5 minutes (17 second loop)
In this video, a parrot chews on seeds printed with punctuation marks. A radio on the shelf in the background broadcasts the news of an unfolding football match. As the game (and video) progresses, the bird eats all of the remaining punctuation. Punctuation is, in a sense, never spoken, and here provides the visual accompaniment to disembodied action and voice. The parrot, as a silent but potential non-human speaker, here breaks down relentless stream of vocalized reporting.
Rivane Neuenschwander’s work foregrounds its inventive use of materials, often altering and manipulating them in novel ways: snails eat through rice paper, fish carry pieces of love letters, and prayer ribbons leave on museum visitors’ wrists. All of her projects—which are comprised of photography, film, or installation—refer back to cycles of human interaction, consumption, and sentiment.
This series of photographs, Sobre la igualdad y las diferencias: casas gemelas (On Equality and Differences: Twin Houses) , taken in Havana in 2005, belongs to a wider group of works that the artist has been developing over many years, generally titled Bifurcaciones y encrucijadas (Forking Paths and Crossroads) ...
Adição por subtração 4 (Addition by Subtraction, 2010) is an intervention into the white cube with both beautiful and intimidating results...
Braga’s video work Provisão (2009) opens with a still shot of a clearing in a forest, shoots of grass emerging from a muddy brown patch of seemingly dry and barren earth...
Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...
Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...
In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...
For this floor based work, Gomes has taken two lengths of bamboo and tied them together using linen thread...
Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions...
The series West (Flag 1), West (Flag 3), and West (Flag 6) continues da Cunha’s ongoing exploration of the form’s various vertical, horizontal, and diagonal stripes...
Oliver Laric’s video Versions is part of an ongoing body of work that has continued to evolve and mutate over time...
This series of photographs reflects Marcelo Cidade’s incessant walks or drifting through the city and his chance encounters with a certain street poetry like the Surrealists or Situationists before him...
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
Glaze (Savana) (2005) is an assemblage of found materials: a car wheel, a tire, and a wooden plinth of the type traditionally used to display sculpture...
Wolfgang Tillmans initiated the ongoing series Faltenwurf in 1989, representing compositions of unused clothing, with special attention paid to the ways in which they drape and fold...
De sino à sina (From Bell to Fate) is a six-channel sound installation by Carla Zaccagnini exploring the relationship between modern Brazil and its colonial past...