New Town Ghost (2005) is one of Lim’s trio of large-scale video installations. (The other two are S. O. S—Adoptive Dissensus [2009] and The Weight of Hands [2010].) The series grew out of her interest in capturing lost memories and the collective unconscious in rapidly globalizing cities such as Seoul. New Town Ghost documents a young female activist who is standing aggressively on a truck, rapping slam poetry through a megaphone to the rhythm of a nearby drummer. The two performers are from the Yeongdeungpo district, which has been drastically transformed by development from an industrial zone into a “new town” full of giant department stores and mega-brands. Yeongdeungpo is symbolic of many transformations witnessed by a young generation of Koreans. For Lim it is a dystopian place where the idea of a better future is simply delusional. The poem, talking about the new malls, the skyscrapers derides not only neoliberalism but also the indifferent citizens who have apparently sold their souls to it.
Loss, grief, trauma, death, and memory are consistent themes that Minouk Lim addresses through her sculptures, installations, performances, and videos. Lim’s provocative body of work is a response to and reconciliation of traumatic historical events in Korea from the late 1940s to the present day, including the undocumented massacres that occurred during the Korean War of the late 1940s and 50s, the protest for workers rights in the 1970s during the economic expansion of South Korea, and the ever-present fear of nuclear obliteration that clouds the entire Korean peninsula. For Lim, the collective experience is personal and her research confronts forgotten pasts and unlawful persecutions and in many instances, involves direct contact and establishing meaningful relationships with victims of torture, wrongfully accused North Korean spies, and civil rights organization employees.
While Untitled (Shuffle) presents the same formal characteristics as the rest of Berman’s verifax collages, this constellation of specific images inside the radio’s frames—the Star of David, Hebrew characters, biblical animals—have Jewish symbolism and attest to the artist’s lasting obsession with the kabala...
In 1977, as an already-established artist best known for his films, Bruce Conner began to photograph punk rock shows at Mabuhay Gardens, a San Francisco club and music venue...
The Simpson Verdict is a three-minute animation by Kota Ezawa that portrays the reading of the verdict during the OJ Simpson trial, known as the “most publicized” criminal trial in history...
Telescopic Pole is an adjustable telescopic pole that extends vertically from floor to ceiling and is held up by its own internal pressure...
The Illusion of Everything (2014) follows an unseen pedestrian as he navigates the Australian city of Melbourne’s dense and intricate network of laneways...
Miljohn Ruperto’s research-based multidisciplinary practice often deals with possession, re-enactment, mythology and archives...
Kwan Sheung Chi’s work One Million is a video work depicting the counting of bills...
Miljohn Ruperto’s high-definition video Janus takes its name from the two-faced Roman god of duality and transitions, of beginnings and endings, gates and doorways...
Unlike many of his earlier films which often present poignant critiques of mass media and its deleterious effects on American culture, EASTER MORNING , Conner’s final video work before his death in 2008, constitutes a far more meditative filmic essay in which a limited amount of images turn into compelling, almost hypnotic visual experience...
Miljohn Ruperto’s silent video work Appearance of Isabel Rosario Cooper is an archive of ghosts...
Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco...
Lockhart’s film Lunch Break investigates the present state of American labor through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U...
In 8 Ball Surfboard (1995),Alexis Smith combines her long-term interests in California culture and conceptual assemblage...