In the 2013 video work, Sitting Feeding Sleeping , Rose combines footage taken of zoo animals living in captivity with screen images that flicker and flash before us. In the narration, Rose talks about forms of life that are suspended and simulated—artificial intelligence and cryogenically frozen bodies, zoo animals and counterfeit ecologies. Through this montage of different types of footage and text, Rose poses us between the natural and the artificial, and speaks to the very strange moment of life in a world that is seemingly caught between the two, existing in a hybrid (though not necessarily symbiotic) moment of radical change.
Rachel Rose is a visual artist known for her video installations that merge moving images and sound within nuanced environments connecting them to broader subjects. Her work investigates subjects as diverse as cryogenics, the American Revolutionary War, modernist architecture, and the sensory experience of walking in outer space. For Rose, the current moment is one of shifting terrain: as technology advances, the world changes beneath and around us, leaving us struggling to keep up. Rose is interested in the rapidly changing conditions we live in, and the ways that language, technology, and images mediate the out-of-sync realities of organic life. Originally trained as a painter, Rose now works in several media, with film being her primary outlet. Her film works are remarkable for their fusion of images and sound, her dense filmic tapestries reflecting the deep, multivalent explorations that drive her.
Situated in German-occupied Belgium at the end of World War I, Y ou Make Me Iliad by Mary Reid Kelley focuses on the story of two...
Kelley’s 2015 portrait of the poet Charles Baudelaire is one of a series of poets, rappers, and other thinkers who have influenced the artist’s ideas about beauty, creativity, and expression...
In Perpetual Motion (2005) the seemingly erratic flight of the bright orange Monarch butterfly—filmed in its winter habitat of Michoacán, Mexico—is intensified by the artist’s editing in which frames are randomly dropped and the film is sped up...
The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009...
First Born by Rachel Rose is part of a series of works titled Borns which expands on the artist’s longstanding interest in the organic shape of eggs...
With Roca Carbon ( Charcoal Rock , 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
“Efficiency & Abyss 1” is part of a series of photographs of stacked chairs in an auditorium...
First Born by Rachel Rose is part of a series of works titled Borns which expands on the artist’s longstanding interest in the organic shape of eggs...
A minute Ago starts with a hailstorm pelting down unexpectedly on a quiet beach in Siberia...
In Stong Sory Vegetables , Laure Prouvost explains that she woke up one morning and that some vegetables had fallen from the sky on her bed, making a hole in her ceiling...
Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911...
Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios...