150 x 100 cm
Redefining The Power (with Didi Fernandes) is a metaphor of how reflections on history and society during the Angolan Civil War (1975-2002) are largely ignored within the canon of history. Resulting from Kia Henda’s research on the Fortaleza de São Miguel built by the Portuguese in the 15th century in Luanda, Angola, the Redefining The Power series was created 10 years after the Angolan Civil War as a reflection on the reactivation of memory surrounding historical monuments. Through this work, the artist aims to replace the memorialized colonial heroes and war symbols through re-appropriation, determining traumatized lands as forms of resistance and pride. Kia Henda seeks out empty monument pedestals and invites loved ones and celebrated Angolan personalities to participate in stylized performances— the figure portrayed here, Didi Fernandes, is an Angolan designer and activist. These photographs freeze the moments of creativity as actions of reclaiming once abandoned public spaces. At once true, documentary and fictional, this series brings together the historical context with our contemporary moment.
A self-taught artist, Kiluanji Kia Henda employs a strong sense of humour in his work, which often hones in on themes of identity, politics, and perceptions of post-colonialism and modernism in Africa. Practicing in the fields of photography, video, and performance, Kiluanji Kia Henda has tied his multidisciplinary approach to a sharp sense of criticality. In complicity with historical legacy, Kia Henda realizes the process of appropriation and manipulation of public spaces, and the different representations that form part of collective memory.
“Learning”: Memory, Precision, Uncertainty in a 5-hour Durational Performance at National Gallery Singapore | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Arnaud Bouvier "Learning”, choreographed by Liz Santoro and Pierre Godard February 25, 2019 By Jocelyn Chng (440 words, three-minute read) Part of National Gallery Singapore’s special programme Performing Spaces that explores how space can be a “living organism” facilitating encounters between performers and audiences, Learning takes place over two weekends in March 2019...
In Summer Camp , Lola Gonzàlez filmed a group of friends at the home of her parents in the department of Charente (France) in the process of transforming the house into a training camp...
Animating Democracy Transitions & Appreciations | Americans for the Arts Jump to navigation Americans for the Arts Arts Action Fund National Arts Marketing Project pARTnership Movement Animating Democracy Facebook Twitter LinkedIn Instagram YouTube Load Picture Home News Room Animating Democracy Transitions & Appreciations Hello Guest | Login Animating Democracy Transitions & Appreciations Monday, December 19, 2022 Having launched the Animating Democracy program in 1999, Co-Directors Barbara Schaffer Bacon and Pam Korza have decided that 2022 completes their tenure providing program leadership for this transformative initiative...
Che Onejoon’s unsettling video My Utopia opens with a round table of women asking and answering the questions “Who am I? Where did I come from? Where should I go?” One of the women featured is Monique Macías, the daughter of Francisco Macías Nguema, the first Prime Minister of Equatorial Guinea...
Silver & Gold combines video, performance, and original costumes into a self-proclaimed “filmformance” that evokes the legendary filmmaker Jack Smith and his tribute to 1940s Dominican movie starlet Maria Montez in a magical and joyfully twisted exploration of race, glamour, sexuality, and the silver screen...
Online Seminar: Frequencies of Tradition With Anselm Franke, Ho Tzu Nyen, Chia Wei Hsu, Yuk Hui, siren eun young jung, Jane Jin Kaisen, Ayoung Kim, Hyunjin Kim, Hwayeon Nam, Emily Wilcox, and Soo Ryon Yoon The Times Museum and KADIST present three online sessions that consider tradition as a contested space, where one can critically reflect on Asian modernization and the Western canon...
In the mid-1990s, Belli started to create soft sculptures that allowed her to reconnect with manual labor and sewing learned from her seamstress mother...
Was a Scandal the Best Thing to Happen to Hasan Minhaj? - The New York Times Television | Was a Scandal the Best Thing to Happen to Hasan Minhaj? https://www.nytimes.com/2023/12/17/arts/television/hasan-minhaj-the-new-yorker.html Share full article 169 Advertisement SKIP ADVERTISEMENT Finishing a story about a girl cheating on him in 11th grade, Hasan Minhaj turned to the audience at the Beacon Theater in Manhattan during the first of two shows on Friday night and said, “Don’t fact-check me.” The crowd came alive at this nod to the recent New Yorker article by Clare Malone exposing several of his onstage stories as fabrications...
Mercedes Dorame utilizes photography to investigate, recode, and connect with her Gabrielino-Tongva tribe culture, as well as to bring current Indigenous experiences to light...
One Day in the Mountain is a bilingual calligraphic performance piece written in ink superimposed with food leftover from a meal...