60H x 26W x 34D inches
Peasant Sensation Passing Through Flesh – 3 consists of a massage chair fixed to a wall. With its cushions removed to reveal its internal mechanisms, the chair’s programmed rubbing, kneading, patting, and vibrating motions create a strange sight and soundscape. The work explores the relationship between flesh and machine as they come together through technologically simulated social behaviors, challenging normative ideas about human interaction.
Yang Zhenzhong’s artwork challenges traditional notions of social behavior, often using new media to focus upon disharmony and contradiction within Chinese society and broach taboo subjects within Chinese culture such as death and obsolete familial traditions. Yang studied painting at the Zhejiang Academy of Fine Arts in Hangzhou. His work has been featured in the Venice Biennale, Shanghai Biennale, Asia Pacific Triennale of Contemporary Art, and Lyon Biennale.
Jean-Charles de Quillacq — Les poulains deviennent des chevaux — Galerie Marcelle Alix — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Jean-Charles de Quillacq — Les poulains deviennent des chevaux — Galerie Marcelle Alix — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Jean-Charles de Quillacq — Les poulains deviennent des chevaux Exposition Techniques mixtes Jean-Charles de Quillacq, Ouverte (Discomfort), 2023 (Détail) Collage et acetone sur poster — 59,7 × 80 cm Courtesy de l’artiste et galerie Marcelle Alix, Paris Jean-Charles de Quillacq Les poulains deviennent des chevaux Encore 27 jours : 11 janvier → 9 mars 2024 « J’étais un morceau d’usine pour l’éternité...
O Africano (1984) is a large acrylic painting on canvas, made early in the artist’s career, and directly references both Leonilson’s artistic precursors and his desire to imagine and capture what it means to be Brazilian...
“Pasvang, Pollsmoor Maximum Security Prison” is the result of three months Subotzky spent inside the walls of Pollsmoor Prison, an overcrowded correctional facility largely controlled by gangs...
MAREUNROL’S solo exhibition “Fieldwork: Invisible exercises” at Riga Art Space – A Shaded View on Fashion Dear Shaded Viewers, In a celebration of sensory experiences and the undulating narrative of creation, the fashion and art duo MAREUNROL’S presents “Fieldwork: Invisible exercises” at Riga Art Space’s Grand Hall...
James Ensor: series of anniversary shows to reveal ‘the man behind the mask’ Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Exhibitions news James Ensor: series of anniversary shows to reveal ‘the man behind the mask’ Belgium commemorates 75 years since the artist's death with a year-long season of exhibitions and events, often highlighting the lesser known aspects of his work Eddi Fiegel 15 December 2023 Share James Ensor, Pierrot and skeleton in a yellow robe (1893) Photo: Hugo Maertens The Belgian artist James Ensor may be easily recognisable for the macabre faces that so often feature in his works, but a major new season of exhibitions and events in his home country aims to reveal “the man behind the mask”...
Donald of Doom Tank (2008) is a replica of a vintage metal toy with Donald Duck’s image one side and a soldier on the other...
Clémentine Adou — Xmas — Les Bains-Douches d'Alençon — Exhibition — Slash Paris Login Newsletter Twitter Facebook Clémentine Adou — Xmas — Les Bains-Douches d'Alençon — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Clémentine Adou — Xmas Exhibition Installation, sound - music, mixed media, video Clémentine Adou, Red nose, red dot, 2023 Red nose, motor — 5 × 5 × 5 cm Clémentine Adou & Tonus, Paris Clémentine Adou Xmas Ends in 21 days: January 26 → March 3, 2024 “Movement is not material...
Defunct Mnemonics (2012) plays off woodworking traditions found in indigenous art in order to create a body of formally minimal objects that are both beautiful in their restraint and profoundly moving in their associations with the totemic...
Baby Shoes, Never Worn is part of photographer John Houck’s series of restrained still-life photographs capturing objects from his childhood...
Tarek Atoui — The Drift — Institut d'art contemporain de Villeurbanne — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Tarek Atoui — The Drift — Institut d'art contemporain de Villeurbanne — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Tarek Atoui — The Drift Exposition Techniques mixtes Performance de Tarek Atoui lors du vernissage Tarek Atoui: Cycles in 11, à la Sharjah Art Foundation © Sharjah Art Foundation Tarek Atoui The Drift Encore environ 2 mois : 13 octobre 2023 → 28 janvier 2024 L’IAC invite l’artiste Tarek Atoui à présenter sa première exposition monographique d’ampleur en Europe...
Mollie hotel celebrates Aspen’s close ties to the Bauhaus | Wallpaper (Image credit: Photography by Nicole Franzen) By Adrian Madlener published 12 February 2024 Set along Aspen, Colorado’s central Paepcke Park, Mollie is a new 68-room hotel with stylistic nods to the Bauhaus, the German architecture and design school that helped spawn modernism...
Tarek Atoui — The Drift — Institut d'art contemporain de Villeurbanne — Exhibition — Slash Paris Login Newsletter Twitter Facebook Tarek Atoui — The Drift — Institut d'art contemporain de Villeurbanne — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Tarek Atoui — The Drift Exhibition Mixed media Performance de Tarek Atoui lors du vernissage Tarek Atoui: Cycles in 11, à la Sharjah Art Foundation © Sharjah Art Foundation Tarek Atoui The Drift Ends in about 2 months: October 13, 2023 → January 28, 2024 Tarek Atoui presents a major monographic exhibition at IAC — Villeurbanne...