Vallance’s Rocket is a vibrant picture in which masses of color and collage coalesce into a central vehicle, yet the whole surface seems lit with the roar of space travel. This varied use of media has enabled the artist to bring all of the life, energy, and objects he works with into a single image.
Jeffrey Vallance’s multidisciplinary work often is based on interactions with people and organizations, and can take such forms as surreptitiously replacing light sockets in art museums and exchanging neckties with world political leaders through the mail. Vallance also makes more traditional objects that draw on specific cultural vocabularies, both American and foreign.
The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources...
This work presents the image of an immolated monk engraved on a baseball bat...
The 10 $1 bills that make up From a Whisper to a Scream (2012) read like instructions in origami...
The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources...
This work presents the image of an immolated monk engraved on a baseball bat...
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
5 Artists Who Influenced Contemporary Southeast Asian Art Thinking and Talking about Arts and Culture in Southeast Asia Articles January 26, 2022 By ArtsEquator (1,161 words, 3-minute read) Throughout history and up to the present day, it has been a challenge to define contemporary Southeast Asian art...
Towhead n’Ganga, enclosed in darkness, lorded over by the sexualized folded high priestless form reflects many of Kelley’s works, in both its compositional and semantic qualities...
The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...
Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...
Beyond the White Walls , with a commentary written and spoken by Jeremy Deller, is often wryly amusing...
The stained glass windows of Chloé Quenum’s Les Allégories evoke the sacred and describe the movement of a rooster in the form of patterns extracted from a wax fabric found in Benin...