38 x 38 cm
Santu Mofokeng is a South African photographer. Mofokeng was born in 1956 in Soweto. He began his career as a street photographer when he was still a teenager, then worked as an assistant in a darkroom and later became a news photographer, working on the Apartheid. He was part of the collective Africapix From the “Radiant Landscapes” series, this work is part of Santu Mofokeng’s investigation on water. Polluted to a great extend in South Africa, water remains a synonym of purity and is part of many rituals.
The photographic artwork of Santu Mofokeng (b. Soweto, South Africa, 1956), also known as Mofokengâ, explores the complicated societal paradigm of South Africa. Exploring rural farm life, townships, religious rituals and the quotidian life of Black South Africans, Mofokeng’s artwork significantly contributes to a greater understanding of development and identity in the South African context. Mofokeng’s acute insight into the cultural meanings in landscape is testified in his mastership of the photographic medium. Using black and white film as a reference to the documentary genre and a gesture of resistance to the color-rich saturation of consumer culture, Mofokeng’s work presents new meanings on the trodden landscapes Soweto, favoring memory and identity over ownership and power. In highlighting the impoverishment of South African landscape in the face of capital expansion, Mofokeng’s photographs implore emancipation from the global oppression of greed.
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Humor and Law, Kick of Duality, Point of View III, Selfie with Pan, and Thinking of You are part of an ongoing series of digital drawings Karam Natour has been creating since he was studying at Bezalel Academy of Art and Design, Jerusalem...
sommaire du n°518 - février 2024 - artpress 22 janvier 2024 In AP Print , artpress , artpress mensuel , sommaires sommaire du n°518 – février 2024 > COMMANDER LE NUMÉRO Vous êtes abonné(e) ? Retrouvez les offres de notre club pour février par ici ! Édito 5 Le paradoxe des Frac The Frac Paradox Étienne Hatt INTRODUCING 6 Vincent Chéry Jeanne Mathas Chroniques / Columns 11 L’art immersif, oui, mais lequel ? Immersive Art, Yes, but Which Kind ? Paul Ardenne 15 Pour une histoire en abîme de la photographie For a Metahistory of Photography Étienne Hatt 18 Art en pochette Record Sleeve Art Philip Glass / Sol LeWitt Philippe Ducat Actualités/Spotlights 20 Matthieu Laurette, rétrospective dérivée Matthieu Laurette, Retrospective As Derive Alexandre Parodi 23 Jean-Kenta Gauthier, dé-définition d’une galerie Jean-Kenta Gauthier, The De-Definition of a Gallery Étienne Hatt 26 Jonathan Glazer, des images malgré tout Jonathan Glazer, Images in spite of All Jean-Jacques Manzanera DOSSIERS 30 GRANDE INTERVIEW Pier Paolo Calzolari, la recherche de l’absolu Pier Paolo Calzolari, The Quest for the Absolute Introduction par Barbara Satre Interview par Guillaume de Sardes 40 Hiroshi Sugimoto, le temps exposé Hiroshi Sugimoto, Time Exposed François Jonquet 50 Bernard Gaube, peintre polymorphe Bernard Gaube, A Multifaceted Painter Interview par Camille Debrabant 55 Images opérationnelles, une histoire de la photographie élargie Operational Images, an Extended History of Photography Interview de Estelle Blaschke et Florian Ebner par Aurélie Cavanna 62 Entre Détroit et Moscou, une autre histoire de l’architecture industrielle Between Detroit and Moscow: Another History of Industrial Architecture Christophe Catsaros 69 expositions / reviews popular Unbound: Performance as Rupture Jasper Johns No Feeling Is Final Josephine Pryde Vincent Mauger Claude Viallat Mira Schor Antony Gormley Sara-Vide Ericson Dario Villalba Vincent Dulom Renaissance sauvage Louis Cane 82 agenda 85 livres Pourquoi Sollers en temps de détresse Alexandre Dumas, après tout Rudyard Kipling, quel que soit mon âge Christophe Bier, remuer la merde qui est en nous Les Labyrinthes, dans les méandres de l’esprit Bernard Sève, comparer les arts Gilles Deleuze, ce que la peinture apporte à la philosophie Seiichi Furuya, après, avec William Friedkin, Paul Schrader, les démons 96 Comptes rendus 98 Le feuilleton de Jacques Henric Pierre Jourde, Philippe Collin À venir, artpress n°518, février 2024 Interview Hélène Delprat Bertrand Bonello, Bruno Dumont Dossier : Ukraine, l’art dans la guerre Post-Performance Carrie Mae Weems Thomas Adès Chantal Montellier Couv...
Humor and Law, Kick of Duality, Point of View III, Selfie with Pan, and Thinking of You are part of an ongoing series of digital drawings Karam Natour has been creating since he was studying at Bezalel Academy of Art and Design, Jerusalem...