Re: Looking marks a new phase in Wong’s work which connects his region’s history with other parts of the world. The video—located in an imagined contemporary Malaysian middle-class living room, a space of a fictive former imperial power—explores the precarious link between fact and fiction, fakery and authenticity by overlaying three believable, authoritative forms: a documentary, a website, and a realistic reconstruction of a contemporary home. It is rife with occidental colonial documents and exotic cultural artifacts—the trophy-evidence of Empire-making. The video parodies television networks and documentaries as researched authoritative forms of information. It begins by posing as a serious, believable work of non-fiction, but becomes increasingly unsettling with its inclusion of fictive events, memories, and histories around the urgent contemporary problems of migration, racism, power relationships, and empire making.
Born in Malaysia, Wong Hoy Cheong’s work examines the formation of his country’s multicultural identity vis-à-vis global migration, trade, colonialism, and the postcolonial circulation of people, ideas, and capital. His extended body of work uses various media—drawing, painting, performance, installation, video, and on-line projects—to critique the impact of these developments on contemporary life within and without South Asia. With the increasingly hegemonic domination of the media industry in everyday life, its systems of representation have become a central issue in Wong’s recent work, which oscillates between reality and fiction, irony and transgression—and gains a new strength in the process.
Ramirez’s The International Sail is the fifth in a series that features an upside-down worn out, mended and fragmented boat sail...
Enrique Ramirez’s La Memoria Verde is a work of poetry, politics, and memory created in response to the curatorial statement for the 13th Havana Biennial in 2019, The Construction of the Possible ...
Untitled (Women) (2011) presents a startlingly succinct history of violently romanticized femininity...
Days of Our Lives: Reading is from a series of work was created for the 10th Biennale de Lyon by the artist...
Ramirez’s The International Sail is the fifth in a series that features an upside-down worn out, mended and fragmented boat sail...
Enrique Ramirez’s La Memoria Verde is a work of poetry, politics, and memory created in response to the curatorial statement for the 13th Havana Biennial in 2019, The Construction of the Possible ...
In Un Hombre que Camina (A Man Walking) (2011-2014), the sense of rhythm and timing is overpowered by the colossal sense of timelessness of this peculiar place...
Map of the Universe from El Cerro continues Chemi Rosado-Seijo’s long-term engagement with the community of El Cerro , a rural, working-class community living in the mountains of Naranjito, Puerto Rico...
Art deco density: what we learned from Australia’s first apartment boom | Housing | The Guardian Skip to main content Skip to navigation Skip to navigation ‘Invading suburbs which for years have been the pride of peaceful home-lovers,’ … Art deco apartment blocks on Campbell Parade, Bondi Beach in Sydney...
Construire — Corrélations entre le dessin et la céramique — Espace d’art contemporain Camille Lambert — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Construire — Corrélations entre le dessin et la céramique — Espace d’art contemporain Camille Lambert — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Construire — Corrélations entre le dessin et la céramique Exposition Céramique, dessin, techniques mixtes, vidéo Derniers Jours Hélène Mougin, La dune, 2023 Grès et faïence émaillés et photo résinée, 20 × 32 × 23 cm Hélène Mougin Construire Corrélations entre le dessin et la céramique Encore 5 jours : 7 octobre → 16 décembre 2023 Une idée se conçoit, se développe et devient projet construit...
Days of Our Lives: Reading is from a series of work was created for the 10th Biennale de Lyon by the artist...
Created for the tenth Lyon Bienniale, in Days of Our Lives: Playing for Dying Mother, Wong’s ongoing negotiation of postcolonial globalization takes aim at French society...
The Cloud of Unknowing (2011) is titled after a 14th-century medieval treatise on faith, in which “the cloud of unknowing” that stands between the aspirant and God can only be evoked by the senses, rather than the rational mind...