No Title

1992 - Photography (Photography)

5 x 7 inches

Félix González-Torres

location: New York, New York
year born: 1958
gender: male
nationality: American
home town: Guáimaro, Cuba

Behind the simplicity and beauty of this untitled photograph of a brilliantly-colored flowerbed by Félix González-Torres are two remarkable stories of love, loss, and resilience. As with most of his works, the photograph is untitled followed by a parenthesis that provides some context clues. In this case, an inscription on the reverse of the photograph reads: For Laura (Alice B. Toklas + Gertrude Stein Flower Bed in Paris). Alice B. Toklas moved to Paris in 1906, leaving San Francisco after its devastating earthquake. She met Gertrude Stein the day after she arrived in Paris, and they remained life partners until Stein’s death forty years later. The couple was known as an integral facet of the Parisian avant-garde, hosting figures such as Picasso, Matisse, Braque, and Hemingway. Stein wrote. Taken four years before González-Torres passed away due to AIDS in 1996, this photograph is at once an homage to the couple’s story of love, their strength and resilience, as well as a deeply personal mediation on his own experience of love and loss. This romantic and wistfully melancholic work documents the historical precedent for influential, openly gay culture makers, and is an homage to their memory and significance.


Felix Gonzalez-Torres is known for taking everyday objects and situations and imbuing them with powerful new meanings. Although his formal language echoes Minimal and Conceptual art, the striking visual simplicity and beauty of his installations operate as vehicles to lure audiences, allowing him to incorporate deeply personal narratives, and more broadly to serve humanistic ends by addressing themes relating to identity, gender, desire, love, and loss. Several pieces from his oeuvre relate to his experience as an openly gay man who experienced the devastating effects that the AIDS epidemic in the US had on the queer community. The celebrated works Untitled (Perfect Lovers) (1991), consisting of two store-bought wall clocks ticking next to each other, and Untitled (1991), a billboard with the image of an empty, unmade bed—are both examples of deeply personal responses to the passing of his long-time partner, Ross Laycock, from AIDS.


Colors:



Susan Sontag
© » KADIST

Peter Hujar

1975

Susan Sontag, the author of On Photography and Regarding the Pain of Others, was captured through Hujar’s now-iconic photograph in a relaxed yet pensive pose...

This Exhibition
© » KADIST

Tino Sehgal

2004

Tino Sehgal’s This Exhibition requires an interpreter (in this particular piece, a gallery attendant) to faux faint each and every time a visitor enters into a given space...

Work No. 299
© » KADIST

Martin Creed

2003

This photograph of Martin Creed himself was used as the invitation card for a fundraising auction of works on paper at Christie’s South Kensington in support of Camden Arts Centre’s first year in a refurbished building in 2005...

Open Mind
© » KADIST

Yoan Capote

2007

Open Mind is a model created by Capote for a traversable public maze that, when seen from above, resembles the human brain...

Behold These Glorious Times!
© » KADIST

Trevor Paglen

2017

Trevor Paglen’s ongoing research focuses on artificial intelligence and machine vision, i.e...

The six grandfathers, Paha Sapa, in the year 502 002
© » KADIST

Matthew Buckingham

2002

Matthew Buckingham presents a narrative directly connected with a highly symbolic site in the United States, the Mount Rushmore Memorial*...

One Must
© » KADIST

John Baldessari

1997

In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...

Visalia Livestock Market, Visalia, California
© » KADIST

Sharon Lockhart

2011

Visalia Livestock Market, Visalia, California results from Lockhart’s prolonged investigation of an agricultural center and community...

Beyond the White Walls
© » KADIST

Jeremy Deller

2012

Beyond the White Walls , with a commentary written and spoken by Jeremy Deller, is often wryly amusing...

Hydroforce
© » KADIST

Liz Cohen

2011

From among a cloud of fake smoke we see a heavily pregnant Cohen wearing a bikini and golden stilettos with lace-up straps wrapped around her legs, grasping onto the frame of a modified car as its loud hydraulic system clumsily moves it up and down...

Flutter
© » KADIST

Zarouhie Abdalian

2010

The first iteration of Flutter was specifically conceived for the Pro Arts Gallery space in Oakland in 2010, viewable from the public space of a sidewalk, and the version acquired by the Kadist Collection is an adaptation of it...

Condition Report
© » KADIST

Glenn Ligon

2000

Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...

Amantes (Lovers)
© » KADIST

Juan Carlos Alom

2012

In Amantes (Lovers) Juan Carlos points his lens at his own environment, his underground (literally) studio in Havana...

Silhouette in the Graveyard
© » KADIST

Chitra Ganesh

2018

Silhouette in the Graveyard is part of a suite of animated videos by Chitra Ganesh titled The Scorpion Gesture ...

From the series the Old and the New (XI)
© » KADIST

Carlos Garaicoa

2010

From the series the Old and the New (XI) by Carlos Garaicoa belongs to the series Lo viejo y lo nuevo / Das Alte und das Neue (The Old and the New) which was first exhibited in 2010 at Barbara Gross Gallery in Germany...

Person with Pillow: Desire, Lust, Fate
© » KADIST

John Baldessari

1991

The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...

Untitled (Untitled Passport II)
© » KADIST

Colter Jacobsen

2010

The title Untitled Passport II was first used by Felix Gonzalez-Torres in an unlimited edition of small booklets, each containing sequenced photographs of a soaring bird against an open sky...