Sal Sem Carne

1975 - Sculpture (Sculpture)

11.75H x 11.75W inches

Cildo Meireles

location: Rio de Janeiro, Brazil
year born: 1948
gender: male
nationality: Brazilian
home town: Rio de Janeiro, Brazil

Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil. The piece draws on Meireles’s first-hand contact with many indigenous groups through his father’s work with the Indian Protection Service. The recordings on the LP contain narrative accounts of massacres of native peoples, as well as indigenous music and rituals.


Cildo Meireles is a Brazilian artist whose work applies conceptual strategies to social and political phenomena. Well-known for his 1970 Insertions into Ideological Circuits, Meireles’s works reflect on media systems, Brazilian history, and everyday life while drawing on formal strategies pioneered by his Neo-Concrete Brazilian forebears.


Colors:



Untitled (series)
© » KADIST

Francis Alÿs

2006

This series of small drawings is executed with varying materials—pen, ink, colored pencil, charcoal, and masking tape—on architect’s tracing paper...

quadroquadro (círculo)
© » KADIST

Renata Lucas

2016

Lucas’s quadroquadro (círculo) employs familiar materials for the artist: wood, paper, and glass...

Awaiting Enacted
© » KADIST

Roman Ondak

2003

This work needs to be considered in relation to one of his performances during which people were made to queue in front of the Kunsthalle of Frankfurt in 2003 (Tate Collection)...

Related works featuring themes of: » Conflict, » Consumerism, » Cross-Cultural Dialogue, » Cultural Commentary, » Globalization, » Conceptual Art, » Neo-Concretism, » Brazilian  
» see more

Chu’u Mayaa
© » KADIST

Clarissa Tossin

2017

Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...

Fordlândia Fieldwork
© » KADIST

Clarissa Tossin

2012

In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...

Untitled (Breathless)
© » KADIST

Ian Wallace

2000

Untitled (Breathless) presents a folded newspaper article on Jean-Luc Godard’s À Bout de Souffle (Breathless)...

Memory: Record/Erase
© » KADIST

Nalini Malani

1996

Memory: Record/Erase is a stop-motion animation by Nalini Malani based on ‘The Job,’ a short story by celebrated German poet and playwright Bertolt Brecht...

Other related works, blended automatically  
» see more

Chu’u Mayaa
© » KADIST

Clarissa Tossin

2017

Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...

Fordlândia Fieldwork
© » KADIST

Clarissa Tossin

2012

In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...

Untitled
© » KADIST

Fernanda Gomes

2013

For this floor based work, Gomes has taken two lengths of bamboo and tied them together using linen thread...

I can’t believe we are still protesting
© » KADIST

Wong Wai Yin

2021

Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...

Related works sharing similar palette  
» see more

Météo des forêts
© » SLASH PARIS

Météo des forêts — La MABA — Exhibition — Slash Paris Login Newsletter Twitter Facebook Météo des forêts — La MABA — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Météo des forêts Exhibition Film, installation, mixed media Upcoming Julien Prévieux et Virginie Yassef, L’Arbre, 2009 — Image : Élie Godard Film Super 8 transféré sur DVD — 7 min 18 — Ed 4 + 2 Courtesy des artistes Météo des forêts In about 1 month: January 18 → April 7, 2024 La MABA présente, du 18 janvier au 7 avril 2024, Météo des forêts : une exposition collective réunissant des travaux d’artistes de diverses générations travaillant différents médiums (dessin, photographie, vidéo, sculpture, installation…)...

Untitled
© » KADIST

Nick Mauss

2015

As in other Mauss’ works that often look unfinished, the drawings in Untitled seem ever at the phase of the sketch, his segments as if they may uproot and reorient themselves at any moment...

Company Gallery & Hauser & Wirth now co-represent Ambera Wellmann
© » FAD MAGAZINE

Company Gallery & Hauser & Wirth now co-represent Ambera Wellmann - FAD Magazine Skip to content By Mark Westall • 14 December 2023 Share — Nova Scotia-born, New York-based artist Ambera Wellmann is now co-represented by Hauser & Wirth & Company Gallery ...

Le tatouage, un terrain de jeu artistique
© » LE MONDE

Le tatouage, un terrain de jeu artistique Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés Des œuvres d’Ouriel Zéboulon exposées lors du vernissage de l’exposition « Faire Fair 2 », à l’espace 3537, à Paris, en avril 2023...

Sunday (Domingo)
© » KADIST

Rivane Neuenschwander

2010

In this video, a parrot chews on seeds printed with punctuation marks...

Mapa Mundi BR (postal)
© » KADIST

Rivane Neuenschwander

2007

Mapa-Mundi BR (postal) is a set of wooden shelves holding postcards that depict locations in Brazil named for foreign countries and cities...

Related works found in the same semantic group  
» see more

Sweet Jesus
© » KADIST

Lutz Bacher

2016

Sweet Jesus is a sound installation by Lutz Bacher that consists of a found recording of James Earl Jones’ iconic voice reciting biblical genealogy from Matthew, Book 1...

Looking at Listening: Insights from the Forest
© » KADIST

Ei Arakawa and Sergei Tcherepnin

2011

Part of a series entitled “Looking at Listening”, 2011, the piece invited the spectator to experiment and consider sound as a kinetic and synesthetic process, where multiple experiences and senses can cross...

Baobab
© » KADIST

Tacita Dean

2001

The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits...

Rubber Coated Steel
© » KADIST

Lawrence Abu Hamdan

2016

In May 2014, Israeli soldiers shot and killed two teenagers, Nadeem Nawara and Mohamad Abu Daher in occupied Palestine (West Bank)...