As suggested by its title, Pipe Opening (2002) depicts a hole in a wood wall exposed by the removal of a pipe. In contrast to his signature immense tableaux, Pipe Opening is a direct but modest document of a “real” scene that Wall “encountered by chance” in daily life. However factual, the image indicates certain enigmatic significance, allowing multiple interpretations. Wall encourages the viewer to engage with the scenario to imagine the before and the after of the moment. Compared to his earlier work, Wall’s photographs appear to be straight-up snapshots, exhibiting less manipulative details. The fictional details are not conveyed through obvious arrangements but due to the very nature of photographs: What they record is always an incomplete view of the world.
Internationally renowned photoconceptualist Jeff Wall is famous for his large-format lightboxes whose subject matter ranges from figurative portraiture to urban environment to mundane objects to elaborately constructed scenes. Hovering between documentary realism and fictional storytelling, and between photographs and films, Wall’s works are experienced rather than looked at.
Michigan Central Station is part of a larger photographic series, Detroit Photos , which includes images of houses, theaters, stadiums, offices, and other municipal structures...
Some Dead Don’t Make a Sound (Hay muertos que no hacen ruido) is a single-channel video by Claudia Joskowicz that features the Mexican legend of the Weeping Woman (La Llorona) as its main protagonist...
Collectors’ Favorites is an episode of local cable program from the mid-1990s in which ordinary people were invited to present their personal collections—a concept that in many ways anticipates current reality TV shows and internet videos...
Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
Untitled (City Limits) is a series of five black-and-white photographs of road signs, specifically the signs demarcating city limits of several small towns in California...
Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom...
Tree on the Former Site of Camera Obscura (1996) belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that lives in Northern California...
Enrique Ramirez’s La Memoria Verde is a work of poetry, politics, and memory created in response to the curatorial statement for the 13th Havana Biennial in 2019, The Construction of the Possible ...
In Un Hombre que Camina (A Man Walking) (2011-2014), the sense of rhythm and timing is overpowered by the colossal sense of timelessness of this peculiar place...
Visalia Livestock Market, Visalia, California results from Lockhart’s prolonged investigation of an agricultural center and community...
Uncertain Pilgrimage is an ongoing project in which Moore draws from his unplanned travels in recent years...
Wallace says of his Heroes in the Street series, “The street is the site, metaphorically as well as in actuality, of all the forces of society and economics imploded upon the individual, who, moving within the dense forest of symbols of the modern city, can achieve the status of the heroic.” The hero in Study for my Heroes in the Street (Stan) is the photoconceptual artist Stan Douglas, who is depicted here (and also included in the Kadist Collection) as an archetypal figure restlessly drifting the streets of the modern world...
Los rastreadores is a two-channel video by Claudia Joskowicz narrating the story of a fictitious drug lord, Ernesto Suarez, whose character is based on the well-known Bolivian drug dealer, Roberto Suárez...
Untitled (Women) (2011) presents a startlingly succinct history of violently romanticized femininity...
For the past two decades, An-My Lê has used photography to examine her personal history and the legacies of US military power, probing the tension between experience and storytelling....