Lucas’s quadroquadro (círculo) employs familiar materials for the artist: wood, paper, and glass. A simple composition—a black circle inscribed on white paper, encased in a rectangular frame—is interrupted in Lucas’s work, the continuous geometry of the nested forms segmented into four broken shards. Pieced back together, these fragments comprise a whole, but it is a unity shattered, unsteadied.
Brazilian artist Renata Lucas is interested in the social, behavioral, and aesthetic implications of special constructions. Working with basic building materials such as plywood, bricks, and concrete, and influenced by the makeshift nature of much Brazilian construction, Lucas operates in and in response to specific sites. Her interventions into space interject both subtle and severe differences into a normal routine. Oftentimes, these works function to create a sort of stage or platform—a scaffold on which ordinary social exchanges are magnified, highlighted, and re-evaluated.
The headdresses, woven from artificial hair braids, symbolize historical icons including Martin Luther King, Kwame Nkrumah, Fela Kuti and King Guézo of Dahomey...
This work needs to be considered in relation to one of his performances during which people were made to queue in front of the Kunsthalle of Frankfurt in 2003 (Tate Collection)...
Commissioned by the San Francisco Museum of Modern Art and riffing on the “I Want You” army recruitment campaigns of the 1930s and 1940s, Labat asked Bay Area residents to interpret the slogan and make their own demands of the public in a series of live performance auditions...
Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil...
7-headed Lalandau Hat by Yee I-Lann is an intricately woven sculpture evoking the ceremonial headdress worn by Murut men in Borneo...
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This series of photographs, Sobre la igualdad y las diferencias: casas gemelas (On Equality and Differences: Twin Houses) , taken in Havana in 2005, belongs to a wider group of works that the artist has been developing over many years, generally titled Bifurcaciones y encrucijadas (Forking Paths and Crossroads) ...
With Roca Carbón (Charcoal Rock, 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...