Stanley "Tom" Durrell, Tinsmith

Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...

The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...

To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey...

In Dorian, a cinematic perfume, video is used as a community gatherer, a tool to speak about particular subcultures, in this case the trans-gender drag queen New York community, past and present...

Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...

Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...

In this photographic series, Yto Barrada was interested in the logos of the buses that travel between North Africa and Europe...

Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors...

Visalia Livestock Market, Visalia, California results from Lockhart’s prolonged investigation of an agricultural center and community...

Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...

Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...

Los rastreadores is a two-channel video by Claudia Joskowicz narrating the story of a fictitious drug lord, Ernesto Suarez, whose character is based on the well-known Bolivian drug dealer, Roberto Suárez...

Podcast 106: Boom | ArtsEquator Skip to content In our latest podcast, we discuss Boom, a production by A Mirage which took place on 1-20 July 2022...

Patrizia Sandretto Re Rebaudengo, Dimitris Daskalopoulos, and Paul Ettlinger sit down to discuss how art collecting has evolved....

Be-side(s) work; a gathering of thoughts with artist Em’kal Eyongakpa, curator Amal Alhaag, publisher Giulia Brivio and friends Published in November 2014, The publication Be-side(s) works is an archive within an artwork...

Mirrored Interrogations | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles November 8, 2018 By Eunice Lacaste (1000 words, four-minute read) In post-colonial Southeast Asia, the constraint of politically-engaged artworks is not uncommon...

Visalia Livestock Market, Visalia, California results from Lockhart’s prolonged investigation of an agricultural center and community...

Lockhart’s film Lunch Break investigates the present state of American labor through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U...

Blue Ivy's grandma tells how she introduced her kids to paintings at an early age while at The Broad's Soul of a Nation: Art in the Age of Black Power exhibit...

A private preview of a new film produced for dOCUMENTA (13), followed by a conversation with political philosopher Florian Grosser...

Winter is a film installation of multiple tenses—shot in the recent past, depicting an unknown future, unfolding (and changing) in the present of the exhibition...

The curator and writer Juana Berrío will follow the process of «room for us» in order to identify particular concepts addressed during the discursive events and series of workshops...