50.8 x 76.2 cm each
For the photographic series Rumpty Trumpty , in 1997, Allan deSouza photographed the Trump Taj Casino in Atlantic City, NJ, reprinting the images again in 2017, from digital scans of the negatives. These negatives bear the traces of extensive damage wrought over time. These dust damaged and scratched prints appear as aged and out of date as the orientalist fantasy that they depict. The images Rumpty Trumpty #5, #6 and #7 are of one of Trump’s failed business projects, a huge casino opened in 1990 and closed in 2016 following worker strikes demanding payment. In an absurd twist, Trump the individual sued Trump the company in order to clear his name, and the building is now called Hard Rock Hotel and Casino. Built for $1.2 milion, the site sold for 4 cents on the dollar.
Artist Allan deSouza works primarily in photography and multi-media, his practice seeks to develop a decolonial aesthetic, engaging with issues of migration, diaspora and relocation in his work. This decolonial aesthetic manifests in what he calls a restaging of “colonial-era material legacies through counter-strategies of humor, fabulation, and (mis)translation.” His 2010 DisCourses of Empire saw the artist stage a collection of family photographs on the gallery floor, only for visitors to trample and damage them. His 2014 Ark of Martyrs is a film presenting deSouza’s rewriting of Joseph Conrad’s 1899 novel Heart of Darkness , juxtaposing images and accounts of ‘civility’ from Conrad to the present day. In 2018 deSouza published a book entitled How Art Can Be Thought (Duke, 2018), examining art pedagogy, and proposing decolonizing artistic, viewing, and pedagogical practices that can form new attachments within the contemporary world through an analysis of traditional categories for judgement.
Turner Prize Winner Jesse Darling Claims the Spotlight - Artcentron Home » Turner Prize Winner Jesse Darling Claims the Spotlight ART Dec 15, 2023 Ξ Leave a comment Turner Prize Winner Jesse Darling Claims the Spotlight posted by ARTCENTRON Jesse Darling, Turner Prize Winner with Delirious at Towner Easbourne...
Polanszky’s sculpture is made from raw, found materials that have the patina of age...
No Lye by Danielle Dean documents a group of five women, including Dean herself, confined to a small, cramped bathroom, communicating only by using slogans culled from beauty advertisements (“beauty is skin deep”, “naturalise, it’s in our nature to be strong and balanced”) and quotes from political speeches (“we must protect our borders”, “we are fighting for our way of life and our ability to fight for freedom”)...
Our Grandmothers’ Gardens by Olga Grotova is based on the history of Soviet allotment gardens, which were small plots of land distributed amongst the families of factory workers to compensate for poor food supply in a country that was over-producing weapons...
Weekly Southeast Asia Radar: Indonesian govt aids arts; female voices in Vietnam war stories | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar JG Photo/Yudha Baskoro May 14, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Former Allies Argue Over Prishtina Coalition Crisis - Prishtina Insight Home Kallxo Jeta në Kosovë Drejtësia në Kosovë Gazeta JNK Log In Subscribe News Features Opinion Guide Big Deal Archive Follow @prishtinsight Municipality of Prishtina; Photo/Atdhe Mulla Former Allies Argue Over Prishtina Coalition Crisis Days after the municipal coalition in Prishtina collapsed, former coalition partners, LDK and PDK blame each other for the early termination of their cooperation...
Weekly Picks: Singapore (22 – 28 October 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do October 22, 2018 ETHNI-CITY III – Kali Yuga by SAtheCollective, LASALLE College of the Arts, Flexible Performance Space, 26 – 27 October Kali Yuga is the latest installment of ETHNI-CITY, and it’s slated to be held this October...
In the Trenches: Artists Encounter the Los Angeles River, Part 1 – Art and Cake August 30, 2023 August 30, 2023 Author In the Trenches: Artists Encounter the Los Angeles River, Part 1 Michelle Robinson 2023 What Was 4th Street Acylic paint on print 40×60 in By Lawrence Gipe In the mid-1980’s, I lived on Santa Fe Avenue and 7th Street, and the idea of Los Angeles having a “river” was a bit of a joke...
¡Qué triste estoy! (I’m So Sad) is representative of Fernanda Laguna’s practice of the past twenty years...
Chalis Katesi Ramaula is a series of 240 prints capturing Nagendra Gurung’s life, work, and colleagues from the construction sites where he has worked in Dubai and Saudi Arabia...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
In the Trenches: Artists Encounter the Los Angeles River, Part 1 – Art and Cake August 30, 2023 August 30, 2023 Author In the Trenches: Artists Encounter the Los Angeles River, Part 1 Michelle Robinson 2023 What Was 4th Street Acylic paint on print 40×60 in By Lawrence Gipe In the mid-1980’s, I lived on Santa Fe Avenue and 7th Street, and the idea of Los Angeles having a “river” was a bit of a joke...