Suburbia 1, Espinca bifida #3, Laconista7

2003 - Drawing & Print (Drawing & Print)

Dimensions vary

Johanna Calle

location: Bogota, Colombia
year born: 1965
nationality: Colombian
home town: Bogota, Colombia

Calle’s drawings all inhabit received forms but alter them to call attention to specific qualities. A newspaper is both reproduced and modified to call attention to the newspaper as a means of information transmission. This also emphasizes the effect of various seemingly unimportant support mechanisms: the role of visual layout and images. In other drawings Calle explores systems: the unfurling of suburban streets, resembling text and the veins on a leaf. These congruences point to the unity of Calle’s thematic interests: the circulation of information, human energies, and lives.


Johanna Calle’s drawings use pre-existing systems to explore issues of built space, cultural identity, and language. Her work often departs from common lines of handwriting, altering them with energy and pattern. The practice of drawing is considered expansively in Calle’s work, as she inserts stitching, metal, and even, returning to her background as a painter, the covering capacity of paint.


Colors:



Other related works, blended automatically

Abece “K”
© » KADIST

Johanna Calle

2011

Johanna Calle’s Abece “K” (2011) is part of a series of drawings (compiled into an artist book called Abece ) based on the alphabet...

Primero Estaba el Mar
© » KADIST

Felipe Arturo

2012

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© » KADIST

Felipe Arturo

2012

Defined as entropy, the second law of thermodynamics proposes that energy is more easily dispersed than it is concentrated...

Video: Catherine Opie on photographing leading British artists
© » ROYAL ACADEMY

Catherine Opie

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Raven (gun)
© » KADIST

Catherine Opie

1987

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© » KADIST

Nicolás Consuegra

2012

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Two Eyes Two Mouth
© » KADIST

Erika Verzutti

2015

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Les Fleurs d’intérieur
© » KADIST

Danh Vo

2009

The work “Les Fleurs d’intérieur” (which gives its name to the exhibiton presented at Kadist Art Foundation from May 30 to July 13, 2009) is a brass plate engraved with the inventory list of the works included in the show...

Untitled #185, 65, 535 combinations of a 2×2 grid, 16 colors
© » KADIST

John Houck

2013

John Houck’s brown- , sienna- and golden-toned composition, Untitled #185, 65, 535 combinations of a 2×2 grid, 16 colors , features densely packed lines of color moving diagonally across the creased page...

Some Dead Don’t Make a Sound (Hay muertos que no hacen ruido)
© » KADIST

Claudia Joskowicz

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Some Dead Don’t Make a Sound (Hay muertos que no hacen ruido) is a single-channel video by Claudia Joskowicz that features the Mexican legend of the Weeping Woman (La Llorona) as its main protagonist...

Sal Sem Carne
© » KADIST

Cildo Meireles

1975

Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil...

Baby Shoes, Never Worn
© » KADIST

John Houck

2013

Baby Shoes, Never Worn is part of photographer John Houck’s series of restrained still-life photographs capturing objects from his childhood...

Untitled
© » KADIST

Gabriel Sierra

2010

Untitled consists of a small wooden sculpture that leans against a wall...

Fordlândia Fieldwork
© » KADIST

Clarissa Tossin

2012

In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...

Stamp -X, Stamp -Y
© » KADIST

John Houck

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John Houck’s multi-layered photographic compositions immortalize nostalgic objects from the artist’s childhood, manipulated in the studio and in post-production into unreal still-life arrangements...

Drawn and Quartered
© » KADIST

Claudia Joskowicz

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The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...

Roca Carbón (Charcoal Rock)
© » KADIST

Mateo Lopez

2012

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SHE MAD: Laughing Gas
© » KADIST

Martine Syms

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Her 2016 video installation quotes the sitcom-as-form and also draws from a 1907 comedic short, Laughing Gas...