Trained as an architect, Alÿs turned to a visual arts based practice in the early 1990s as a more immediate, direct, and effective way of exploring issues related to urbanization, to the ordering and signification of urban space and to the semiotics of its use. His work initiates with a simple action, either by him or others, which is then documented in a range of media. Alÿs explores subjects such as modernizing programs in Latin America and border zones in areas of conflict, often asking about the relevance of poetic acts in politicized situations. Documentation is central to his practice as well as painting, drawing, and video. In his work, When Faith Moves Mountains (2002) made in collaboration with Mexican critic Cuauhtemoc Medina, Alÿs recruited 500 volunteers outside of Lima, Peru. Each person moved a shovel full of sand one step at a time form one side of a dune to the other, and together they moved the entire geographical location of the dune by a few inches. Critic Jean Fisher linked Alÿs’ work to the radical event of precipitating a crisis of meaning, where the exposure of a void of meaning is confronted by its social situation, leading up to some kind of truth. Francis Alÿs was born in Belgium in 1959. He lives and works in Mexico City.
This series of small drawings is executed with varying materials—pen, ink, colored pencil, charcoal, and masking tape—on architect’s tracing paper...
Behind the simplicity and beauty of this untitled photograph of a brilliantly-colored flowerbed by Félix González-Torres are two remarkable stories of love, loss, and resilience...
In the work titled The Glossies (1980), an affinity for photography manifested itself before McCollum actually began to use photography as a medium...
Tino Sehgal’s This Exhibition requires an interpreter (in this particular piece, a gallery attendant) to faux faint each and every time a visitor enters into a given space...
Cinthia Marcelle’s video work Automóvel (2012) re-edits the mundane rhythms of automotive traffic into a highly compelling and seemingly choreographed meditation on sequence, motion, and time...
Peasant Sensation Passing Through Flesh – 3 consists of a massage chair fixed to a wall...
Compositions such as Tree on Keystone (2011) become hyperreal versions of their real-world equivalents...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
7-headed Lalandau Hat by Yee I-Lann is an intricately woven sculpture evoking the ceremonial headdress worn by Murut men in Borneo...
Starting with Bruce Nauman’s iconic artwork, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) , Mungo Thomson’s neon sign is one of a series that replaces Nauman’s quixotic mini-manifesto with aphorisms from ‘recovery’ culture, especially those made popular by alcoholics anonymous...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...