There are several elements to Subject, Silver, Prism . Silver ink is applied to blocks of black foam. A simple stand, reminiscent of cheap furniture, supports a drum constructed from deer hide stretched over plastic cooking bowls and held taut by the hide and twine. The tightness of the drum and the stiffness of its table offset the floppy softness of the black foam. The semantic and visual echo between the pots-and-pans drums of suburban children and the deer hide and wood drums of First Nations people are literally bound together in this piece.
Brian Jungen’s works create complex interrelationships between global consumer commodities and traditional First Nations objects. He often physically reworks brand-name products into forms associated with First Nations material culture, such as masks and teepees. More than a simple critique of American-European imperialism, Jungen’s hybrids are irreducible to either trajectory or even a one-way process of influence.
Ongoing Time Stabbed with a Dagger was Farmer’s first kinetic sculpture that added a cinematic character to an “ever-reconfiguring play presented in real time.” The assembly of various objects and props on top of a large platform constitutes not only a work, but, to a certain extent, a show in itself...
Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s...
Ongoing Time Stabbed with a Dagger was Farmer’s first kinetic sculpture that added a cinematic character to an “ever-reconfiguring play presented in real time.” The assembly of various objects and props on top of a large platform constitutes not only a work, but, to a certain extent, a show in itself...
Continuing Oursler’s broader exploration of the moving image, Absentia is one of three micro-scale installations that incorporate small objects and tiny video projections within a miniature active proscenium...
Each day, Yuji Agematsu smokes a pack of cigarettes and wanders the streets of New York City looking for trash...
In Bodily Study of Unthinking Groups, Harrison combines two disparate materials into one stratified stack: automotive clay (used in detailing cars) forms the earthy base, while fragments of zebra skull become imbedded in this falsified soil...
Victory at Sea is a simple mechanism made from cardboard and found materials that mimics the Phenakistoscope, an early cinematic apparatus...
This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series...
The work Timur Merah Project 2, the harbour of restless spirit is stretched out on a full cow’s hide, replicates the Kamasan Balinese painterly language that Citra Sasmita has developed in her recent works...
Carlos Amorales, based in Mexico City, works in many media and combinations thereof, including video, drawing, painting, photography, installation, animation, and performance...
Paloma Contreras Lomas sometimes incorporates large scale drawing into her practice...