Shadows V, Set of 3

Reflection Paper No...

There are several elements to Subject, Silver, Prism ...

Consuegra’s Colombia is a mirror made in the shape of the artist’s home country—a silhouette that has an important resonance for the artist...

Oliver Laric’s video Versions is part of an ongoing body of work that has continued to evolve and mutate over time...

Reflection Paper No...

There are several elements to Subject, Silver, Prism ...

In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...

The 10 $1 bills that make up From a Whisper to a Scream (2012) read like instructions in origami...

The Art of Fashion and Legacy: Carla Sozzani and Byronesque’s Unique Collaboration – A Shaded View on Fashion https://byronesque.com/fondazione_sozzani/ Dear Shaded Viewers, In a remarkable intersection of art and fashion, Carla Sozzani, the revered figure in the world of fashion, has embarked on a unique collaboration with Byronesque...

Press Release: Art21 to Release New Film: “Hannah Levy’s Adaptive Structures” | Art21 Our Series Art in the Twenty-First Century Extended Play New York Close Up Artist to Artist William Kentridge: Anything Is Possible Specials Art21.live An always-on video channel featuring programming hand selected by Art21 Playlists Curated by Art21 staff, with guest contributions from artists, educators, and more Art21 Library Explore over 700 videos from Art21's television and digital series Latest Video 15:03 Add to watchlist Politics of Listening Lawrence Abu Hamdan Extended Play February 7, 2024 Search Searching Art21… Welcome to your watchlist Look for the plus icon next to videos throughout the site to add them here...

Release/Benefit: Banksy – ‘Fragile/Agile’ « Arrested Motion Continuing his support for humanitarian causes around the globe, Banksy is releasing a new screen print in partnership with Giles Duley ’s Legacy of War Foundation ...

Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...

Catherine Opie’s candid photograph Cathy (bed Self-portrait) (1987) shows the artist atop a bed wearing a negligee and a dildo; the latter is attached to a whip that she holds in her teeth...

McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works...

In No Title (Blue Chapel) Therrien has reduced the image of a chapel to a polygon...

In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...

Golia’s Untitled 3 is an installation in which a mechanical device is programmed to shoot clay pigeons that are thrown up in front of a white wall...

Shot in Oliveto Lucano, a village in the south of Italy, AUTOTROFIA (meaning self-eating) by artist Anton Vidokle is a cinéma vérité style film that slides fictive characters into real situations, and vice-versa, to draw a prolonged meditation on the cycle of life, seasonal renewal, and ecological awareness...

The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...

Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...

Miasma, Plants, Export Paintings is a two-channel short film by Bo Wang and his frequent collaborator Pan Lu...

In “And so it is” shows the image of a faceless man before a microphone, ready to deliver an important message...

Qui vivra verra, Qui mourra saura is an installation by Minia Biabiany composed of the plan of a house made out of strips of salt, and a “garden” made of ceramic pieces, hanging from the ceiling and on the floor, and non woven fabric...

Barbara Kasten’s Studio Construct 51 depicts an abstract still life: a greyscale photograph of clear translucent panes assembled into geometric forms, the hard lines of their edges converging and bisecting at various points...