No World

2014 - Film & Video (Film & Video)

18 minutes

Fang Lu


No World is an action-filled video work filmed inside an abandoned museum in the Songzhuang area outside Beijing. Without using any dialogue, Lu created an artificial scenario where she instructed actors with a list of tasks to gesturally mime scenes from news and journalistic images outside China. Through an intuitive self-trained mimicry, these acts simultaneously became moves in a game as well as a daily routine. No World points to the changing roles of the camera from a device originally invented to memorialize a moment to a tool that situationally creates an event. The performance of violence, conflicts and human relationships in the confined space blurs the boundary between the gallery and everyday life, between staged performance and documentary footage. The work is also a metaphor for a desire in today’s youth to go beyond their controlled, mediated environment and perform chaos in order to heighten their existential awareness.


Fang Lu uses intimacy as a place for self-expression in her videos and draws out mundane moments from everyday life as a strategy to heighten one’s awareness of existence from the rest of the world. Instead of using the camera as a tool to document or capture, she stages a superficial experience, or “situated reality,” that locates the self in relation to a relationship, environment, or idealistic notion. For example, examining behavioral patterns of being in love or being sequestered in an empty building with nothing but circulated online images. For Fang, there is no one reality and everyone creates her own reality. Thus, her practice is an ongoing exploration of self-awareness and seeking realization of truths within experience, and the content in and direction of her videos are directly influenced by her immediate and living environment.


Colors:



Other related works, blended automatically

Cinema
© » KADIST

Fang Lu

2013

In the work Cinema , Fang Lu explores in a meticulous yet un-dramatic — almost casual — way of how “the self” in our today’s life is a controlled and staged construction of oneself...

Lift with care
© » KADIST

Hu Yun

2013

This research-based artwork acts as a memorial to early twentieth century European exploration of China...

Canned Laughter
© » KADIST

Yoshua Okón

2009

Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...

Pleasant Sensation Passing Through Flesh - 3
© » KADIST

Yang Zhenzhong

2012

Peasant Sensation Passing Through Flesh – 3 consists of a massage chair fixed to a wall...

Wherein one nods with political sympathy and says I understand you better than you understand yourself, I’m just here to help you help yourself
© » KADIST

Yee I-Lann

2013

Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors...

Snow White as a balance beam gymnast
© » KADIST

Liu Yin

2010

Liu Yin’s cartoon-like paintings and drawings explore the ambivalences of love, nature, and consumerism...

ONE MILLION (Japanese Yen)
© » KADIST

Kwan Sheung Chi

2012

Kwan Sheung Chi’s work One Million is a video work depicting the counting of bills...

The Tower of Babel: Destruction
© » KADIST

Du Zhenjun

2010

The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...

VertiGhost
© » KADIST

Lynn Hershman Leeson

2017

Using the seminal 1958 film Vertigo as a launchpad, Lynn Hershman Leeson explores the blurred lines between fact and fantasy in VertiGhost , a film commissioned by the Fine Arts Museums in San Francisco...

A Flags-Raising-Lowering Ceremony at my home’s clothes drying rack
© » KADIST

Kwan Sheung Chi

2007

A Flags-Raising-Lowering Ceremony at my home’s cloths drying rack (2007) was realized in the year of the 10th anniversary of the establishment of The Hong Kong Special Administrative Region of the People’s Republic of China...

Publica
© » KADIST

Liu Yin

2010

Liu Yin’s cartoon-like paintings and drawings explore the ambivalences of love, nature, and consumerism...

Flutter
© » KADIST

Zarouhie Abdalian

2010

The first iteration of Flutter was specifically conceived for the Pro Arts Gallery space in Oakland in 2010, viewable from the public space of a sidewalk, and the version acquired by the Kadist Collection is an adaptation of it...

“Brave Beauties” series - Eva Mofokeng I, Parktown, Johannesburg
© » KADIST

Zanele Muholi

2014

As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa...

Phenomena
© » KADIST

Yang Xinguang

2009

Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world...

!Women Art Revolution
© » KADIST

Lynn Hershman Leeson

2010

Hershman Leeson’s documentary, Women Art Revolution (W...

Tremble
© » KADIST

Jiang Zhi

2009

In the video installation Tremble, Jiang projected the life-size images of seven naked men and women onto seven individual screens...

A Little Bit More Virtual Than Reality, A Little Bit Warmer than Craziness, A Little Bit Whiter Than Darkness, A Little Bit Longer than A heavy Sigh
© » KADIST

Xiaoyun Chen

2012

The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image...

The Tower of Babel: The Carnaval
© » KADIST

Du Zhenjun

2010

The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...