Stop Peeping
2016 - Drawing & Print (Drawing & Print)
94 x 69.5 cm
Wong Ping
This selection of poster prints of Wong Ping’s animations includes the films Jungle of Desire, Doggy Love, Slow Sex, An Emo Nose, and Stop Peeping . They serve as a glimpse into the discourse and intricacy of the artist’s imagined, yet responsive approach to his realities. The series of posters echoes the once-vibrant aura of movie posters, when they were designed by artists and designers to encapsulate the tone, story, and visual style of a film in one large image, and were often as iconic as the movie itself. Like much of Wong Ping’s work, these posters reflect on the anxiety and aggressions of Hong Kong’s younger generations, presenting a somewhat dystopian prognosis. His narratives tell strange tales that might be difficult to watch, were they not rendered in animated form. The visual and auditory narrations often explicitly touch upon sex, lust, eroticism, politics, and broader social relations. Wong’s video discusses his observations of a society with repressed sexuality, personal sentiments, and political limitations, using a visual language that sits on the border of shocking and amusing. In Jungle of Desire (2015) follows a grown man’s self-loathing as he is incapable to fulfill his wife sexually, and who ultimately succumbs to at-home prostitution and is taken advantage of by a cop. Depressed and incapable, he speaks of taking his own life. While in Doggy Love (2015) Ping tells the story of a repressed male teenager who becomes crazy about a girl who has breasts on her back. The animation follows his incapacity to control himself sexually till they fall in love and he ultimately understands the concept of the heart. Such humor laced with weariness is also found in An Emo Nose (2016) that tells the story of a man’s heart-shaped nose that moves away in distance from his face with every negative thought. Akin to Pinocchio’s ‘lying nose’, the man starts off as one with his friend: socializing, enjoying the small things in life from watching movies to meeting women. The nose moves away, however, with every damaging thought till the point where the narrator can no longer see it, just vicariously smells and thereby ‘lives’ through it, leaving him behind to be a social outcast or ‘emo’.
Obscenity and profound issues of contemporary society are not mutually exclusive in Wong Ping’s video works. His neon-hued animations imagine salacious narratives based on the artist’s real life encounters and observations, tapping into our deepest desires, fantasies, and repressed sentiments. Wong’s work forces its audiences to reassess their internalized standards of decency in its razor sharp critiques and existential inquiries. Teetering between perverse honesty and vulgarity, complex vignettes of individual relations in contemporary society are delivered as lurid, visually vibrant representations in an 8-bit video game aesthetic. Wong’s signature visual language is especially effective in masking social taboos packed with observations on repressed sexuality, obsession, social relations, political limitations, and cultural etiquette. Wong’s work carefully considers immense proposals concerning control structures, desire, sexuality, shame, masculinity, Hong Kong society, and digital ontologies in a way that is neither indexical nor allegorical. Rather, Wing’s work poses an uncomfortable middle ground, equally filled with the uncomfortable dialectic between smut and criticality.
Colors:
Related works sharing similar palette
© » KADIST
Sahej Rahal
2015Within the narrative of Sahej Rahal’s The rocks we will find, beings perform absurd acts in derelict corners of the city, emerging into the everyday as if from the cracks of our civilization, transforming them into liminal sites of ritual, and challenging ways in which we experience time and space...
© » IMA
Age of Photon / Taro Karibe Exhibition “INCIDENTS” | Exhibition | IMA ONLINE Age of Photon / Taro Karibe Exhibition "INCIDENTS" 24 January 2020 - 8 February 2020 IMA gallery TAGS Taro Karibe IMA gallery Share Title Age of Photon / Taro Karibe Exhibition “INCIDENTS” Dates Friday 24 January, 2020 – Saturday 8 February, 2020 Site IMA gallery （Tokyo） Time 11:00 – 19:00 Closed Sundays and National Holidays Event Saturday 8 February, 15:00-17:00: closing event TAGS Taro Karibe IMA gallery Share Staff Picks HANON Présage / Connotations Yoshinori Mizutani Hideyuki Ishibashi...
© » DAZED DIGITAL
How cute became the defining aesthetic of the internet age | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Life & Culture Feature From emojis to coquettes and Hello Kitty, cute’s transformative potential is shaping how we see ourselves both on and off-screen Text Günseli Yalcinkaya 9 February 2024 Cute (2024) 13 When Tim Berners-Lee, the inventor of the World Wide Web, was asked in 2014 to name one use of the internet that he didn’t anticipate, he answered with a single word: kittens...
© » KADIST
Kate Mitchell
2015In Time is a 24-hour video in which the artist rests, hangs and clings onto the minute hand of a large clock, 4 x 4 meters in diameter, arduously counting out a full 24-hour cycle so that the video becomes a functional time-keeping device...
© » ARTS EQUATOR
Weekly Picks: Indonesia (21 - 27 January 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do January 21, 2019 Top Picks of Indonesia art events in Jakarta, Solo, and Bali from 21 – 27 January 2019 Arcolabs, a visual art community supporting engagement and growth of arts in Jakarta, invites you to attend The Concept of Self: individual and integrity ...
© » BROOKLYN STREET ART
Rolex, by Elfo | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY photo © Elfo Just like Chanel taking over an old ugly building in Williamsburg, Brooklyn, and slapping their logo on it, perhaps thinking it was suddenly transformed, we see street artist Elfo sloppily sloshing the letters ROLEX on this abandoned spot in Italy...
© » SLASH PARIS
Io Burgard — La proie pour l’ombre — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exhibition — Slash Paris Login Newsletter Twitter Facebook Io Burgard — La proie pour l’ombre — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Io Burgard — La proie pour l’ombre Exhibition Mixed media Affiche de l’exposition La proie pour l’ombre Io Burgard La proie pour l’ombre Ends in about 2 months: February 7 → March 30, 2024 Artiste : Io Burgard Commissaire de l’exposition : Bettie Nin Prenant prétexte du mythe du Sphinx — ce monstre-gardien symbole des connaissances inaccessibles aux non-initiés — Io Burgard a développé un jeu vidéo dont le récit infiltre l’exposition...
© » ARTS EQUATOR
Eleven New Elements from the Asia-Pacific Region Inscribed on the List of UNESCO’s Intangible Cultural Heritage | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar December 10, 2018 Meeting in Mauritius until 1 December, the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage inscribed eleven elements from the Asia-Pacific region on the Lists of UNESCO’s Intangible Cultural Heritage...
© » GAS
New Anna Marrow Prints – Gina Cross - Curator + Mentor Close Thin Icon Close Thin Icon Your cart Close Alternative Icon Now partnered with Art Money for interest free art collecting Now partnered with Art Money for interest free art collecting News Written by Gina Cross Previous / Next This week we launch a series of 6 brand new and exclusive prints by the ever popular Anna Marrow...
© » ARTS EQUATOR
(Episode 3) What's in a Scene - Cerita Cinta by akulah BIMBO SAKTI | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints November 30, 2020 In this last episode of What’s in a Scene, Noor Effendy Ibrahim and Dalifah Shahril break down a scene from Cerita Cinta (2018)...
