Sal Sem Carne
1975 - Sculpture (Sculpture)
11.75H x 11.75W inches
Cildo Meireles
Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil. The piece draws on Meireles’s first-hand contact with many indigenous groups through his father’s work with the Indian Protection Service. The recordings on the LP contain narrative accounts of massacres of native peoples, as well as indigenous music and rituals.
Cildo Meireles is a Brazilian artist whose work applies conceptual strategies to social and political phenomena. Well-known for his 1970 Insertions into Ideological Circuits, Meireles’s works reflect on media systems, Brazilian history, and everyday life while drawing on formal strategies pioneered by his Neo-Concrete Brazilian forebears.
Colors:
Related works sharing similar palette
© » SLASH PARIS
Météo des forêts — La MABA — Exhibition — Slash Paris Login Newsletter Twitter Facebook Météo des forêts — La MABA — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Météo des forêts Exhibition Film, installation, mixed media Upcoming Julien Prévieux et Virginie Yassef, L’Arbre, 2009 — Image : Élie Godard Film Super 8 transféré sur DVD — 7 min 18 — Ed 4 + 2 Courtesy des artistes Météo des forêts In about 1 month: January 18 → April 7, 2024 La MABA présente, du 18 janvier au 7 avril 2024, Météo des forêts : une exposition collective réunissant des travaux d’artistes de diverses générations travaillant différents médiums (dessin, photographie, vidéo, sculpture, installation…)...
© » KADIST
Nick Mauss
2015As in other Mauss’ works that often look unfinished, the drawings in Untitled seem ever at the phase of the sketch, his segments as if they may uproot and reorient themselves at any moment...
© » ARTSJOURNAL
Royal Winnipeg Ballet asks patrons to avoid 3rd-party sites after record level of online ticket fraud | CBC News Royal Winnipeg Ballet asks patrons to avoid 3rd-party sites after record level of online ticket fraud | CBC News Loaded Manitoba Royal Winnipeg Ballet asks patrons to avoid 3rd-party sites after record level of online ticket fraud The Royal Winnipeg Ballet is urging patrons to buy tickets directly from its website or box office after it lost $10,000 to online ticket scammers during its recent production of The Nutcracker...
© » KADIST
Marco Rios
2010This is a poignant and humorous self portrait that turns the camera on the artist’s own physical inability to cry...
© » ARTS EQUATOR
Singular Screens – Cinema, the way you want it | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles SIFA 2020 September 4, 2020 As Singapore gets used to life under Phase 2 of our COVID-19 relaxation measures, players like Singapore Festival of the Arts (SIFA) – or its gentle rebrand SIFA v2.020 – are responding with programmes that are welcoming us back into a semblance of normalcy...
© » THE INDEPENDENT
Artists' Postcards: A Compendium, By Jeremy Cooper | The Independent | The Independent Of interest to students of art and deltiologists (collectors of postcards) alike, Jeremy Cooper's extensively illustrated book provides the first critical study of the place of the humble postcard in the history of art...
© » WHITEHOT
Constance De Jong: On a Continuous Present at Chelsea Space advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Constance De Jong: On a Continuous Present at Chelsea Space Installation view, Constance De Jong: On a Continuous Present at Chelsea Space...
© » KADIST
Arseny Zhilyaev
His large installation entitled The Museum of Proletarian Culture (2012) looked at the changes in artistic practice that have occurred in Russia throughout the last thirty years – from the amateur art of the late Soviet era to the commercialized post-Soviet cultural practices and the more recent self-expression via contemporary social networks...
© » KADIST
Ha Tae-Bum
2010Ha Tae-Bum’s “White” series, started in 2008, begins with photographic images from the mainstream media depicting sites of conflict or crisis...
© » KADIST
Lim Sokchanlina
2018The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...