Sunday (Domingo)

Marepe (an acronym for Marcos Reis Peixoto) is from northeastern Brazil, and his sculptures and installations are steeped in its culture, traditions, festivals; his personal memories associated with his birthplace; and his interactions with European culture...

This series of photographs, Sobre la igualdad y las diferencias: casas gemelas (On Equality and Differences: Twin Houses) , taken in Havana in 2005, belongs to a wider group of works that the artist has been developing over many years, generally titled Bifurcaciones y encrucijadas (Forking Paths and Crossroads) ...

This series of photographs reflects Marcelo Cidade’s incessant walks or drifting through the city and his chance encounters with a certain street poetry like the Surrealists or Situationists before him...

Oliver Laric’s video Versions is part of an ongoing body of work that has continued to evolve and mutate over time...

Mapa-Mundi BR (postal) is a set of wooden shelves holding postcards that depict locations in Brazil named for foreign countries and cities...

Marepe (an acronym for Marcos Reis Peixoto) is from northeastern Brazil, and his sculptures and installations are steeped in its culture, traditions, festivals; his personal memories associated with his birthplace; and his interactions with European culture...

This series of photographs, Sobre la igualdad y las diferencias: casas gemelas (On Equality and Differences: Twin Houses) , taken in Havana in 2005, belongs to a wider group of works that the artist has been developing over many years, generally titled Bifurcaciones y encrucijadas (Forking Paths and Crossroads) ...

Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...

Katie Graham at Major Pop Gallery – ARTOMITY 藝源 Katie Graham A Deep Sense Nov 9 – 19, 2023 Major Pop Gallery G/F, 54 Sai Street Sheung Wan, Hong Kong +852 6639 9903 Tuesday – Sunday, 1pm – 7pm @bykatiegraham.com Katie Graham’s paintings made of silk, ink, linen and thread, have a deep sense of layered and tactile artistry...

But to switch it around now could damage it, according to the art historian who discovered the error....

Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds...

Music – a propaganda promoting the Khmer Rouge socialist identity (via the Phnom Penh Post) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles January 21, 2019 Shortly after their rise to power in April 1975, the Khmer Rouge sought to change the social identity of the Khmer people...

Mapa-Mundi BR (postal) is a set of wooden shelves holding postcards that depict locations in Brazil named for foreign countries and cities...

Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil...

The Nightwatch , which is an ironic reference to the celebrated painting by Rembrandt, follows the course of a fox wandering among the celebrated collections of the National Portrait Gallery in London...

Heffel and Cowley Abbott’s live sales punctuated narratives driving the Canadian art market, from the renewal of Norval Morrisseau to the celebration of......

Shahab Fotouhi’s photographic series Establishing Shot; Interior, Night – Exterior, Day; without Antagonist and Extra consists of four C-prints that at first glance would appear to be travel posters for Iran, in that each features a beautifully shot image of an Iranian waterfall...

Part of the series Still Life Analysis II: The Island , the two photographs The Objects under the Civic Boulevard and A Yellow Blanket on a Wooden Pallet feature household objects of vagrants living beneath the Taipei’s Civic Boulevard expressway...

Canoas by Tamar Guimarães is a film made for the 2010 São Paulo biennial as an exercise in the projection of national identity...