Oil Bell

- Sculpture (Sculpture)

Paul Kos

location: San Francisco, California
year born: 1942
gender: male
nationality: American

Paul Kos works with everyday materials and video to enact a playful conceptual engagement with life and the world. He responds to simple, humble materials and the indigenous elements of specific sites, which he mines for their physical properties and metaphoric possibilities. Throughout these pieces, Kos’s work uses humor to relate the stuff of life back to larger questions of time and spirituality.


Colors:



Related works featuring themes of: » Abstract Sculpture, » Chance, » Color Photography, » Conceptual Art, » American

Baobab
© » KADIST

Tacita Dean

2001

The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits...

BC/AD
© » KADIST

Ian Breakwell

2008

“BC/AD” (Before Cancer, After Diagnoses) is a video of photographs of the artist’s face dating from early childhood to the month before he died, accompanied by the last diary entries he wrote from April 2004 to July 2005 (entitled “50 Reasons for Getting Out of Bed”), from the period from when he lost his voice, thinking he had laryngitis, through the moment he was diagnosed with lung cancer and the subsequent treatment that was ultimately, ineffective...

Pair of shoes / Shoes with eggs
© » KADIST

Hans-Peter Feldmann

The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations...

Fashion Designer Marc Jacobs Is Selling Off His Entire Art Collection, Including a $3 Million Ed Ruscha - via artnet news
© » LARRY'S LIST

Ed Ruscha

The fashion designer is selling off all the art inside his West Village townhouse at Sotheby’s New York to make way for a new collection....

Mapa Mundi BR (postal)
© » KADIST

Rivane Neuenschwander

2007

Mapa-Mundi BR (postal) is a set of wooden shelves holding postcards that depict locations in Brazil named for foreign countries and cities...

Telescopic Pole (Tennis Balls Red) and (Tennis Balls)
© » KADIST

Chadwick Rantanen

2010

Telescopic Pole is an adjustable telescopic pole that extends vertically from floor to ceiling and is held up by its own internal pressure...

Bunny’s Sofa
© » KADIST

Gimhongsok

2007

To explore the boundaries between artwork and audience, Gimhongsok created a series of sculptural performances in which a person wearing an animal costume poses in the gallery...

SHE MAD: Laughing Gas
© » KADIST

Martine Syms

2016

Her 2016 video installation quotes the sitcom-as-form and also draws from a 1907 comedic short, Laughing Gas...

The American War
© » KADIST

Harrell Fletcher

2005

The American War , which takes its title from the Vietnamese term for what Americans call the Vietnam War, has toured the United States extensively with the goal of presenting a Vietnamese perspective of that history...

Eraser
© » KADIST

Will Rogan

2014

Will Rogan’s video Eraser (2014) shows a hearse parked in a clearing amidst leaf barren trees...

Untitled 6/10 i-xxii
© » KADIST

Nathaniel Dorsky

2010

Dorsky’s pieces included in the Kadist Collection are small still photographs from twelve of his most important films...

Hat with photograph
© » KADIST

Hans-Peter Feldmann

The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations...

100 Boots
© » KADIST

Eleanor Antin

1973

Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City...

Execution Changes #22
© » KADIST

Julian Hoeber

2011

Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...

Work No. 299
© » KADIST

Martin Creed

2003

This photograph of Martin Creed himself was used as the invitation card for a fundraising auction of works on paper at Christie’s South Kensington in support of Camden Arts Centre’s first year in a refurbished building in 2005...

One Must
© » KADIST

John Baldessari

1997

In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...