Suburbia 1, Espinca bifida #3, Laconista7
2003 - Drawing & Print (Drawing & Print)
Dimensions vary
Johanna Calle
Calle’s drawings all inhabit received forms but alter them to call attention to specific qualities. A newspaper is both reproduced and modified to call attention to the newspaper as a means of information transmission. This also emphasizes the effect of various seemingly unimportant support mechanisms: the role of visual layout and images. In other drawings Calle explores systems: the unfurling of suburban streets, resembling text and the veins on a leaf. These congruences point to the unity of Calle’s thematic interests: the circulation of information, human energies, and lives.
Johanna Calle’s drawings use pre-existing systems to explore issues of built space, cultural identity, and language. Her work often departs from common lines of handwriting, altering them with energy and pattern. The practice of drawing is considered expansively in Calle’s work, as she inserts stitching, metal, and even, returning to her background as a painter, the covering capacity of paint.
Colors:
Other related works, blended automatically
© » KADIST
Johanna Calle
2011Johanna Calle’s Abece “K” (2011) is part of a series of drawings (compiled into an artist book called Abece ) based on the alphabet...
© » KADIST
Felipe Arturo
2012Primero estaba el mar ( First Was the Sea , 2012) is a system of equivalences between syllables and silhouettes of waveforms cast in cement...
© » KADIST
Felipe Arturo
2012Defined as entropy, the second law of thermodynamics proposes that energy is more easily dispersed than it is concentrated...
© » KADIST
Martine Syms
2016Her 2016 video installation quotes the sitcom-as-form and also draws from a 1907 comedic short, Laughing Gas...
© » KADIST
Catherine Opie
1987Catherine Opie’s candid photograph Cathy (bed Self-portrait) (1987) shows the artist atop a bed wearing a negligee and a dildo; the latter is attached to a whip that she holds in her teeth...
© » KADIST
Catherine Opie
1994Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...
© » KADIST
Antonio Caro
2016Juego de Banderas (a play on words that loosely translates to both set of flags and game of flags) is a triptych of modified Colombian flags by Antonio Caro...
© » KADIST
John Houck
2013Baby Shoes, Never Worn is part of photographer John Houck’s series of restrained still-life photographs capturing objects from his childhood...
© » KADIST
Runo Lagomarsino
2020On Fire by Runo Lagomarsino comprises twenty pieces of parchment, each of which has had the contours and map of Brazil burned in stages...
© » KADIST
Nicolás Consuegra
2012A residency program in the blazing hot city of Honda, Colombia, inspired artist Nicolás Consuegra to consider the difficulty in understanding the needs of a distant community...
© » KADIST
Mateo Lopez
2012With Roca Carbón (Charcoal Rock, 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
© » KADIST
Nalini Malani
2012Malani draws upon her personal experience of the violent legacy of colonialism and de-colonization in India in this personal narrative that was shown as a colossal six channel video installation at dOCUMENTA (13), but is here adapted to single channel...
© » ROYAL ACADEMY
Catherine Opie
Video: Catherine Opie on photographing leading British artists | Blog | Royal Academy of Arts Catherine Opie in the RA Collection Gallery Video: Catherine Opie on photographing leading British artists Read more Become a Friend Video: Catherine Opie on photographing leading British artists Published 8 September 2023 Catherine Opie discusses her portraits of David Hockney, Anish Kapoor, Gillian Wearing, Isaac Julien and Lynette Yiadom-Boakye, featured in our free display in the Collection Gallery...
© » KADIST
Bernardo Ortiz
2011Casa de la cabeza (2011) is a drawing of the words of the title, which translate literally into English as “house of the head.” Ortiz uses this humorous phrase to engage the idea of living in your head....