Ponderosa Pine IV belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that live in Northern California. The photograph is framed upside down; these “inverted trees” follow Graham’s early experiments with the camera lucida, a room-sized pinhole camera that dates back to ancient times and which he has used to photograph trees from various regions. Through these works Graham looks back at the history of photography while making the viewers aware of their own retinal experience. In the case of the Ponderosa Pine series, the artist’s use of a pinewood frame gives the elephantine inverted tree both a physical presence and a rather morbid veil.
Conceptual artist Rodney Graham’s oeuvre is highly versatile and intellectual. By incorporating fictional narratives and alternative interpretations into an existing context, Graham creates visual puns that layer historical reference to examine social and philosophical systems. Not only is Graham the behind-the-scenes sculptor, photographer, filmmaker, inventor, scholar, writer and singer in his projects, he also literally appears in the finished works, impersonating various fictional characters.
Michigan Central Station is part of a larger photographic series, Detroit Photos , which includes images of houses, theaters, stadiums, offices, and other municipal structures...
The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...
Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook...
7-headed Lalandau Hat by Yee I-Lann is an intricately woven sculpture evoking the ceremonial headdress worn by Murut men in Borneo...
Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art...
Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...
Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...
Untitled (Breathless) presents a folded newspaper article on Jean-Luc Godard’s À Bout de Souffle (Breathless)...
The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city...
Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...
The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009...
This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013...
The first iteration of Flutter was specifically conceived for the Pro Arts Gallery space in Oakland in 2010, viewable from the public space of a sidewalk, and the version acquired by the Kadist Collection is an adaptation of it...
Tania Libre is a film by Lynn Hershman Leeson centered around renowned artist Tania Bruguera and her experience as a political artist and activist under the repressive government of her native Cuba...