Nothing New
2012 - Film & Video (Film & Video)
Oded Hirsch
Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel. In the video, a fallen parachutist hangs tangled by his own lines, suspended between two electrical towers in a surreally desolate landscape of overgrown fields in the Jordan Valley of Israel. A group of over a hundred men and women approach the towers, working with almost mechanic efficiency to free the parachutist from the power lines overhead. Although the subject of a would-be rescue mission, it is never clear if the parachutist survived the fall – seemingly inanimate, he functions more as an object of convergence to bring the various actors on the ground together. Filmed near the Jordanian border with Israel, the video considers multiple iterations of borderlands – from the geo-political borders between nation states to the border between life and death occupied by the endangered parachutist – while also suggesting how these intermediate spaces can be static. Hirsch’s work, however, suggests that complacency can only be countered by communal effort and action. We never know the outcome of the groups’ attempt to save the parachutist, and this ambiguity troubles our desire and expectation for resolution. But in foregrounding the imperative need for collective response, Hirsch stakes out a critical space for shared experiences driven by empathy while advocating for greater common awareness and understanding.
Oded Hirsch produces video, installation, and photography that explore the phenomena of collective experience and participatory spectacle in present day Israel. Born and raised in Kibbutz Afikim, Israel, Hirsch examines how group structures function as a point of departure for deeper considerations of circumstance, choice, and communal action. Often removed from logic and reason, his videos show conflict and resolution as contemporaneous and co-essential phenomenon. While his works occasionally employ absurd tropes to disorienting effect, his narratives focus on situations that invite collective response, shared experience, and greater consciousness of the world around us. Recent solo shows include: The Mad Lift, Liverpool Biennial, UK; Nothing New, Thierry Goldberg Gallery, New York, NY; The Chelsea Project, EDS Galeria, Mexico City; and Sleep Tight Ramat-Gan Museum of Art, Tel Aviv, Israel. Recent group exhibitions include: MASS MoCA, MA; Queens Museum of Art, New York; The Jewish Museum, Munich, Germany; Black and White Gallery, New York; Lesley Heller Workspace, New York; Lora Reynolds Gallery, Austin, TX; and the Soap Factory, Minneapolis.
Colors:
Related works sharing similar palette
© » KADIST
Prabhakar Kamble
2022To produce the series of sculptures collectively titled Utarand , Prabhakar Kamble relocated his studio to Kolhapur, Maharashtra, near the village where he was born into a family of daily wage earners...
© » NYTIMES LENS
At 90, Photographer Fred Baldwin Still Has ‘So Much Work Left to Do’ - The New York Times Lens | At 90, Photographer Fred Baldwin Still Has ‘So Much Work Left to Do’ https://www.nytimes.com/2019/05/29/lens/fred-baldwin-photography.html Give this article Share Advertisement Continue reading the main story Fred Baldwin reckons he could have become a writer — if the manual Olivetti typewriter he used while studying at Columbia in 1955 had spell-check...
© » KADIST
Voluspa Jarpa
2012To make Minimal Secret (2012), Jarpa created sculptures based on pages of declassified CIA information about the United States’ involvement in Chile...
© » KADIST
Thomas Kilpper
2009These two images come from the series called “State of Control” which Kilpper made in the building formerly occupied by the Stasi in Berlin...
© » ASX
Maude Arsenault – Resurfacing – AMERICAN SUBURB X Skip to content Her work invests the themes of female representation, private space, domesticity and intimacy within the framework of a photographic and material approach which oscillates between abstract compositions, self-portraits, landscapes and images documentaries...
© » KADIST
Andrew Grassie
2009In 2008, Grassie was invited by the Whitechapel Gallery to document the transformation of some of its spaces...
© » IGNANT
Crafted Elegance: Hendrick’s Gin And Artist Boris De Beijer Unveil Limited Edition Cocktail Glasses - IGNANT Words: IGNANT magazine Photographer: Clemens Poloczek Name Boris De Beijer Images Clemens Poloczek Words IGNANT magazine Hendrick’s Gin has joined forces with artist and glassblower Boris de Beijer for an exclusive partnership as part of this year’s festive campaign...
© » KADIST
Sung Hwan Kim
2010This untitled drawing was part of Sung Hwan Kim’s solo exhibition Sung Hwan Kim: A Still Window From Two or More Places , which took place in tranzitdisplay in Prague, Czech Republic in 2010...
© » KADIST
Mohamed Bourouissa
2017In his photographic series Périphérique (2005–2008), Mohamed Bourouissa used the composition of classical paintings to stage the portrait of friends and young people in the banlieue s (suburbs)...
© » LENS CULTURE
Articles of Virtu - Photographs by Bryan Birks | Text by Magali Duzant | LensCulture Award winner Articles of Virtu Prized old automobiles—that most American of obsessions—are the entry point to the surprising beauty and tenderness of their owners, the communities they belong to, and the aspirations they hold dear...
© » KADIST
An ever-growing collection of scripts, ideas and works by: Julieta Aranda, Olivier Babin, Francisco Camacho, Derick Carner, Asli Cavusoglu, Etienne Chambaud, Audrey Cottin, Torreya Cummings, Gintaras Didziapetris, Cerith Wyn Evans, Michael Fliri, Mark Geffriaud, Fabien Giraud & Raphaël Siboni, Loris Gréaud, Graham Gussin, Will Holder, Pierre Huyghe, Joachim Koester, Gabriel Lester, Jennifer Di Marco, Patrizio Di Massimo, Nicholas Matranga & Francesca Bennet, Piero Passacantando, Cesare Pietroiusti, Matthew Shannon, Snowden Snowden, Gareth Spor, Maryelizabeth Yarbrough, Carey Young...
