Pleasant Sensation Passing Through Flesh - 3

Jean-Charles de Quillacq — Les poulains deviennent des chevaux — Galerie Marcelle Alix — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Jean-Charles de Quillacq — Les poulains deviennent des chevaux — Galerie Marcelle Alix — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Jean-Charles de Quillacq — Les poulains deviennent des chevaux Exposition Techniques mixtes Jean-Charles de Quillacq, Ouverte (Discomfort), 2023 (Détail) Collage et acetone sur poster — 59,7 × 80 cm Courtesy de l’artiste et galerie Marcelle Alix, Paris Jean-Charles de Quillacq Les poulains deviennent des chevaux Encore 27 jours : 11 janvier → 9 mars 2024 « J’étais un morceau d’usine pour l’éternité...

O Africano (1984) is a large acrylic painting on canvas, made early in the artist’s career, and directly references both Leonilson’s artistic precursors and his desire to imagine and capture what it means to be Brazilian...

In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...

Nidhal Chamekh made the first drawings of the ongoing series Mémoire Promise in 2013...

Raphaël Zarka discovered the scientific manuscripts of Abraham Sharp while in Oxford...

This seminar will focus on the question of the future of South Eastern Europe through the lens of the necessity of commons-based organisations seen from the perspective ­of feminist and Anthropocene thought...

Tarek Atoui — The Drift — Institut d'art contemporain de Villeurbanne — Exhibition — Slash Paris Login Newsletter Twitter Facebook Tarek Atoui — The Drift — Institut d'art contemporain de Villeurbanne — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Tarek Atoui — The Drift Exhibition Mixed media Performance de Tarek Atoui lors du vernissage Tarek Atoui: Cycles in 11, à la Sharjah Art Foundation © Sharjah Art Foundation Tarek Atoui The Drift Ends in about 2 months: October 13, 2023 → January 28, 2024 Tarek Atoui presents a major monographic exhibition at IAC — Villeurbanne...

The Body Witness: Gardens Speak, en route, As Far As Isolation Goes at SIFA 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Arts House Limited June 28, 2021 By Vithya Subramaniam (1,600 words, 6-minute read) Though cancelled last year amid the developing pandemic, Singapore International Festival of Arts has done well to lean into the possibilities of small-group, distanced programmes for this year’s line-up...

MAREUNROL’S solo exhibition “Fieldwork: Invisible exercises” at Riga Art Space – A Shaded View on Fashion Dear Shaded Viewers, In a celebration of sensory experiences and the undulating narrative of creation, the fashion and art duo MAREUNROL’S presents “Fieldwork: Invisible exercises” at Riga Art Space’s Grand Hall...

22022021, Yawnghwe Office in Exile by Sawangwongse Yawnghwe belongs to a body of work made in response to the Myanmar military coup that began in February 2021...

In 2017 KADIST welcomed editors and artists Robert Hamelijnck and Nienke Terpsma of Fucking Good Art (FGA), Rotterdam, for the 6th year of its magazine residency...

The film installation Mud Man by Chikako Yamashiro is set on Okinawa and South Korea’s Jeju Islands, two locations at the center of local controversies surrounding the presence of the United States military...

The Interrogation is a video constructed entirely from still film photography and photoshop collage — playing out as a photomontage along with a voiceover...

The relatively new medium presents both opportunities and challenges for early adopter collectors....

“Pasvang, Pollsmoor Maximum Security Prison” is the result of three months Subotzky spent inside the walls of Pollsmoor Prison, an overcrowded correctional facility largely controlled by gangs...

Nidhal Chamekh made the first drawings of the ongoing series Mémoire Promise in 2013...

49/23 — Considering Technology, AI and Photography - Photographs by Gregory Eddi Jones | Interview by Liz Sales | LensCulture Feature 49/23 — Considering Technology, AI and Photography In his new thought-provoking series “49/23,” Gregory Eddi Jones considers the implications of rapidly advancing technology by intertwining vintage photography and AI-generated images...

Paintings and sculptures collected by the late Mexican architect Luis Barragán are showcased on a stepped wooden platform at his Mexico City house....

The Maryland-based Nigerian artist and avid art buyer breaks down his thoughtful collecting ethos for Artnet News....

Donald of Doom Tank (2008) is a replica of a vintage metal toy with Donald Duck’s image one side and a soldier on the other...