Stop Peeping
2016 - Drawing & Print (Drawing & Print)
94 x 69.5 cm
Wong Ping
This selection of poster prints of Wong Ping’s animations includes the films Jungle of Desire, Doggy Love, Slow Sex, An Emo Nose, and Stop Peeping . They serve as a glimpse into the discourse and intricacy of the artist’s imagined, yet responsive approach to his realities. The series of posters echoes the once-vibrant aura of movie posters, when they were designed by artists and designers to encapsulate the tone, story, and visual style of a film in one large image, and were often as iconic as the movie itself. Like much of Wong Ping’s work, these posters reflect on the anxiety and aggressions of Hong Kong’s younger generations, presenting a somewhat dystopian prognosis. His narratives tell strange tales that might be difficult to watch, were they not rendered in animated form. The visual and auditory narrations often explicitly touch upon sex, lust, eroticism, politics, and broader social relations. Wong’s video discusses his observations of a society with repressed sexuality, personal sentiments, and political limitations, using a visual language that sits on the border of shocking and amusing. In Jungle of Desire (2015) follows a grown man’s self-loathing as he is incapable to fulfill his wife sexually, and who ultimately succumbs to at-home prostitution and is taken advantage of by a cop. Depressed and incapable, he speaks of taking his own life. While in Doggy Love (2015) Ping tells the story of a repressed male teenager who becomes crazy about a girl who has breasts on her back. The animation follows his incapacity to control himself sexually till they fall in love and he ultimately understands the concept of the heart. Such humor laced with weariness is also found in An Emo Nose (2016) that tells the story of a man’s heart-shaped nose that moves away in distance from his face with every negative thought. Akin to Pinocchio’s ‘lying nose’, the man starts off as one with his friend: socializing, enjoying the small things in life from watching movies to meeting women. The nose moves away, however, with every damaging thought till the point where the narrator can no longer see it, just vicariously smells and thereby ‘lives’ through it, leaving him behind to be a social outcast or ‘emo’.
Obscenity and profound issues of contemporary society are not mutually exclusive in Wong Ping’s video works. His neon-hued animations imagine salacious narratives based on the artist’s real life encounters and observations, tapping into our deepest desires, fantasies, and repressed sentiments. Wong’s work forces its audiences to reassess their internalized standards of decency in its razor sharp critiques and existential inquiries. Teetering between perverse honesty and vulgarity, complex vignettes of individual relations in contemporary society are delivered as lurid, visually vibrant representations in an 8-bit video game aesthetic. Wong’s signature visual language is especially effective in masking social taboos packed with observations on repressed sexuality, obsession, social relations, political limitations, and cultural etiquette. Wong’s work carefully considers immense proposals concerning control structures, desire, sexuality, shame, masculinity, Hong Kong society, and digital ontologies in a way that is neither indexical nor allegorical. Rather, Wing’s work poses an uncomfortable middle ground, equally filled with the uncomfortable dialectic between smut and criticality.
Colors:
Related works sharing similar palette
© » KADIST
Sahej Rahal
2015Within the narrative of Sahej Rahal’s The rocks we will find, beings perform absurd acts in derelict corners of the city, emerging into the everyday as if from the cracks of our civilization, transforming them into liminal sites of ritual, and challenging ways in which we experience time and space...
© » IMA
Age of Photon / Taro Karibe Exhibition “INCIDENTS” | Exhibition | IMA ONLINE Age of Photon / Taro Karibe Exhibition "INCIDENTS" 24 January 2020 - 8 February 2020 IMA gallery TAGS Taro Karibe IMA gallery Share Title Age of Photon / Taro Karibe Exhibition “INCIDENTS” Dates Friday 24 January, 2020 – Saturday 8 February, 2020 Site IMA gallery （Tokyo） Time 11:00 – 19:00 Closed Sundays and National Holidays Event Saturday 8 February, 15:00-17:00: closing event TAGS Taro Karibe IMA gallery Share Staff Picks HANON Présage / Connotations Yoshinori Mizutani Hideyuki Ishibashi...
© » KADIST
Claudia Martínez Garay
2019escenario chacana by Claudia Martínez Garay is a sculptural work composed of a frame-like structure that contains a series of ceramic pieces...
© » KADIST
American Artist
2022American Artist is engaged in a multiyear research project that traces and teases various interconnections between the life and work of science fiction author Octavia E...
© » ART & OBJECT
American Artist
10 Must-See Artworks by Indigenous American Artists at the Seattle Art Museum | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » ARTS EQUATOR
(Episode 3) What's in a Scene - Cerita Cinta by akulah BIMBO SAKTI | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints November 30, 2020 In this last episode of What’s in a Scene, Noor Effendy Ibrahim and Dalifah Shahril break down a scene from Cerita Cinta (2018)...
© » SLASH PARIS
Io Burgard — La proie pour l’ombre — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Io Burgard — La proie pour l’ombre — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Io Burgard — La proie pour l’ombre Exposition Techniques mixtes Affiche de l’exposition La proie pour l’ombre Io Burgard La proie pour l’ombre Encore environ 2 mois : 7 février → 30 mars 2024 Artiste : Io Burgard Commissaire de l’exposition : Bettie Nin Prenant prétexte du mythe du Sphinx — ce monstre-gardien symbole des connaissances inaccessibles aux non-initiés — Io Burgard a développé un jeu vidéo dont le récit infiltre l’exposition...
© » KADIST
For the sixth year of its magazine residency, Kadist welcomes editors and artists Robert Hamelijnck and Nienke Terpsma of Fucking Good Art (FGA) , Rotterdam! To launch their latest issue, New Existentialism , and in celebration of the past twelve years of their publishing activity, FGA has assembled a small exhibition showcasing thirty-five past issues that will be on view at Kadist through February 19 ...
© » GAS
New Anna Marrow Originals and Limited Editions – Gina Cross - Curator + Mentor Close Thin Icon Close Thin Icon Your cart Close Alternative Icon Now partnered with Art Money for interest free art collecting Now partnered with Art Money for interest free art collecting News Written by Gina Cross Previous / Next It's always a delight to welcome new work by Anna Marrow to the gallery - and we are pleased to present a specially commissioned body of original works on wood celebrating 'modernist dreams'...
© » ARTS EQUATOR
Weekly Picks: Indonesia (21 - 27 January 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do January 21, 2019 Top Picks of Indonesia art events in Jakarta, Solo, and Bali from 21 – 27 January 2019 Arcolabs, a visual art community supporting engagement and growth of arts in Jakarta, invites you to attend The Concept of Self: individual and integrity ...
© » WHITEHOT
How do Wussies Network? advertise donate post your art opening recent articles cities contact about article index podcast main February 2024 "The Best Art In The World" "The Best Art In The World" February 2024 How do Wussies Network? Ian Lewandowski, Natalia in Cowboy Hat, Indy Pride, Military Park, Indianapolis 2023, 2023, photography...
© » ARTS EQUATOR
The top ArtsEquator articles of 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints December 31, 2021 Below is a list of the top 10 ArtsEquator articles in 2021, in random order: The Substation: How many more canaries in the coal mine? by Hoe Su Fern Published on: 20 Feb 2021 “Although the current situation facing The Substation is not new or unique, its impending fate is emblematic of, and raises deep questions about the progressively precarious and capricious conditions of arts practice in Singapore.” Also well-read: The Su bstation: An unstoppable force and an immovable object by Nabilah Said and a timeline of events by Ke Weiliang...
