Paper Tigers…from a whisper to a scream

The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources...

Long Long Live (2013) takes the viewer to the setting of the Oasis Villa on Green Island, once a reform and re-education prison to house political prisoners during Taiwan’s martial law period...

Vallance’s Rocket is a vibrant picture in which masses of color and collage coalesce into a central vehicle, yet the whole surface seems lit with the roar of space travel...

MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...

Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner...

Re: Looking marks a new phase in Wong’s work which connects his region’s history with other parts of the world...

Iron Sorrows (1990) brings together what are for Alexis Smith common motifs and materials such as scavenged and repurposed metal, and street signage...

Apartment on Cardboard (2000) is an exterior view of an abstracted apartment building...

In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...

Haendel’s series Knights (2011) is a set of impeccably drafted, nine-foot-tall pencil drawings depicting full suits of armor...

Will Rogan’s video Eraser (2014) shows a hearse parked in a clearing amidst leaf barren trees...

This work presents the image of an immolated monk engraved on a baseball bat...

Last Postcards is a series of three small double-sided paintings on plywood in which Biernoff imagines the last communications from explorers lost in the wilderness...

Chris Johanson’s paintings, sculptures, and installations break down everyday scenes and commonplace dramas into colorful forms; the darkest sides of humanity are invoked with humor...

In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...

The Class (2005) by Araya Rasdjarmrearnsook challenges the viewer’s personal sense of morality and tolerance by depicting a classroom from hell...

Dr...

The artist describes the work as “very performative video-pieces but they take on a more sculptural feel...

Untitled (Women) (2011) presents a startlingly succinct history of violently romanticized femininity...