Scene from Masculin/Féminin

2015 - Photography (Photography)

Ian Wallace

year born: 1943
gender: male
nationality: British
home town: Shoreham, United Kingdom

British-born and Vancouver-based, Ian Wallace is known for his conceptual art practice and critical writings. Since the mid-1980s, the artist has explored the relationship between documentary photography—often featuring sites of urban development—and abstract monochrome painting, to investigate the characteristics of media-specificity and the limitations of representation.


Colors:



Related works featuring themes of: » Photo-Conceptualism, » Conceptual Photography, » Vancouver School, » Appropriation Art, » Canadian, » Conceptual Art, » Cultural Commentary, » British

Michigan Central Station
© » KADIST

Stan Douglas

1997

Michigan Central Station is part of a larger photographic series, Detroit Photos , which includes images of houses, theaters, stadiums, offices, and other municipal structures...

Pipe Opening
© » KADIST

Jeff Wall

2002

As suggested by its title, Pipe Opening (2002) depicts a hole in a wood wall exposed by the removal of a pipe...

Our love is like the Flowers, the Rain, the Sea and the Hours
© » KADIST

Martin Boyce

2003

In the installation Our Love is like the Flowers, the Rain, the Sea and the Hours, Martin Boyce uses common elements from public gardens – trees, benches, trashbins– in a game which describes at once a social space and an abstract dream space...

Black Imitates White
© » KADIST

Hank Willis Thomas

2012

Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content...

Tree on the Former Site of Camera Obscura
© » KADIST

Rodney Graham

1996

Tree on the Former Site of Camera Obscura (1996) belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that lives in Northern California...

You see with no lights
© » KADIST

Ryan Gander

2004

You see without light is a group of photographs around the theme of Bauhaus...

Raven (gun)
© » KADIST

Catherine Opie

1987

In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...

One we are not
© » KADIST

Ryan Gander

2004

Ryan Gander is a collector...

Work No. 299
© » KADIST

Martin Creed

2003

This photograph of Martin Creed himself was used as the invitation card for a fundraising auction of works on paper at Christie’s South Kensington in support of Camden Arts Centre’s first year in a refurbished building in 2005...

Made in Heaven
© » KADIST

Mark Leckey

2004

In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...

BC/AD
© » KADIST

Ian Breakwell

2008

“BC/AD” (Before Cancer, After Diagnoses) is a video of photographs of the artist’s face dating from early childhood to the month before he died, accompanied by the last diary entries he wrote from April 2004 to July 2005 (entitled “50 Reasons for Getting Out of Bed”), from the period from when he lost his voice, thinking he had laryngitis, through the moment he was diagnosed with lung cancer and the subsequent treatment that was ultimately, ineffective...

Mike and Sky
© » KADIST

Catherine Opie

1993

Like many of Opie’s works, Mike and Sky presents female masculinity to defy a binary understanding of gender...

Person with Pillow: Desire, Lust, Fate
© » KADIST

John Baldessari

1991

The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...

Black Hands, White Cotton
© » KADIST

Hank Willis Thomas

2014

Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...

Untitled (Waiters dancing with Itinerants, Onomatopoeia)
© » KADIST

Charles Avery

2012

Since 2005, Charles Avery has devoted his practice to the perpetual description of a fictional island...

South Africa Righteous Space
© » KADIST

Hank Willis Thomas

2014

South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....

One Must
© » KADIST

John Baldessari

1997

In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...

Intentionally Left Blanc
© » KADIST

Hank Willis Thomas

2012

Intentionally Left Blanc alludes to the technical process of its own (non)production; a procedure known as retro-reflective screen printing in which the image is only fully brought to life through its exposure to flash lighting...

I am the Greatest
© » KADIST

Hank Willis Thomas

2012

Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s...