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In 2019, Ayoung Kim traveled to Mongolia to research its widespread animistic belief system towards land, mother rock, stones, and sacred caves that purify human guilt. The Mongolian people’s belief that rocks and minerals are alive, like other natural elements, consider the particular origin myth that human beings were born from stones. For the video work Petrogenesis, Petra Genetrix Kim creates her own hyperbolic mythology connected to the origin of the fictional mineral genderless Petra Genetrix, a figure who also appears in other recent works by the artist. This kind of mineral floats about the space between strata and the national borders, facing migration issues. By way of the notion of Petrogenesis—which refers to a genesis from rocks—Kim wanders the interrelated and overlapped layers of time, as though lost in the Earth’s strata. As one of the interviewees was saying that “Quartz can be considered to be a type of natural computer, since it absorbs and stores a large amount of energy,” the artist questions that we would think of the rocks and stones that have existed since the beginning of the Earth as the plan- ets’ vehicle for memory storage. This work speaks for the traditional spirituality found in animism and reveals the equivalence between primeval objects and the contemporary and futuristic memory sphere.
Ayoung Kim is interested in notions of crossings, transmissions, transnationals, trans-positions and reversibility. Kim’s work seeks possible integrations, articulations and collisions of things in between time, space, structure and syntax. In doing so, Kim adopts the devices of speculative storytelling, narrativity and rhetoric to evoke unfamiliar forms of reading, listening and thinking of the conditions of the world by focusing on unlikely encounters of ideas. The outcomes take the forms of video, voice, sonic fiction, image, diagram and text, and are exposed as exhi- bitions, performances, theater projects and publications. Recently, Kim has been endeavouring to graft the fictional and the historical together through distorting reality.
Howardena Pindell on the Exclusion of Black Artists in the 1980s – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All January 14, 2021 1:13pm ©ARTnews Over the past several years, museums and galleries have made concerted efforts to show work by Black artists, responding to growing calls for equity...
N°001 Djoubi et sa meute is part of a series of photographs by Laura Henno titled Ge Ouryao! ...
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...
Charles LeDray: Securing memory – Two Coats of Paint Charles LeDray, Shiner, 2015–2023, wood, mat board, acrylic paint, enamel paint, watercolor, polyurethane, fabric, leather, embroidery floss, acrylic yarn, silicone rubber, Lava soap, mother of pearl, Fimo, pretzel bits, rabbit fur, bubble gum, wax, cinnamon oil, shoe dye, metal, copper wire, electrical tape, acrylic, foil, pumice, plastic, eraser, letterpress print, printed paper, 5 3/4 x 34 x 23 7/8 inches Contributed by Barbara A...
50 Questions With Juergen Teller | AnOther December 13, 2023 Text Ted Stansfield Lead Image Self-Portrait with pink shorts and balloons, Paris, 2017 © Juergen Teller, All rights Reserved It’s not an overstatement to say that Juergen Teller is one of the most influential photographers working today...
Black History and Love Intertwine at February Bay Area Concerts | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Arts & Culture Black History and Love Intertwine at These February Bay Area Concerts Andrew Gilbert Feb 7 Save Article Save Article Failed to save article Please try again Email Mary Stallings performs at Keys Jazz Bistro on Feb...
The work La Loge Harlem focuses on the history of Harlem and its development over the last 200 years...
Experiencing a slice of life: Artist’s Block by ArtWave | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Zinkie Aw March 1, 2022 By Noorul Raaha As’art (830 words, 3-minute read) Waterloo Street is a smorgasbord of sensory experiences, from Hindu and Buddhist temples coexisting side by side, to old uncles and aunties hawking religious paraphernalia, shaded by their New Moon abalone umbrellas, and stalls offering acupuncture services, amongst other things...
The triptych Black Star Press is part of the series ‘The Black Star Press project’ initiated in 2004 by the American artist Kelley Walker...
For his project Book of Veles artist Jonas Bendiksen travelled to the small city of Veles in North Macedonia, inspired by a series of press reports starting in 2016, that revealed Veles as a major source of the fake news stories flooding Facebook and other social media sites celebrating Donald Trump and denigrating Hillary Clinton...