A Place to Call Home

Her work Al final del arcoiris (At the end of the rainbow, 2015) is a bundle of bills from Chile, Venezuela, Brazil, Colombia, Nicaragua, and Costa Rica, arranged by color to form a tight spiraling rainbow held close with a rubber band...

Tender reading: A review of Loss Adjustment by Linda Collins | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles January 28, 2021 By Grace Foo (650 words, 3-minute read) Not many people can endure the traumatic experience of losing a child to suicide, let alone be of sound mind to write about it in a painfully self-aware manner...

Quentin Blake: Now Exhibition | Londonist This Free Quentin Blake Exhibition Lands In London At The End Of January By Will Noble Will Noble This Free Quentin Blake Exhibition Lands In London At The End Of January The exhibition is free, although if you want, you can spend a lot of money by purchasing an original...

Wolowiec’s textile work Not This Time (2015) translates pixelated images into sensuous fabric and ink based forms that are at once beautiful in their abstraction and anxiety-ridden in their visualization of a malfunctioning digital world...

Press Release: Art21 to Release New Film: “Sarah Sze: Emotional Time” | Art21 Our Series Art in the Twenty-First Century Extended Play New York Close Up Artist to Artist William Kentridge: Anything Is Possible Specials Art21.live An always-on video channel featuring programming hand selected by Art21 Playlists Curated by Art21 staff, with guest contributions from artists, educators, and more Art21 Library Explore over 700 videos from Art21's television and digital series Latest Video 16:41 Add to watchlist Guerrilla Girls in "Bodies of Knowledge" Art in the Twenty-First Century Season 11 June 23, 2023 Search Searching Art21… Welcome to your watchlist Look for the plus icon next to videos throughout the site to add them here...

The GUi-DE: A24's heartbreaking wrestling movie & an American photobook advertisement...

Wrong Currency (Monday, Tuesday, Wednesday, Thursday, Friday) by Sanya Kantarovsky uses the stylistic vernacular of five separate artists to create a series of five lithographs, dealing with a series of apparently unrelated happenings, each staged as one “day.” The series takes up Kantarovsky’s theme of embarrassment across a variety of scenes, each populated by multiple figures, set in a disjunctive relation...

This work exemplifies George Pfau’s interest in zombies and liminal embodiment...

Birender Kumar Yadav comes from Dhanbad, India, a city built on its proximity of iron ore and coal and once forested and inhabited by Indigenous people who compose the Gondwana...

Rock Walker of Walker Fine Art is a leading expert on M...

Le Beau Vice: Bérénice Reynaud (1950's- 2023)...

Maria Taniguchi works across several media but is principally known for her long-running series of quasi-abstract paintings featuring a stylized brick wall device...

An avid art collector picks out her 11 favourites, and tells the story behind each one of them...

Martinez’s sculpture A meditation on the possibility… of romantic love or where you goin’ with that gun in your hand , Bobby Seale and Huey Newton discuss the relationship between expressionism and social reality in Hitler’s painting depicts the legendary Black Panther leaders Huey P...

Baudelaire’s latest film, Also known as Jihadi (2017) tells the story of a young French boy from Parisian suburbs and his assumed journey to the Al-Nusra front in Syria to join ISIS and fight Bashar al-Assad’s regime...

Award's exhibition moves to Herbert Art Gallery and Museum as part of the year-long UK City of Culture 2021 festival...

To See or Not to See: Learning from the Late Robert Irwin and More Skip to main content By Janelle Zara Plus Icon Janelle Zara View All January 13, 2024 3:50pm Installation view of Robert Irwin's untitled (dawn to dusk) , 2016, at the Chinati Foundation, Marfa, Texas...

I like to think (and the sooner the better!) of a cybernetic meadow where mammals and computers live together in mutually programming harmony like pure water touching clear sky...

“Somewhere, Elsewhere, Anywhere, Nowhere” is a record and reflection of Spring 2014 artist-in-residence Marcelo Cidade’s displacement of a parking lot at Kadist’s gallery in San Francisco...

In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...