8 Possible Beginnings or: The Creation of African-America
2005 - Film & Video (Film & Video)
Kara Walker
In her masterpiece 8 Possible Beginnings or The Creation of African-America , Walker unravels just that, the story of struggle, oppression, escape and the complexities of power dynamics in the history following slave trade in America. Her use of contour and silhouette accentuate emotion with rigor, she reduces the narrative to black and white as gruesome acts of sex and violence address trauma, fear and suffering through a majestic play of shadow and light.
Kara E. Walker is a monumental American artist whose work probes the tarnished history of race in America, as well as that of gender, and sexual identity. Walker works in sculpture, collage, mixed media, drawing, graphic imagery and moving image/animation. Her iconic cutout silhouettes sample fragments of folklore as well as recorded history, as she often shows stereotypical depictions of African Americans as portrayed in history books in shockingly graphic yet accurate situations. She elegantly presents a problematic past, seduced by the medium yet wrought by unsettled emotion.
Colors:
Related works of genres: » social realism, » born 1969, » installation artist, » contemporary artist
© » KADIST
Keith Tyson
The work of Keith Tyson is concerned with an interest in generative systems, and embraces the complexity and interconnectedness of existence...
© » KADIST
Jonathan Monk
2003Untitled (rolled up) , is an abstract portrait of Owen Monk, the artist’s father and features an aluminum ring of 56.6 cm in diameter measuring 1.77 cm in circumference, the size of his father...
© » KADIST
Sebastián Díaz Morales
2012Pasajes I is the first in a series of Sebastián Díaz Morales’s four videos Pasajes , which focuses on a solitary man walking through Buenos Aires...
© » KADIST
Francis Alÿs
2006This series of small drawings is executed with varying materials—pen, ink, colored pencil, charcoal, and masking tape—on architect’s tracing paper...
© » KADIST
Paul McCarthy
1983McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works...
© » KADIST
Hans-Peter Feldmann
The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations...
© » KADIST
Laure Prouvost
2017The Parle Ment Metal Woman Welcoming You is a character originated from a series of works combining sculpture and video with a specific role— lying on the floor playing a romantic elevator tune, this Metal Woman welcomes and flirts with viewers in the space where she is posed...
© » KADIST
Raymond Pettibon
2000Untitled (Wall Street’s Chosen Few…) is typical of Pettibon’s drawings in which fragments of text and image are united, but yet gaps remain in their signification...
© » KADIST
Mike Kelley
1996Towhead n’Ganga, enclosed in darkness, lorded over by the sexualized folded high priestless form reflects many of Kelley’s works, in both its compositional and semantic qualities...
© » KADIST
Allan McCollum
1982In the work titled The Glossies (1980), an affinity for photography manifested itself before McCollum actually began to use photography as a medium...
© » KADIST
Hans-Peter Feldmann
The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations...
© » KADIST
Martin Kippenberger
19897″ Single ‘Pop In’ by Martin Kippenbergher consisting of a vinyl record and a unique artwork drawn by the artist on the record’s sleeve...
© » KADIST
Sebastián Díaz Morales
2014In Suspension a young man is hanging in the air, falling, or perhaps drifting through time and space...
© » KADIST
Raymond Pettibon
2005The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
© » KADIST
Raymond Pettibon
2006The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...