8 x 7 x 24 inches
Jessie Stead’s Punched Interlude works are made out of found police barricade tape that she punches holes in and then runs through a music box, the music is composed by her as audible reflection on barricades and no go zones throughout the city of New York in area of Donald Trump. The music box is attached to a gum ball machine globe which acts as a resonator, amplifying the music that results from the punched holes.
Jessie Stead is as much a musician as she is a visual artist. She is the percussionist for the legendary works in overlapping patterns of cinema, installation, music, collaboration and other forms of cross-disciplined art. Recent solo exhibitions include 247365 (New York), and Jan Kaps (Cologne).
The installation Music Stands: Free Exercise 7, 8, and 9 by Marina Rosenfeld consists of music stand-like structures and a corresponding set of panels and acoustic devices that direct, focus, obstruct, reflect and project sound in the gallery...
Blindseye Arranger (Max) (2013) features a greyscale arrangement of rudimentary shapes layered atop one another like a dense cluster of wood block prints, the juxtaposition of sharp lines and acute angles creating an abstracted field of rectangular and triangulated forms composed as if in a cubist landscape...
Consuegra’s Colombia is a mirror made in the shape of the artist’s home country—a silhouette that has an important resonance for the artist...
Gastaldon has made a number of soft sculptures using materials associated with knitting and sewing that have alternately fetishistic, nightmarish or contemplative qualities...
Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist...
Untitled (City Limits) is a series of five black-and-white photographs of road signs, specifically the signs demarcating city limits of several small towns in California...
Now on show in New York City: BJP's Female in Focus winners - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW © Minxu Li, Female in Focus 2022 single image winner BJP’s new exhibition takes place in a converted Brooklyn townhouse, reflecting the award’s domestic focus The winners of BJP ’s Female in Focus 2022 include two series and 20 single images which demonstrate the sheer power of photography by women...
Milena Bonilla’s discursive practice explores connections among economics, territory, and politics through everyday interventions...
Adição por subtração 4 (Addition by Subtraction, 2010) is an intervention into the white cube with both beautiful and intimidating results...
Mullican’s Stick Figure Drawings depict characters reduced to their most basic graphic representation...
Birdstones is a series of flat concrete slabs made from moldings of different shapes, each with two small holes...
James Ensor: series of anniversary shows to reveal ‘the man behind the mask’ Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Exhibitions news James Ensor: series of anniversary shows to reveal ‘the man behind the mask’ Belgium commemorates 75 years since the artist's death with a year-long season of exhibitions and events, often highlighting the lesser known aspects of his work Eddi Fiegel 15 December 2023 Share James Ensor, Pierrot and skeleton in a yellow robe (1893) Photo: Hugo Maertens The Belgian artist James Ensor may be easily recognisable for the macabre faces that so often feature in his works, but a major new season of exhibitions and events in his home country aims to reveal “the man behind the mask”...
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...