival photographs, printed textiles, and anthropological artifacts in configurations that highlight the power of visual culture to shape contemporary understandings of the self. Dressed in wax-printed broadcloth, the subject of Sundown (Number Twenty) holds a photograph from the Jim Crow era in her left hand and an African mask in her right. The busy backdrop of tropical flora reinforces problematic associations of fantasy and exoticism suggested by the masked figure. Simultaneously concealing and replacing her own image, Simmons allows her individual identity to dissolve into the cultural constructs and histories that each artefact and image holds.


Artist Xaviera Simmons’s diverse body of work is committed to multiplicity. Eschewing linear notions of history, her approach to investigating themes such as the shifting notions surrounding landscape and the conditions of African American female experience are cyclical in nature. Her studio practice demonstrates a fidelity to no single artistic modality or creative process; rather, Simmons’ interdisciplinary pursuits are in constant, active flux. Encompassing installation, photography, performance, and sound and video works, her evolving approach to artmaking is emblematic of the plurality of cultural experience and the myriad ways in which identity is constructed in contemporary culture.


Colors:



Karachi Series 1 (Chandra Acarya, 7:50pm, 30 August 2008, Ramadan, Karachi)
© » KADIST

Bani Abidi

2008

The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi ...

Death at a 30 Degree Angle
© » KADIST

Bani Abidi

2012

The perceived effortlessness of power, projecting above experiences of labored subordination is examined in Death at a 30 Degree Angle by Bani Abidi, which funnels this projection of image through the studio of Ram Sutar, renowned in India for his monumental statues of political figures, generally from the post-independence generation...

I Want to be Gentleman
© » KADIST

Lu Chunsheng

2000

Lu has developed an oeuvre that consists of characters in bizarre situations...

The Possibility of the Half
© » KADIST

Minouk Lim

2012

The Possibility of the Half by Minouk Lim is a two-channel video projection that begins with a mirror image of a weeping woman kneeling on the ground...

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Karachi Series 1 (Chandra Acarya, 7:50pm, 30 August 2008, Ramadan, Karachi)
© » KADIST

Bani Abidi

2008

The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi ...

Death at a 30 Degree Angle
© » KADIST

Bani Abidi

2012

The perceived effortlessness of power, projecting above experiences of labored subordination is examined in Death at a 30 Degree Angle by Bani Abidi, which funnels this projection of image through the studio of Ram Sutar, renowned in India for his monumental statues of political figures, generally from the post-independence generation...

A Flags-Raising-Lowering Ceremony at my home’s clothes drying rack
© » KADIST

Kwan Sheung Chi

2007

A Flags-Raising-Lowering Ceremony at my home’s cloths drying rack (2007) was realized in the year of the 10th anniversary of the establishment of The Hong Kong Special Administrative Region of the People’s Republic of China...

New Town Ghost
© » KADIST

Minouk Lim

2005

New Town Ghost (2005) is one of Lim’s trio of large-scale video installations...

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Mansudae Master Class
© » KADIST

Che Onejoon

2013

For the last few years, Che Onejoon has been focusing on the relationships between African countries and North Korea...

Daniel Clowes interviewed by Rene de Guzman
© » KADIST

Daniel Clowes is a graphic novelist, screenwriter, and Bay Area treasure...

5 Ways To Integrate Art Within Urban Infrastructure
© » ART CENTRON

5 Ways To Integrate Art Within Urban Infrastructure Home » 5 Ways To Integrate Art Within Urban Infrastructure ART & DESIGN Nov 29, 2023 Ξ Leave a comment 5 Ways To Integrate Art Within Urban Infrastructure posted by Kelly Schoessling This beautiful murals is one of the ways to integrate art within urban infrastructure...

Weekly Picks: Singapore (5 – 11 November 2018)
© » ARTS EQUATOR

Weekly Picks: Singapore (5 – 11 November 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do November 5, 2018 Bras Basah...

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20
© » KADIST

Chris Wiley

2012

Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...

Nothing New
© » KADIST

Oded Hirsch

2012

Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...

Excerpt (Sealed) (Brown)
© » KADIST

Stephen G. Rhodes

2010

For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame...

Related artist(s) to: Xaviera Simmons » Sara Vanderbeek, » Carrie Mae Weems, » Elad Lassry, » John Baldessari, » Kalup Linzy, » Liz Magic Laser, » Maren Hassinger, » Marianne Vitale, » Mika Tajima, » Terry Adkins  
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One Must
© » KADIST

John Baldessari

1997

In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...

Pranayama D
© » KADIST

Mika Tajima

2017

Mika Tajima’s Pranayama sculptures are built from carved wood and chromed Jacuzzi jets and are presented as artefacts...

Person with Pillow: Desire, Lust, Fate
© » KADIST

John Baldessari

1991

The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...

Chocolate Bars, Eggs, Milk
© » KADIST

Elad Lassry

2013

In his composition, Chocolate Bars, Eggs, Milk, Lassry’s subjects are mirrored in their surroundings (both figuratively, through the chocolate colored backdrop and the brown frame; and literally, in the milky white, polished surface of the table), as the artist plays with color, shape, and the conventions of representational art both within and outside of the photographic tradition...

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Interview with Xaviera Simmons
© » KADIST

New York-based artist Xaviera Simmons and AFRO Charities executive director Savannah Wood introduce Nectar , on view at KADIST Paris from May 6th to July 24th 2022...

Xaviera Simmons, Nectar - Konsthall C
© » KADIST

After a presentation at KADIST Paris in Spring 2022, Xaviera Simmons’ solo exhibition “Nectar” travels to Konsthall C, Stockholm, Sweden...

Making Black Archives in Europe
© » KADIST

MAKING BLACK ARCHIVES IN EUROPE How do we make Black archives within western contexts? In this roundtable discussion, representatives from Afropea (France), Black Cultural Archives (UK), the Black Queer Archives (Netherlands) and Black Archives Sweden discussed their various approaches to autonomy, infrastructure, economics, and sustainability in creating and maintaining Black archives within Europe...

12 Must-See Gallery and Museum Shows during Art Basel in Miami Beach 2023
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12 Must-See Gallery and Museum Shows during Art Basel in Miami Beach 2023 | Artsy Skip to Main Content Advertisement Art 12 Must-See Gallery and Museum Shows during Art Basel in Miami Beach 2023 Maxwell Rabb Nov 29, 2023 10:34PM Ahmed Morsi, Green Hors e, 2001...