11.75H x 11.75W inches
Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil. The piece draws on Meireles’s first-hand contact with many indigenous groups through his father’s work with the Indian Protection Service. The recordings on the LP contain narrative accounts of massacres of native peoples, as well as indigenous music and rituals.
Cildo Meireles is a Brazilian artist whose work applies conceptual strategies to social and political phenomena. Well-known for his 1970 Insertions into Ideological Circuits, Meireles’s works reflect on media systems, Brazilian history, and everyday life while drawing on formal strategies pioneered by his Neo-Concrete Brazilian forebears.
This series of small drawings is executed with varying materials—pen, ink, colored pencil, charcoal, and masking tape—on architect’s tracing paper...
The headdresses, woven from artificial hair braids, symbolize historical icons including Martin Luther King, Kwame Nkrumah, Fela Kuti and King Guézo of Dahomey...
Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...
In Stong Sory Vegetables , Laure Prouvost explains that she woke up one morning and that some vegetables had fallen from the sky on her bed, making a hole in her ceiling...
Untitled (City Limits) is a series of five black-and-white photographs of road signs, specifically the signs demarcating city limits of several small towns in California...
Towhead n’Ganga, enclosed in darkness, lorded over by the sexualized folded high priestless form reflects many of Kelley’s works, in both its compositional and semantic qualities...
Lucas’s quadroquadro (círculo) employs familiar materials for the artist: wood, paper, and glass...
South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....
Following its display at the General Idea retrospective in Stedelijk Museum Amsterdam The post AIDS Sculpture By General Idea Finds Permanent Home In Amsterdam Park appeared first on Artlyst ....
Invited in 2007 to the Museum Folkwang in Essen (Germany), Simon Starling questioned its history: known for its collections and particularly for its early engagement in favor of modern art (including the acquisition and exhibition of works by Cézanne, Gauguin, Van Gogh, Matisse), then destroyed during the Second World War, the museum was pillaged for its masterpieces of ‘degenerate art’ by the nazis...
As the caption purposely admits, these drawings were made by friends of Ondák’s at home in Slovakia asked to interpret places he has journeyed to...
Monteverdi Ici – Deeply, Feeling Filling the World by Laure Prouvost is a tapestry that references a video by the artist entitled Monteverdi Ici (2018)...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
The work of Keith Tyson is concerned with an interest in generative systems, and embraces the complexity and interconnectedness of existence...
McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works...
The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...
In Suspension a young man is hanging in the air, falling, or perhaps drifting through time and space...