New York Public Library Projects (NYPLP)

After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...

After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...

Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water...

In the six-minute single-channel video Higher Horse , Kate Gilmore perches herself on top of a tall pile of plaster blocks, in front of a pink colored wall with vein-like streaks of red...

The series Nightmare Wallpapers represents a shift if Chuen’s practice, allowing the artist to immerse himself in an “artistic pilgrimage of self healing” following the failure of the 2014 Umbrella Movement...

After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...

After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...

In his project Instituto de Vision (2008), Consuegra investigates how modernism gave rise to many new technological forms of vision, most notably the camera, yet also resulted in the disappearance of outmoded forms of vision...

Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water...

In Dilemma: Three Way Fork in the Road , Wang references Peking opera in a re-interpretation of traditional text...

A mesmerizing experience of a vaguely familiar yet remote world, History of Chemistry I follows a group of men as they wander from somewhere beyond the edge of the sea through a vast landscape to an abandoned steel factory...

State Terrorism in the ultimate form of Pre-Raphaelite Brotherhood features a portrait of the artist wearing a zipped utilitarian jacket reminiscent of a worker’s uniform, with one arm behind his back as if forced to ingest a bundle of stick—a literal portrayal to the definition of fascism...

The series Nightmare Wallpapers represents a shift if Chuen’s practice, allowing the artist to immerse himself in an “artistic pilgrimage of self healing” following the failure of the 2014 Umbrella Movement...

With a habit of reading eight to ten books at the same time, Chong paints his two-foot tall novel covers through referencing an extensive reading list (accessible on Facebook) he has kept since 2006...

Shot in Oliveto Lucano, a village in the south of Italy, AUTOTROFIA (meaning self-eating) by artist Anton Vidokle is a cinéma vérité style film that slides fictive characters into real situations, and vice-versa, to draw a prolonged meditation on the cycle of life, seasonal renewal, and ecological awareness...

The work Calendars is composed of 1001 images of deserted public areas in Singapore printed on pages of a calendar set from the year of 2020 until 2096...

Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...

The Foundation for Contemporary Art – Ghana: 1st Circular Library, Accra | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership Inside the Library The Foundation for Contemporary Art – Ghana: 1st Circular Library, Accra Adwoa Amoah, artist, curator, and co-director of Foundation for Contemporary Art – Ghana, asked regular visitors of the library to pick their favorite book...

Allen Ruppersberg & Geoff Kaplan in conversation Moderated by Constance M...

Reading in isolation: ‘Others’ is Not a Race and Interpreter of Winds | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles April 9, 2020 By Kathy Rowland (913 words, 4-minute read) Last November, when there was nary a thought for social distancing, and Corona conjured up visions of lime wedges and grimy bars, I reread Rex Shelley’s 1991 debut novel, The Shrimp People ...

Strips of cardboard, papier-mâché, and precision folding are just a few of the techniques artists employ as they explore of the endless potential of paper...