Onde quer voce esteja (Wherever you may be)

2011 - Sculpture (Sculpture)

61.42H x 125.98W inches

Pablo Accinelli

year born: 1983
gender: male
nationality: Argentinian

In Onde quer que voce esteja (2011) Accinelli sets up a row of cardboard shipping tubes of varying heights and inscribes on them in black ink the words of the title, which translates in English as “Wherever you may be.” The words, while legible, seem like fragmented lines and shapes—almost but not quite a deconstruction of the text. Accinelli explores the relationship between objects as metaphors of their own materiality and as tools for conveying ideas.


Pablo Accinelli is an Argentinian artist living and working in Buenos Aires. His work includes sculpture, installation, photography, and mixed media, and shows subtle influences of prominent artists of the previous generation in South America—specifically those who investigated modernity through an individual’s mental and physical relationship to constructed space. His practice merges object design, the use of industrial and everyday materials, text, and images, seeking to explore both the internal and the external relationships objects have with the spaces around them. For instance in Relación interna 2 (2010), by measuring the space between two notebook pages with a half-cylinder of concrete—a trademark modernist material—Accinelli imbues the empty spaces among and between objects with an augmented depth.


Colors:



Corrupted file from page 14, (V1)
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Alessandro Balteo Yazbeck

2008

Part of a larger series of photographic works, Alessandro Balteo Yazbeck’s Corrupted file from page 14 (V1) from the series La Vega, Plan Caracas No...

Memorial for intersection #2
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Amalia Pica

2013

Memorial for intersections #2 (2013) is a minimalist, black metallic structure that contains the brightly colored translucent circles, triangles, rectangles, and squares that originally were presented in Pica’s performance work A ? B ? C (2013)...

The Thinkers
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Adriana Lara

2014

Lara uses things readily at hand to create objects and situations that interrogate the processes of art and the spectrum of roles that art and artists play in society...

quadroquadro (círculo)
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Renata Lucas

2016

Lucas’s quadroquadro (círculo) employs familiar materials for the artist: wood, paper, and glass...

Roca Carbón (Charcoal Rock)
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Mateo Lopez

2012

With Roca Carbón (Charcoal Rock, 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...

Wright Imperial Hotel
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Abraham Cruzvillegas

2004

Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...

Untitled (Set of Six Drawings)
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Adrian Villar Rojas

2012

Based on historical prophecies and fantasy, the artist creates apocalyptic scenarios that posit an enigmatic world plagued by social, political, and environmental upheaval...

From the series Las Mariposas Eternas (the Eternal Butterflies)
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Adrian Villar Rojas

2010

The two drawings in the Kadist Collection are part of a larger series entitled Las Mariposas Eternas (The Eternal Butterflies)...

Adição por subtração - 4
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Marcelo Cidade

2010

Adição por subtração 4 (Addition by Subtraction, 2010) is an intervention into the white cube with both beautiful and intimidating results...

Impossible Accomplishment or the power as addition of seductions 2
© » KADIST

Marcelo Cidade

2006

This series of photographs reflects Marcelo Cidade’s incessant walks or drifting through the city and his chance encounters with a certain street poetry like the Surrealists or Situationists before him...

Chu’u Mayaa
© » KADIST

Clarissa Tossin

2017

Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...

Fordlândia Fieldwork
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Clarissa Tossin

2012

In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...

Roca Grafito (Graphite Rock)
© » KADIST

Mateo Lopez

2012

With Roca Carbon ( Charcoal Rock , 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...

Almohada
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Mateo Lopez

2011

Mateo Lopez uses paper as a medium to conjure personal experiences...

450 Hayes Street (excavation site)
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Marcelo Cidade

2014

450 Hayes Street (excavation site) by Marcelo Cidade is a large scale photograph documenting the artist’s excavation of a parking lot located at 450 Hayes Street in San Francisco, a former section of the city’s Central freeway and current condominium site...

Re: definition of architectural project 2
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Marcelo Cidade

2006

Marcelo Cidade interrogates the city, architecture and urban planning...

Abuso de poder (Abuse of Power)
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Marcelo Cidade

2010

Marcelo Cidade’s sculpture Abuso de poder (Abuse of Power, 2010) is a mousetrap elegantly crafted in Carrara marble...

Eu preciso estar seguro de você 1 (I need to be sure of you 1)
© » KADIST

Marcelo Cidade

2006

This series of photographs reflects Marcelo Cidade’s incessant walks or drifting through the city and his chance encounters with a certain street poetry like the Surrealists or Situationists before him...