silentstar, delicacy
2020 - Sculpture (Sculpture)
142.24 x 50.8 x 12.7 cm
Duane Linklater
silentstar, delicacy by Duane Linklater is a replica of a baby pink hoodie that the artist wore as a teenager, embellished with hand-painted elements and band patches. From associations with punk and hip-hop to skater culture, the hoodie has a history of being adopted by youth-driven communities once relegated to the fringes, and being embraced by mainstream fashion as a practical article of clothing, which Linklater’s work complicates even further. The reproduction is made with dye extracted from cochineal insects. Cochineal is a product of Indigenous technology developed for the Aztec and Maya long before the arrival of the Spanish. Europeans coveted the deep, rich carmine that was brighter and more durable than any other red dye, and began exploitation of the resource. By the 17th century, cochineal had become one of the world’s first globalized products. Linklater’s work speaks to histories of colonialism and cultural appropriation of Indigenous knowledge and representations in consumer culture, especially in the fashion industry that explicitly appropriates Indigenous traditions and imagery in its design. Linklater’s hoodie also includes one silk-screened image in blue on the front, a common design and often-customizable feature in the fashion industry. The image is a distorted film still from The Daughter of Dawn , a 1920s silent film shot in Oklahoma with an all-Indigenous cast of more than three hundred Kiowa and Comanche actors. Despite its contrived storyline centering on a love triangle involving the Kiowa chief’s daughter, Linklater sees the film as an extraordinary document on Indigenous communities and Indigenous land rights.
Duane Linklater addresses issues of cultural loss and recovery, as well as appropriation and authorship articulated through sculpture, installation, photography, film, and video. Linklater challenges the physical and ideological structures of settler-colonialism and reconsiders oral traditions of knowledge sharing in communities where the transmission of cultural wisdom and histories is critical for future generations. In 2011, Linklater initiated Wood Land School, a nomadic, artist-driven project that situates Indigenous forms and ideas within the institutional spaces that each session inhabits. During residencies at the Banff Centre in the following year, Linklater and sculptor Brian Jungen created the acclaimed film Modest Livelihood . Part of DOCUMENTA (13) , it follows the artists on a hunting trip, referencing their desires to reclaim ancestral knowledge. Linklater’s research on the language and traditional territory of Newfoundland’s extinct Beothuck people forms another project in this vein, while his performances and frequent collaborations with other artists and educators aim to create conditions and spaces for Indigenous voices and ideas within historic sites of marginalization, such as the museum, the gallery, and the biennial.
Colors:
Related works sharing similar palette
© » ARTS EQUATOR
Weekly Southeast Asia Radar: The animated short 'Batik Girl'; Manila's "casserole pot" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Batik Girl FB November 21, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
© » KADIST
Allen Ruppersberg
1970Untitled (City Limits) is a series of five black-and-white photographs of road signs, specifically the signs demarcating city limits of several small towns in California...
© » KADIST
Dale Harding
2018Dale Harding’s installation Body of Objects consists of eleven sculptural works that the artist based on imagery found at sandstone sites across Carnarvon Gorge in Central Queensland...
© » DAZED DIGITAL
How cute became the defining aesthetic of the internet age | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Life & Culture Feature From emojis to coquettes and Hello Kitty, cute’s transformative potential is shaping how we see ourselves both on and off-screen Text Günseli Yalcinkaya 9 February 2024 Cute (2024) 13 When Tim Berners-Lee, the inventor of the World Wide Web, was asked in 2014 to name one use of the internet that he didn’t anticipate, he answered with a single word: kittens...
© » KADIST
Felipe Arturo
2012Primero estaba el mar ( First Was the Sea , 2012) is a system of equivalences between syllables and silhouettes of waveforms cast in cement...
© » KADIST
Sheroanawe Hakihiiwe
2019Wateoma husipe / Larvas de oruga / Caterpillar larvae by Sheroanawe Hakihiiwe exemplify his most abstract work, where he choses particular elements of a living organism to create his renditions...
© » 1854 PHOTOGRAPHY
Now on show in New York City: BJP's Female in Focus winners - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW © Minxu Li, Female in Focus 2022 single image winner BJP’s new exhibition takes place in a converted Brooklyn townhouse, reflecting the award’s domestic focus The winners of BJP ’s Female in Focus 2022 include two series and 20 single images which demonstrate the sheer power of photography by women...
© » KADIST
Karl Haendel
2011Haendel’s series Knights (2011) is a set of impeccably drafted, nine-foot-tall pencil drawings depicting full suits of armor...
© » KADIST
Asli Çavusoglu
2020In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with...
© » KADIST
Marina Rosenfeld
2019The installation Music Stands: Free Exercise 7, 8, and 9 by Marina Rosenfeld consists of music stand-like structures and a corresponding set of panels and acoustic devices that direct, focus, obstruct, reflect and project sound in the gallery...
© » KADIST
Colter Jacobsen
2010The title Untitled Passport II was first used by Felix Gonzalez-Torres in an unlimited edition of small booklets, each containing sequenced photographs of a soaring bird against an open sky...
© » KADIST
Hank Willis Thomas
2014Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...
© » KADIST
Nicolás Paris
2012Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist...
© » KADIST
Fabiola Torres-Alzaga
2013Fabiola Torres-Alzaga plays with magic, illusion, and sleight-of-hand, fabricating installations, drawings, and films that toy with our perceptions...
© » KADIST
Bruce Conner
1995Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions...
