Barbara Kasten’s Studio Construct 51 depicts an abstract still life: a greyscale photograph of clear translucent panes assembled into geometric forms, the hard lines of their edges converging and bisecting at various points. Light streams from unseen sources and projects rectangular shadows against an adjacent wall. Three-dimensional shapes become suddenly flat as the objects in Kasten’s still life are juxtaposed alongside their ghostly traces. Kasten’s assemblages could be seen as sculptural plays on geometric abstraction, but her sets are deliberately temporary and staged only to be photographed and subsequently dismantled. In shifting focus from the object-as-subject to the document, Studio Construct 51 privileges ephemerality over permanence and suggests that all physical forms are transient and ultimately only recognizable by the artifacts that they leave behind.
Barbara Kasten creates constructions for the camera by building temporary sets out of unidentified materials that she photographs and immediately disassembles. Producing continuously since the 1960s, Kasten’s work is often identified with the California Light and Space Movement, and her photographs deliberately play on perceptual phenomena of light and shadow. Kasten is a self-taught photographer and distances herself from the profession. Regardless, her work continues to influence younger generations of photographers who are inspired by her innovative and experimental compositions.
The application of bright colors and kitsch materials in Flower Tree manifests a playful comment on the influence of popular culture and urban lifestyle...
Converting is a piece about the Orang Laut, often called Sea Nomads, that inhabited the Riau archipelago...
Shot in the streets of Tokyo, Collapse , is a meditation on the passing of time and on the complicated way in which we are smashed between the past and the future...
Destilaciones ( Distillations , 2014) is an installation composed of a group of ceramic pots, presented on the floor and within a steel structure...
The Possibility of the Half by Minouk Lim is a two-channel video projection that begins with a mirror image of a weeping woman kneeling on the ground...
From the series the Old and the New (XI) by Carlos Garaicoa belongs to the series Lo viejo y lo nuevo / Das Alte und das Neue (The Old and the New) which was first exhibited in 2010 at Barbara Gross Gallery in Germany...
To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey...
This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series...
While Untitled (Shuffle) presents the same formal characteristics as the rest of Berman’s verifax collages, this constellation of specific images inside the radio’s frames—the Star of David, Hebrew characters, biblical animals—have Jewish symbolism and attest to the artist’s lasting obsession with the kabala...
Open Mind is a model created by Capote for a traversable public maze that, when seen from above, resembles the human brain...
Telescopic Pole is an adjustable telescopic pole that extends vertically from floor to ceiling and is held up by its own internal pressure...
Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
Iron Sorrows (1990) brings together what are for Alexis Smith common motifs and materials such as scavenged and repurposed metal, and street signage...
In 8 Ball Surfboard (1995),Alexis Smith combines her long-term interests in California culture and conceptual assemblage...
Unlike many of his earlier films which often present poignant critiques of mass media and its deleterious effects on American culture, EASTER MORNING , Conner’s final video work before his death in 2008, constitutes a far more meditative filmic essay in which a limited amount of images turn into compelling, almost hypnotic visual experience...