Shasta

San Pedro is a seaside city, part of the Los Angeles Harbor, sitting on the edge of a channel...

The Annotated “Gujarat and the Sea” Exhibition is a collateral project within the larger body of work around the Indian Ocean, entitled “Wharfage” (2009-13) which has included over the years a radio event, several books and a film...

In her masterpiece 8 Possible Beginnings or The Creation of African-America , Walker unravels just that, the story of struggle, oppression, escape and the complexities of power dynamics in the history following slave trade in America...

Though not strictly representational, some objects in Untitled (1962) are recognizable: a flower, an egg, a foot...

This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...

Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content...

The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...

This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...

The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism...

Taking archaeology as her departure point to examine the trajectories of replicated and displaced objects, “Who will measure the space, who will tell me the time?” was produced in Oaxaca for her exhibition of the same title at the Contemporary Museum of Oaxaca (MACO) in 2015...

Return the Stolen Artifact, But Keep the Museum Label Skip to content An empty pedestal of a seized looted artifact at the Rubin Museum of Art in New York City (photo Erin L...

Weekly Southeast Asia Radar: Rashomon in KL; Burmese cartooning pioneers | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar TRBANPHOTO March 5, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...

The Big Review: Caspar David Friedrich at the Hamburger Kunsthalle ★★★★★ Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Exhibitions review The Big Review: Caspar David Friedrich at the Hamburger Kunsthalle ★★★★★ This curatorial triumph highlights the measured artificiality of the German Romantic artist who made work that still mesmerises J...

End of 2008, Pierre Leguillon presented at KADIST, Paris the first retrospective of the works of Diane Arbus (1923-1971) organized in France since 1980, bringing together all the images commissioned to the New York photographer by the Anglo-American press in the 1960s...

The stained glass windows of Chloé Quenum’s Les Allégories evoke the sacred and describe the movement of a rooster in the form of patterns extracted from a wax fabric found in Benin...

Stand in the center of the gallery and make a slow rotation....

“Weight & velocity (cat on router)” is a duo of two humorous photographs of a cat lying on a computer router...

In a new book, the former wife of the Colombian drug kingpin talks about the pivotal role Salvador Dalí’s “The Dance” played in her life....