A Place to Call Home

Her work Al final del arcoiris (At the end of the rainbow, 2015) is a bundle of bills from Chile, Venezuela, Brazil, Colombia, Nicaragua, and Costa Rica, arranged by color to form a tight spiraling rainbow held close with a rubber band...

Tender reading: A review of Loss Adjustment by Linda Collins | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles January 28, 2021 By Grace Foo (650 words, 3-minute read) Not many people can endure the traumatic experience of losing a child to suicide, let alone be of sound mind to write about it in a painfully self-aware manner...

The seminar Death Without Bodies, Bodies Without Life will be carried out in the Atacama Desert in order to explore how the social and political chronicles are historicized and inscribed into the landscape, percolating through the bodies, architecture, and institutions it harbors...

Perawesi / Estómago de animal / Stomach of animal by Sheroanawe Hakihiiwe exemplify his most abstract work, where he choses particular elements of a living organism to create his renditions...

Birender Kumar Yadav comes from Dhanbad, India, a city built on its proximity of iron ore and coal and once forested and inhabited by Indigenous people who compose the Gondwana...

Baudelaire’s latest film, Also known as Jihadi (2017) tells the story of a young French boy from Parisian suburbs and his assumed journey to the Al-Nusra front in Syria to join ISIS and fight Bashar al-Assad’s regime...

Blindfold Receptor (caterpillar-yellow) by Leelee Chan is inspired by the camouflaging nature of the peppered-moth caterpillar...

Maria Taniguchi works across several media but is principally known for her long-running series of quasi-abstract paintings featuring a stylized brick wall device...

Video: attitudes to nudity in art | Blog | Royal Academy of Arts Marina Abramović in the Main Galleries Video: attitudes to nudity in art Read more Become a Friend Video: attitudes to nudity in art Published 14 December 2023 Watch Marina Abramović discuss her performance ‘Imponderabillia’ first performed over 40 years ago...

Wolowiec’s textile work Not This Time (2015) translates pixelated images into sensuous fabric and ink based forms that are at once beautiful in their abstraction and anxiety-ridden in their visualization of a malfunctioning digital world...

It is a little known fact that Lebanese historians were also gamblers during the war...

Cakap-Cakap: Interview with Anaïs López for The Migrant | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles April 28, 2021 In this month’s Cakap-Cakap (chit-chat), ArtsEquator speaks with visual artist Anaïs López about her multimedia exhibition The Migrant which is currently showing at the Chapel Gallery, Objectifs...

Natasha Wheat’s Kerosene Triptych (2011) is composed of three images, one each from the digital files of the Library of Congress, the Smithsonian Institution, and the Field Museum tropical research archive...

In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...

To See or Not to See: Learning from the Late Robert Irwin and More Skip to main content By Janelle Zara Plus Icon Janelle Zara View All January 13, 2024 3:50pm Installation view of Robert Irwin's untitled (dawn to dusk) , 2016, at the Chinati Foundation, Marfa, Texas...

Primero estaba el mar ( First Was the Sea , 2012) is a system of equivalences between syllables and silhouettes of waveforms cast in cement...

Open Mind is a model created by Capote for a traversable public maze that, when seen from above, resembles the human brain...

Hong Kong art space Current Plans goes into ‘hibernation’, but first, an overnight farewell performance and podcast in its Sham Shui Po home...

Fabiola Torres-Alzaga plays with magic, illusion, and sleight-of-hand, fabricating installations, drawings, and films that toy with our perceptions...

Blindseye Arranger (Max) (2013) features a greyscale arrangement of rudimentary shapes layered atop one another like a dense cluster of wood block prints, the juxtaposition of sharp lines and acute angles creating an abstracted field of rectangular and triangulated forms composed as if in a cubist landscape...