Stanley "Tom" Durrell, Tinsmith

Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...

The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...

I Am Cuba— “Soy Cuba” in Spanish; “Ya Kuba” in Russian—is a Soviet/Cuban film produced in 1964 by director Mikhail Kalatozov at Mosfilm...

Commissioned by the San Francisco Museum of Modern Art and riffing on the “I Want You” army recruitment campaigns of the 1930s and 1940s, Labat asked Bay Area residents to interpret the slogan and make their own demands of the public in a series of live performance auditions...

Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...

Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...

San Pedro is a seaside city, part of the Los Angeles Harbor, sitting on the edge of a channel...

In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...

Visalia Livestock Market, Visalia, California results from Lockhart’s prolonged investigation of an agricultural center and community...

Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...

Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...

Catherine Opie’s candid photograph Cathy (bed Self-portrait) (1987) shows the artist atop a bed wearing a negligee and a dildo; the latter is attached to a whip that she holds in her teeth...

Podcast 106: Boom | ArtsEquator Skip to content In our latest podcast, we discuss Boom, a production by A Mirage which took place on 1-20 July 2022...

Patrizia Sandretto Re Rebaudengo, Dimitris Daskalopoulos, and Paul Ettlinger sit down to discuss how art collecting has evolved....

Experiencing a slice of life: Artist’s Block by ArtWave | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Zinkie Aw March 1, 2022 By Noorul Raaha As’art (830 words, 3-minute read) Waterloo Street is a smorgasbord of sensory experiences, from Hindu and Buddhist temples coexisting side by side, to old uncles and aunties hawking religious paraphernalia, shaded by their New Moon abalone umbrellas, and stalls offering acupuncture services, amongst other things...

Johanna Hedva “If You’re Reading This, I’m Already Dead” at JOAN, Los Angeles — Mousse Magazine and Publishing...

Visalia Livestock Market, Visalia, California results from Lockhart’s prolonged investigation of an agricultural center and community...

Lockhart’s film Lunch Break investigates the present state of American labor through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U...

Blue Ivy's grandma tells how she introduced her kids to paintings at an early age while at The Broad's Soul of a Nation: Art in the Age of Black Power exhibit...

A private preview of a new film produced for dOCUMENTA (13), followed by a conversation with political philosopher Florian Grosser...

Furthering Alexandra Pirici’s enquiry into the economy and circulation of artworks, Parthenon Marbles is an immaterial version of the sculptural ensemble embodied by five performers...

“I focused on how the political and physical merged” analyzes Willie Doherty...