In his performative action Subterranean Doomsday Vendor , Draeger positions himself in the subway system of Mexico City, as part of the common occurrence of bootleg media vendors. His contribution lies in dissemination of prophecy as he tests the public’s reactions to the types of content and media which can be circulated in such common spaces.
Swiss artist Christoph Draeger lives and works between Vienna and NY. His investigations focus on the dominance of media over society as he exploits topics of catastrophe, tragedy and entropy as an underlying social condition. His media based works utilize found and made material and his variations of the apocalyptic thematic spin upon layers of historical events.
For Untitled, Caesar encased recycled objects such as scraps of plywood, paper or cloth in resin and then cut and reassembled the pieces into abstract forms...
Ali Cherri, in conversation with Audrey Norcia In the framework of “ Visite croisée” with Jeu de Paume 3pm Meeting point at Jeu de Paume with Ali Cherri and Osei Bonsu : presentation of the exhibition Somniculus 4.30 pm KADIST : Exhibition tour Conceal, cover with sand, replicate, translate, restore 5pm Conversation between Ali Cherri and Audrey Norcia Ali Cherri is an artist...
Art Basel and Parley for the Oceans launch partnership at Art Basel Miami Beach 2023 - FAD Magazine Skip to content By Mark Westall • 4 December 2023 Share — Art Basel and Parley for the Oceans have announced a partnership and launch ‘Art for the Oceans’, a global fundraising initiative to protect Oceans, Climate and Life against plastic pollution, climate change and biodiversity loss...
Steven Seidenberg: The Residue of Life & The Architecture of Silence advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Steven Seidenberg: The Residue of Life & The Architecture of Silence Shinjuku #3, Tokyo Tape...
Video: introducing 'Entangled Pasts, 1768–now: Art, Colonialism and Change' | Blog | Royal Academy of Arts Lubaina Himid RA in her studio Video: introducing ‘Entangled Pasts, 1768–now: Art, Colonialism and Change’ Read more Become a Friend Video: introducing ‘Entangled Pasts, 1768–now: Art, Colonialism and Change’ Published 2 November 2023 Artist Lubaina Himid RA talks to us about our next exhibition in the Main Galleries...
In Guardian 2 Naufus Ramírez Figueroa explores the historical memory and political reality of the ruins of Kawinal, an archeological site of postclassic Mayan culture that was flooded in order to construct the hydroelectric dam of Chixoy in 1975 in a supposed effort to bring electricity to the country...