Dimensions variable
South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race.
Employing the visual language and terminology of mass media, and appropriating symbols and images from popular culture, Hank Willis Thomas’ work seeks to question and subvert established definitions and positions with regards to personal identity and the narrative of race. Working across installation, photography, video, and media work, Thomas maintains his photo conceptualist roots, primarily taking source material from found photographs and archives. These images form the basis from which the artist seeks to uncover the fallacies that history claims as truth. His work illustrates how the way history is represented and consumed reinforces generalizations surrounding identity, gender, race and ethnicity, and that as an artist he has an opportunity to expose or to revise those histories from the points of view of the oppressed.
Interested in role-play and videogames, Ana María Millán developed workshops with different communities in order to create characters and scenarios for her animations, often in collaboration with a choreographer...
The series Belle Époque of the Tropics by Noara Quintana has as its background the history of the rubber industrialization in North of Brazil...
HFT The Gardner by Suzanne Treister is a large-scale project that comprises drawings and computer works by fictional character Hillel Fischer Traumberg...
Growing up Everywhere and Nowhere in “Peter and the Starcatcher” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Bernie Ng October 22, 2018 By Teo Xiao Ting (1,300 words, seven-minute read) What does it mean to be a child? Specifically, what does it mean to be growing up, to be young, in this milieu? While set in the sepia of 1885, Peter and the Starcatcher by Pangdemonium asks questions that still resonate now, opening up to an extended session of make-believe to present the origin story of a Boy who detests all “grown-ups.” The story comes dusted in “starstuff,” a coveted substance that literally came from the stars, and has the magic to grant wishes...
FIELD MEETING Take 4: Thinking Practice | Ibraaz Contemporary Visual Culture in North Africa and the Middle East Home Platform Essays Interviews Projects Channel Reviews Publications News About Sign up Quick search Go Author Keyword Search archive Title Platform 010: Where to Now? Shifting Regional Dynamics and Cultural Production in North Africa and the Middle East 009: What are the genealogies of performance art in North Africa and the Middle East? 008: How do we productively map the historical and contemporary relationships that exist between North Africa, the Middle East and the Global South? 007: What is the future of arts infrastructures and audiences across North Africa and the Middle East? 006: What role can the archive play in developing and sustaining a critical and culturally located art history? 005: How has a globalised cultural economy affected the production of contemporary visual culture in North Africa and the Middle East? 004: With the benefit of hindsight, what role does new media play in artistic practices, activism, and as an agent for social change in the Middle East and North Africa today? 003: Can Artistic Practices Negotiate the Demands of Cultural Institutions, Public Space, and Civil Society? 002: What relationship does visual culture have to the world we live in? 001: What do we need to know about the MENA region today? Published between and Publications FIELD MEETING Take 4: Thinking Practice Online Programme 010_05 / 28 October 2016 Tags Curatorial Practice Conference Chapters in this series Introduction Curatorial Narrative Speaker Biographies + Synopses Programme / Schedule Closing Remarks Responses Video documentation Day 1 Video documentation Day 2 Most Viewed Halim El Dabh An Alternative Genealogy of Musique Concrète Fari Bradley Sous les Pavés, la Plage On Assumption and Authority David Birkin Now Where? On Navigating Without a Compass Stephanie Bailey The North of the South and the West of the East A Provocation to the Question Walter D...
In her new series titled Ninas Peruanas Cusquenas , Teresa Burga depicts young indigenous women from Peru’s Andean region, dressed in traditional garments...
Wallpaper* gift guide: shop with tech editor Jonathan Bell | Wallpaper (Image credit: Teenage Engineering) By Jonathan Bell published 12 December 2023 Technological gift giving can be a minefield; not everyone appreciates receiving electronics as a seasonal surprise and tech is either too personal or too prosaic to leave down to the gifting whims of another, however well intentioned...
Extrastellar Evaluations is a multimedia installation produced during Yin-Ju Chen’s residency at Kadist San Francisco in the spring of 2016...
The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...
Années pop, années choc, 1960-1975 — Mémorial de Caen — Exhibition — Slash Paris Login Newsletter Twitter Facebook Années pop, années choc, 1960-1975 — Mémorial de Caen — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Années pop, années choc, 1960-1975 Exhibition Painting, sculpture, mixed media Bernard Rancillac, Mélodie sous les palmes, 1965 (détail) © Fondation Gandur pour l’art Genève — Photographie André Morin — ADAGP Paris, 2023 Années pop, années choc, 1960-1975 Ends in 6 months: June 22 → December 31, 2023 Conçue à partir des œuvres de la figuration narrative de la Fondation Gandur pour l’Art et des collections du Mémorial (affiches, objets, films, photographies, unes de presse), Années pop, années choc, 1960-1975 aborde la représentation de l’histoire en marche : celle notamment de la guerre du Vietnam et de la confrontation entre blocs durant la guerre froide, des procès tardifs des nazis en Allemagne, du franquisme au pouvoir, de la révolution culturelle chinoise, mais aussi celle plus sociale de Mai 68, des luttes pour l’égalité des sexes ou contre la ségrégation raciale, de la société de consommation et du tourisme de masse comme pivots de l’histoire du monde occidental...
Disturbing behaviour: "Deproduction" by Terre Thaemlitz | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of Comatonse Recordings September 22, 2019 By Patricia Tobin (670 words, 4-minute read) Content warning: References to sexual content or situations Deproduction by musician-producer Terre Thaemlitz was released on December 28, 2017 as a multimedia album consisting of audio, video and text...
February Book Bag: from to a graphic novel of Ruth Asawa’s life to a tome of Glenn Brown’s works Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Books blog February Book Bag: from to a graphic novel of Ruth Asawa’s life to a tome of Glenn Brown’s works Our round-up of the latest art publications Gareth Harris 6 February 2024 Share Glenn Brown , contributors include Hans Werner Holzwarth, Taschen, 474pp, £750 (hb) This new monograph gives an in-depth overview of the work of the UK artist Glenn Brown, known for his reproductions of other artists’ works—including those byOld Masters, the greats of Modern art and science-fiction illustrators—which he transforms by radically reconfiguring their colour, orientation and size...
Weekly Southeast Asia Radar: New Filipina superhero; capturing seniors of Saigon; refugee kids in Penang musical | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Photo: School of The Arts, USM September 5, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...