South Africa Righteous Space

Interested in role-play and videogames, Ana María Millán developed workshops with different communities in order to create characters and scenarios for her animations, often in collaboration with a choreographer...

The series Belle Époque of the Tropics by Noara Quintana has as its background the history of the rubber industrialization in North of Brazil...

A primary point of departure for A Journal of the Plague Year and many of its artists is the portrayal of “the other” in pop-culture...

Filmed underwater, this is the third video in Nguyen-Hatsushiba’s “Memorial Project” series which began in 2001...

Artist Spotlight: Katia Lifshin – BOOOOOOOM! – CREATE * INSPIRE * COMMUNITY * ART * DESIGN * MUSIC * FILM * PHOTO * PROJECTS Submit A selection of recent work by artist Katia Lifshin (previously featured here )...

Wallpaper* gift guide: shop with tech editor Jonathan Bell | Wallpaper (Image credit: Teenage Engineering) By Jonathan Bell published 12 December 2023 Technological gift giving can be a minefield; not everyone appreciates receiving electronics as a seasonal surprise and tech is either too personal or too prosaic to leave down to the gifting whims of another, however well intentioned...

February Book Bag: from to a graphic novel of Ruth Asawa’s life to a tome of Glenn Brown’s works Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Books blog February Book Bag: from to a graphic novel of Ruth Asawa’s life to a tome of Glenn Brown’s works Our round-up of the latest art publications Gareth Harris 6 February 2024 Share Glenn Brown , contributors include Hans Werner Holzwarth, Taschen, 474pp, £750 (hb) This new monograph gives an in-depth overview of the work of the UK artist Glenn Brown, known for his reproductions of other artists’ works—including those byOld Masters, the greats of Modern art and science-fiction illustrators—which he transforms by radically reconfiguring their colour, orientation and size...

Documentation of Magnus Andersen at Neue Alte Brücke, Frankfurt is featured on Contemporary Art Daily....

“Peter and the Starcatcher”: An Invitation to Suspend Disbelief Thinking and Talking about Arts and Culture in Southeast Asia Articles October 22, 2018 By Casidhe Ng (1,100 words, six-minute read) The final show of Pangdemonium’s 2018 season, Peter and the Starcatcher is this year’s equivalent of Fun Home or RENT , an exuberant and expensive production intent on ending their year with a bang...

In Dark Beyond Deep by Zhu Changquan the film presents the process of how consciousness gradually develops and extends from the real world to virtual space through a raven named Cyma...

Telmo Miel, the artist duo consisting of Telmo Pieper and Miel Krutzmann, brings their surreal, distinct collaborative work to Thinkspace Projects with a new show...

Head Box by J ean-Luc Moulène i s not the representation of a space but a real space that remains in the domain of sculpture which the artist develops in parallel with his photographic practice...

HFT The Gardner by Suzanne Treister is a large-scale project that comprises drawings and computer works by fictional character Hillel Fischer Traumberg...

Weekly Picks: Indonesia (4 - 10 March 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do March 4, 2019 Top Picks of Indonesia art events in Jakarta, Surabaya and Bali from 4-10 March 2019 In order to understand the contemporary art and society, we have to take our understanding beyond the principles of modernism...

FIELD MEETING Take 4: Thinking Practice | Ibraaz Contemporary Visual Culture in North Africa and the Middle East Home Platform Essays Interviews Projects Channel Reviews Publications News About Sign up Quick search Go Author Keyword Search archive Title Platform 010: Where to Now? Shifting Regional Dynamics and Cultural Production in North Africa and the Middle East 009: What are the genealogies of performance art in North Africa and the Middle East? 008: How do we productively map the historical and contemporary relationships that exist between North Africa, the Middle East and the Global South? 007: What is the future of arts infrastructures and audiences across North Africa and the Middle East? 006: What role can the archive play in developing and sustaining a critical and culturally located art history? 005: How has a globalised cultural economy affected the production of contemporary visual culture in North Africa and the Middle East? 004: With the benefit of hindsight, what role does new media play in artistic practices, activism, and as an agent for social change in the Middle East and North Africa today? 003: Can Artistic Practices Negotiate the Demands of Cultural Institutions, Public Space, and Civil Society? 002: What relationship does visual culture have to the world we live in? 001: What do we need to know about the MENA region today? Published between and Publications FIELD MEETING Take 4: Thinking Practice Online Programme 010_05 / 28 October 2016 Tags Curatorial Practice Conference Chapters in this series Introduction Curatorial Narrative Speaker Biographies + Synopses Programme / Schedule Closing Remarks Responses Video documentation Day 1 Video documentation Day 2 Most Viewed The Global South Conflicting Narratives and the Invention of Geographies Fernando Resende Global Art Forum 8 1972-1982 Spaceship Sheraton and the Making of Doha's Masterplans Ibraaz The North of the South and the West of the East A Provocation to the Question Walter D...

Coproduced between KADIST and Sharjah Art Foundation in the context of Sharjah Biennial 15: Thinking Historically in the Present , Farah Al Qasimi’s Um Al Dhabaab (Mother of Fog) challenges colonial myths upheld by Western academia and the lingering imperialist interests at play across Asia’s modern-day trade hubs...

Route 1: R for Replicant is the first exhibition in an annual series to be drawn from the 101 Collection based in San Francisco...

Who Gave The Bruce Museum Its $50 M...

Années pop, années choc, 1960-1975 — Mémorial de Caen — Exhibition — Slash Paris Login Newsletter Twitter Facebook Années pop, années choc, 1960-1975 — Mémorial de Caen — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Années pop, années choc, 1960-1975 Exhibition Painting, sculpture, mixed media Bernard Rancillac, Mélodie sous les palmes, 1965 (détail) © Fondation Gandur pour l’art Genève — Photographie André Morin — ADAGP Paris, 2023 Années pop, années choc, 1960-1975 Ends in 6 months: June 22 → December 31, 2023 Conçue à partir des œuvres de la figuration narrative de la Fondation Gandur pour l’Art et des collections du Mémorial (affiches, objets, films, photographies, unes de presse), Années pop, années choc, 1960-1975 aborde la représentation de l’histoire en marche : celle notamment de la guerre du Vietnam et de la confrontation entre blocs durant la guerre froide, des procès tardifs des nazis en Allemagne, du franquisme au pouvoir, de la révolution culturelle chinoise, mais aussi celle plus sociale de Mai 68, des luttes pour l’égalité des sexes ou contre la ségrégation raciale, de la société de consommation et du tourisme de masse comme pivots de l’histoire du monde occidental...

Growing up Everywhere and Nowhere in “Peter and the Starcatcher” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Bernie Ng October 22, 2018 By Teo Xiao Ting (1,300 words, seven-minute read) What does it mean to be a child? Specifically, what does it mean to be growing up, to be young, in this milieu? While set in the sepia of 1885, Peter and the Starcatcher by Pangdemonium asks questions that still resonate now, opening up to an extended session of make-believe to present the origin story of a Boy who detests all “grown-ups.” The story comes dusted in “starstuff,” a coveted substance that literally came from the stars, and has the magic to grant wishes...