Sundown (Number Twenty)

2019 - Photography (Photography)

152.4 x 114.3 cm

Xaviera Simmons

location: Brooklyn, New York
year born: 1974
gender: female
nationality: American
home town: New York, New York

Xaviera Simmons often employs her own body and collected materials in the service of her photographs and performances. Not to be mistaken as mere portraiture, however, Simmons’ works are explorations of the Black body in relation to landscape and other dimensions of non-linear space and time. Concealing and flattening her subjects with costumes and collage-like, abstract pictorial devices, the artist arranges archival photographs, printed textiles, and anthropological artifacts in configurations that highlight the power of visual culture to shape contemporary understandings of the self. Dressed in wax-printed broadcloth, the subject of Sundown (Number Twenty) holds a photograph from the Jim Crow era in her left hand and an African mask in her right. The busy backdrop of tropical flora reinforces problematic associations of fantasy and exoticism suggested by the masked figure. Simultaneously concealing and replacing her own image, Simmons allows her individual identity to dissolve into the cultural constructs and histories that each artefact and image holds.


Artist Xaviera Simmons’s diverse body of work is committed to multiplicity. Eschewing linear notions of history, her approach to investigating themes such as the shifting notions surrounding landscape and the conditions of African American female experience are cyclical in nature. Her studio practice demonstrates a fidelity to no single artistic modality or creative process; rather, Simmons’ interdisciplinary pursuits are in constant, active flux. Encompassing installation, photography, performance, and sound and video works, her evolving approach to artmaking is emblematic of the plurality of cultural experience and the myriad ways in which identity is constructed in contemporary culture.


Colors:



Karachi Series 1 (Chandra Acarya, 7:50pm, 30 August 2008, Ramadan, Karachi)
© » KADIST

Bani Abidi

2008

The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi ...

Death at a 30 Degree Angle
© » KADIST

Bani Abidi

2012

The perceived effortlessness of power, projecting above experiences of labored subordination is examined in Death at a 30 Degree Angle by Bani Abidi, which funnels this projection of image through the studio of Ram Sutar, renowned in India for his monumental statues of political figures, generally from the post-independence generation...

Sentimentite (COVID-19 Global Lockdowns 53/100, from Chapter 6: The Pandemic)
© » KADIST

Agnieszka Kurant

2022

For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history...

Tremble
© » KADIST

Jiang Zhi

2009

In the video installation Tremble, Jiang projected the life-size images of seven naked men and women onto seven individual screens...

Other related works, blended automatically  
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Karachi Series 1 (Chandra Acarya, 7:50pm, 30 August 2008, Ramadan, Karachi)
© » KADIST

Bani Abidi

2008

The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi ...

Death at a 30 Degree Angle
© » KADIST

Bani Abidi

2012

The perceived effortlessness of power, projecting above experiences of labored subordination is examined in Death at a 30 Degree Angle by Bani Abidi, which funnels this projection of image through the studio of Ram Sutar, renowned in India for his monumental statues of political figures, generally from the post-independence generation...

Drawn and Quartered
© » KADIST

Claudia Joskowicz

2007

The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...

Exquisite Eco Living (executive Properties series)
© » KADIST

Vincent Leong

2012

The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city...

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Mansudae Master Class
© » KADIST

Che Onejoon

2013

For the last few years, Che Onejoon has been focusing on the relationships between African countries and North Korea...

Daniel Clowes interviewed by Rene de Guzman
© » KADIST

Daniel Clowes is a graphic novelist, screenwriter, and Bay Area treasure...

Pier 24 Photography featured on 9 lives magazine
© » PIER 24

Pier 24 Pier 24 Photography featured on 9 lives magazine - Pier 24 Pier 24 Photography featured on 9 lives magazine September 16, 2022 Our thanks to curator Émilie Flory for sharing about her experience visiting Pier 24 Photography on 9 lives magazine ...

Study for a Recycling Device
© » KADIST

Pedro Reyes

2005

In Reyes’s words, “We should be able to extract the technological nutrients before we excrete our waste...

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20
© » KADIST

Chris Wiley

2012

Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...

Nothing New
© » KADIST

Oded Hirsch

2012

Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...

Excerpt (Sealed) (Brown)
© » KADIST

Stephen G. Rhodes

2010

For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame...

La Ligne du Temps
© » KADIST

Valeska Soares

2012

Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...

Related artist(s) to: Xaviera Simmons » Sara Vanderbeek, » Carrie Mae Weems, » Elad Lassry, » John Baldessari, » Kalup Linzy, » Liz Magic Laser, » Maren Hassinger, » Marianne Vitale, » Mika Tajima, » Terry Adkins  
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One Must
© » KADIST

John Baldessari

1997

In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...

Pranayama D
© » KADIST

Mika Tajima

2017

Mika Tajima’s Pranayama sculptures are built from carved wood and chromed Jacuzzi jets and are presented as artefacts...

Floor, Legs
© » KADIST

Elad Lassry

2013

In establishing a deliberate distance between viewer and subject, Lassry raises questions about representation itself and how all portraits are, in effect, fully constructed objects that only gain meaning once we ascribe them with our own personal associations and emotions...

Men (055, 065)
© » KADIST

Elad Lassry

2012

The black-and-white photograph Men (055, 065) (2012) depicts two similarly built young men – young and slim, with dark tousled hair and a square jaw line – seated aside one another in identical outfits...

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Interview with Xaviera Simmons
© » KADIST

New York-based artist Xaviera Simmons and AFRO Charities executive director Savannah Wood introduce Nectar , on view at KADIST Paris from May 6th to July 24th 2022...

Xaviera Simmons, Nectar - Konsthall C
© » KADIST

After a presentation at KADIST Paris in Spring 2022, Xaviera Simmons’ solo exhibition “Nectar” travels to Konsthall C, Stockholm, Sweden...

Savannah Wood
© » KADIST

Kadist is happy to welcome Savannah Wood for a research residency in dialogue with the artist Xaviera Simmons in the first quarter of 2022...

Xaviera Simmons
© » KADIST

Xaviera Simmons will be in residence at KADIST Paris in the first quarter of 2022 to work on a continuation of her Sundown Series...