Barbara Kasten’s Studio Construct 51 depicts an abstract still life: a greyscale photograph of clear translucent panes assembled into geometric forms, the hard lines of their edges converging and bisecting at various points. Light streams from unseen sources and projects rectangular shadows against an adjacent wall. Three-dimensional shapes become suddenly flat as the objects in Kasten’s still life are juxtaposed alongside their ghostly traces. Kasten’s assemblages could be seen as sculptural plays on geometric abstraction, but her sets are deliberately temporary and staged only to be photographed and subsequently dismantled. In shifting focus from the object-as-subject to the document, Studio Construct 51 privileges ephemerality over permanence and suggests that all physical forms are transient and ultimately only recognizable by the artifacts that they leave behind.
Barbara Kasten creates constructions for the camera by building temporary sets out of unidentified materials that she photographs and immediately disassembles. Producing continuously since the 1960s, Kasten’s work is often identified with the California Light and Space Movement, and her photographs deliberately play on perceptual phenomena of light and shadow. Kasten is a self-taught photographer and distances herself from the profession. Regardless, her work continues to influence younger generations of photographers who are inspired by her innovative and experimental compositions.
The application of bright colors and kitsch materials in Flower Tree manifests a playful comment on the influence of popular culture and urban lifestyle...
Converting is a piece about the Orang Laut, often called Sea Nomads, that inhabited the Riau archipelago...
The Possibility of the Half by Minouk Lim is a two-channel video projection that begins with a mirror image of a weeping woman kneeling on the ground...
Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios...
While Untitled (Shuffle) presents the same formal characteristics as the rest of Berman’s verifax collages, this constellation of specific images inside the radio’s frames—the Star of David, Hebrew characters, biblical animals—have Jewish symbolism and attest to the artist’s lasting obsession with the kabala...
Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...
MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...
Ammo Bunker (2009) is a multipart installation that includes large-scale wall prints and an architectural model...
Custom-built for a silent film star in 1934 in Santa Monica, the Sten-Frenke House is an idiosyncratic icon...
A Flags-Raising-Lowering Ceremony at my home’s cloths drying rack (2007) was realized in the year of the 10th anniversary of the establishment of The Hong Kong Special Administrative Region of the People’s Republic of China...
Untitled (San Francisco) was made in Idaho in 1984 and was facetiously dedicated to Henry Hopkins, the then director of the San Francisco Museum of Art who added “modern” to its name...
Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
Modotti’s Diego Rivera Mural: Billionaires Club; Ministry of Education, Mexico D...
Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water...
Shot in the streets of Tokyo, Collapse , is a meditation on the passing of time and on the complicated way in which we are smashed between the past and the future...
In 1977, as an already-established artist best known for his films, Bruce Conner began to photograph punk rock shows at Mabuhay Gardens, a San Francisco club and music venue...
Kwan Sheung Chi’s work One Million is a video work depicting the counting of bills...