135 x 67 cm
Wynnie Mynerva places their body at the center of their practice from an intimate perspective and healing dimension. Their paintings are thresholds where body parts proliferate beyond names and labels, dissolving and intermingling gender marks, organs, and prostheses. Resurgimiento [Resurgence] was produced in the aftermath of their fifth solo show Closing to Open (Galería Ginsberg, Lima, 2021), in which Mynerva addressed their experience of going through a vaginal surgical procedure to help them feel more aligned with their gender identity. The large, brightly colored painting depicts two self-representations of Mynerva. As if in an act of mourning, they hold in their hands the body that they were before and they left behind. From the bottom, black wings pierce their former body, which is given as an offering. For the artist, this painting is an homage to the multitude of sexual identities and gender expressions. The title Resurgence evokes a moment of reinvention, of rising again into life in a world where non-binary bodies are still pathologized and criminalized.
Wynnie Mynerva is a non-binary artist based in Lima whose pictorial and performative practice is developed in close collaboration with the transgender and queer communities where they belong. Their work transits and expands the limits of the flesh, the body, and desire. Mynerva does not paint mere fictions but bodily possibilities: as if the brush were not connected with their hand but with their stomach, with their ears, with their uterus, with their tongue, esophagus, intestines, and nails. Their paintings are a vibrant extension of their body, and their body is an erotic and synthetic field of plastic exploration. Pigments on fabric and plastic operate on the same level as the incisions they choose to make on their skin: both are technologies aimed at disrupting the normative truth of sex and gender. Both allow them to contaminate and cross the violent borders of sexual binarism.
Io Burgard — La proie pour l’ombre — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Io Burgard — La proie pour l’ombre — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Io Burgard — La proie pour l’ombre Exposition Techniques mixtes Affiche de l’exposition La proie pour l’ombre Io Burgard La proie pour l’ombre Encore environ 2 mois : 7 février → 30 mars 2024 Artiste : Io Burgard Commissaire de l’exposition : Bettie Nin Prenant prétexte du mythe du Sphinx — ce monstre-gardien symbole des connaissances inaccessibles aux non-initiés — Io Burgard a développé un jeu vidéo dont le récit infiltre l’exposition...
Louvre raises ticket prices by 30% in Olympics year Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museums & Heritage news Louvre raises ticket prices by 30% in Olympics year The price increase will help to subsidise free entry for some visitors and regulate crowd size Gareth Harris 12 December 2023 Share The museum's last ticket raise occurred in 2017 Photo: Inge Knoff via Flickr The Musée du Louvre in Paris is increasing its basic ticket price from €17 to €22 from 15 January as part of a plan to support free admission programmes for some visitors...
When Forms Come Alive; Beyond Form: Lines of Abstraction 1950-70 review – a restless triumph and a badly lit jumble sale | Sculpture | The Guardian Skip to main content Skip to navigation Skip to navigation ‘You are viscerally aware of being caught in some nameless system’: Pumping (2019) by Eva Fàbregas at the Hayward Gallery...
Julio Cesar Morales’s watercolor drawings, Undocumented Intervention , show a variety of surprising hiding places assumed by people trying to cross into the United States without documentation...
Weekly Southeast Asia Radar: The animated short 'Batik Girl'; Manila's "casserole pot" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Batik Girl FB November 21, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
For the sixth year of its magazine residency, Kadist welcomes editors and artists Robert Hamelijnck and Nienke Terpsma of Fucking Good Art (FGA) , Rotterdam! To launch their latest issue, New Existentialism , and in celebration of the past twelve years of their publishing activity, FGA has assembled a small exhibition showcasing thirty-five past issues that will be on view at Kadist through February 19 ...