SPORT/ Becky Blast
2019 - Drawing & Print (Drawing & Print)
28 x 21 cm
Karla Kaplun
Studying the body in movement, this series of drawings depart from Karla Kaplun’s work A ztec BLAST® Workout (AWB) . Taking the form of a fitness training program, this work critically explores issues of cultural appropriation, focusing on the traditional “Conchero” Aztec dance. The Concheros dance—also known as the Chichimecas, Aztecas and Mexicas—is an important traditional dance and ceremony which has been performed in Mexico since early in the country’s colonial period. The drawings SPORT/Becky Blast and SPORT/Cookie Blast feature bodies in abject and contorted poses. The work blends together movements from the traditional “Conchero” Aztec dance with bodybuilding gym routines and the aesthetic of wellness boutiques. For the artist, an important part of the process has been to observe bodies performing these physical activities in an attempt to subdue them in the partiality of their poses; to freeze them in order to replicate the movement of their effort. Kalpun highlights the consequences of cultural appropriation and whitewashing by portraying caucasian figures rather than bodies of indigenous people, incorporating images of Nike’s shoes, and assigning titles like Becky and Cookie. This body of work also addresses the Mexican government’s strategy, used in the post-revolutionary era, to instrumentalize the Conchero Dance as a propaganda tool to construct a ‘Mexican identity’.
Karla Kaplun’s practice centers on micro-utopias, the construction and functioning of collective memory, as well as mechanisms of political and economic power and control. Kaplun’s multimedia practice includes drawing, painting, collage, video, and participatory workshops and often evokes a theatrical feeling through poetic images. Kaplun’s work explores the idea of Mexican cultural syncretism and the construction of cultural identity (often instrumentalized by governments) and creates new possibilities in language and representation. A starting point of her research has frequently been the origins of the Mexican Baroque, and the ways in which local crafts and indigenous cultures and its arts have influenced European settlements throughout Mexico’s colonial history.
Colors:
Related works sharing similar palette
© » SLASH PARIS
Guillaume Chamahian — Détritique 2 — Analix Forever Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Guillaume Chamahian — Détritique 2 — Analix Forever Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Guillaume Chamahian — Détritique 2 Exhibition Photography, mixed media, video Upcoming Guillaume Chamahian, Le baiser, 2023 Impression sur plaque de grès Guillaume Chamahian Détritique 2 In 2 days: Wednesday, December 20, 2023 3 PM → 9 PM Artiste du réel, de ses représentations, traitements et retraitements, Guillaume Chamahian travaille à la croisée de la photographie documentaire, de l’art conceptuel, de la dénonciation politique et l’art d’investigation...
© » SLASH PARIS
Guillaume Chamahian — Détritique 2 — Galerie Analix Forever — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Guillaume Chamahian — Détritique 2 — Galerie Analix Forever — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Guillaume Chamahian — Détritique 2 Exposition Photographie, techniques mixtes, vidéo À venir Guillaume Chamahian, Le baiser, 2023 Impression sur plaque de grès Guillaume Chamahian Détritique 2 Dans 2 jours : Mercredi 20 décembre 2023 15:00 → 21:00 Artiste du réel, de ses représentations, traitements et retraitements, Guillaume Chamahian travaille à la croisée de la photographie documentaire, de l’art conceptuel, de la dénonciation politique et l’art d’investigation...
© » KADIST
Gabriel Pericas
2014“Weight & velocity (cat on router)” is a duo of two humorous photographs of a cat lying on a computer router...
© » KADIST
Sin Wai Kin
2017A woman you thought you knew by Sin Wai Kin originates from a performance series titled A View from Elsewhere ...
© » SLASH PARIS
Prix Marcel Duchamp — 2023 — Centre Georges Pompidou — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Prix Marcel Duchamp — 2023 — Centre Georges Pompidou — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Prix Marcel Duchamp — 2023 Exposition Techniques mixtes À venir Prix Marcel Duchamp 2023 — Bertille Bak, Bouchra Khalili, Tarik Kiswanson et Massinissa Selmani © ADIAF Prix Marcel Duchamp 2023 Dans 9 mois : 2 octobre 2023 → 2 janvier 2024 Bertille Bak, Bouchra Khalili, Tarik Kiswanson et Massinissa Selmani sont les quatre artistes nominés par un comité de sélection composé de onze collectionneurs de l’ADIAF pour l’attribution du 23e Prix Marcel Duchamp...
© » KADIST
Jonathan Hernández
2008In line with Hernández’s interest in catastrophe, Vulnerabilia (choques) is a collection of images of shipwrecks and Vulnerabilia (naufragios) collects scenes of car crashes...
© » KADIST
Halil Altindere
2013Wonderland is a music video for the Turkish hip-hop group Tahribad-I Isyan (Rebellion of Destruction)...
© » KADIST
Gabriel Orozco
2002Gabriel Orozco comments: “In the exhibition [Documenta 11, Kassel, 2002], I tried to connect with the photographs I took in Mali in July...
© » SLASH PARIS
Prix Marcel Duchamp — 2023 — Centre Georges Pompidou — Exhibition — Slash Paris Login Newsletter Twitter Facebook Prix Marcel Duchamp — 2023 — Centre Georges Pompidou — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Prix Marcel Duchamp — 2023 Exhibition Mixed media Upcoming Prix Marcel Duchamp 2023 — Bertille Bak, Bouchra Khalili, Tarik Kiswanson et Massinissa Selmani © ADIAF Prix Marcel Duchamp 2023 In 9 months: October 2, 2023 → January 2, 2024 Bertille Bak, Bouchra Khalili, Tarik Kiswanson and Massinissa Selmani are the four finalists of the 2023 edition of the Marcel Duchamp Prize...
© » KADIST
Jeamin Cha
2018Almost One by Jeamin Cha dives into an uncomfortable meditation on the relationship between socialization, performativity, truth, and childhood, filtered through the optics of a children’s acting class in South Korea...
