43.31H x 64.96W inches
Composed of four images, the series Sleeping Elephant in the Axis of Yogyakarta (2011) explores the artist’s observation of how Javanese mythology and cosmology have marked the geography of Yogyakarta, the cultural centre of Indonesia. Through photomontage digital operation, an identical elephant is superimposed in front of iconic landmark of the city: Parangtritis Beach, Sultan Square, the City Monument and Mount Merapi. These four locations are spiritual symbols and the subject of cosmological beliefs in Indonesia and the imagery of elephant has long been considered as a cultural and religious icon. Closer observation reveals something uncanny about the images. On the one hand, the elephant is proportionally unbalanced in the composition and out of place; on the other, it is tilted, suspended and tied around a whimsical structure comprised of bamboo posts, wheels and wood slabs. The paradox created by the juxtaposition of the immobile and sacrificed elephant and the symbolic sites has a surreal and absurd effect, revealing the complexity and constraints of social and cultural conventions.
Working in photography and video, the Indonesian artist Wimo Ambala Bayang embraces the conceptual possibilities of digital image manipulation. With humorous overtones, his practice comments on cultural identity, cliché, and mythology, foregrounding familiar but often-ignored aspects of everyday life.
In No Title (Blue Chapel) Therrien has reduced the image of a chapel to a polygon...
Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...
The application of bright colors and kitsch materials in Flower Tree manifests a playful comment on the influence of popular culture and urban lifestyle...
For Untitled, Caesar encased recycled objects such as scraps of plywood, paper or cloth in resin and then cut and reassembled the pieces into abstract forms...
In Dilemma: Three Way Fork in the Road , Wang references Peking opera in a re-interpretation of traditional text...
Conceived as a large-scale mural-like projection, Color of History, Sweating Rocks is a neo-futuristic, hybrid film that combines cinematic language, collage, animation, and inventive forms to highlight the plight of the peoples of the Sahara—and refugees in general—who have been displaced by oil-mining....
Mapa-Mundi BR (postal) is a set of wooden shelves holding postcards that depict locations in Brazil named for foreign countries and cities...
Pablo Rasgado’s paintings and installations serve as a visual record of contemporary urban human behavior...
Martin Kippenberger’s late collages are known for incorporating a wide range of materials, from polaroids and magazine clips to hotel stationery, decals, and graphite drawings...
7″ Single ‘Pop In’ by Martin Kippenbergher consisting of a vinyl record and a unique artwork drawn by the artist on the record’s sleeve...
Hand Palm Echo 1 is a digital animation based on Christine Sun Kim’s staircase mural at The Drawing Center in New York (10 March – 22 May, 2022)...
The first iteration of Flutter was specifically conceived for the Pro Arts Gallery space in Oakland in 2010, viewable from the public space of a sidewalk, and the version acquired by the Kadist Collection is an adaptation of it...
Nugroho’s installations and performances have their roots in the shadow puppet rituals in Indonesia, particularly the Javanese Wayang tradition whose essence is in the representation of the shadows...
Untitled (Construction) recalls the series of glass cubes that gained Bell international recognition in the 1960s...