One Universe, One God, One Nation was inspired by Hannah Arendt’s analysis of space exploration and by the astrological horoscope of Chinese political and military leader Chiang Kai-shek (1887-1975). Chiang was born with the sun in Scorpio and at the Ninth House, moon in Aries, and ascendant in Capricorn, signifying an individual who is headstrong, intense, and persistent, with a desire for leadership. Yin-Ju juxtaposes images of outer space, war, and subservient masses, calling attention to how the dictator’s violence and charismatic power over the crowd was predicted by his particular astrology. The viewer watches as the public becomes obedient and passive in the face of the dictator. By linking this phenomenon with the cosmos, Yin-Ju implies that the disastrous events of history are perhaps inevitable.
Yin-Ju Chen is a multidisciplinary artist, working in video, photography, drawing, and multi-media installation. She interprets social power and history through cosmological systems, using astrology, sacred geometry, and alchemical symbols to consider themes of human behavior, nationalism, imperialism, racism, state violence, totalitarianism, utopian formations, and collective thinking. Recent works illustrate the inevitability of cycles of history, developing the scope of Chen’s long-term consideration of notions of power and collective (un)consciousness. Chen was in residency at KADIST San Francisco in 2016.
This work includes sketches for Extrastellar Evaluations , the project she produced at Kadist...
The Striation Scrap Lamps (vertical and horizontal) although functioning as utilitarian objects also represent Jason Meadows’s interest in a certain kind of crafted sculpture...
Donald of Doom Tank (2008) is a replica of a vintage metal toy with Donald Duck’s image one side and a soldier on the other...
Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook...
In Restaurant, Canton, Ohio (2011), a convenience store offers food, liquor, and Coca Cola to an empty street...
Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...
This work presents the image of an immolated monk engraved on a baseball bat...
In the Collage II (Marie) (2013), Shorr seems to have an ostensibly clear subject, a female subject identified in the work’s title as “Marie,” a slim but athletic woman with brown hair pictured reclining atop a brilliantly white sheet draped against a marbled tan-and-white backdrop...
Jeep Comics is based on the second of only two issues published by RB Leffingwell and Company in 1944–45...
His series, The Golden State, harkens back to his early career and his photographic training...
In Up All Night, Waiting for the Chelsea Hotel Magic to Spark My Creativity Mario García Torres constructs and documents a hypothetical scene, situating himself within a lineage of artists and creatives that used to congregate at the historic hotel...
The central point of Vanishing Point is the most direct physiological reaction of the body to the environment...
Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...
The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction...