New Landmark No. 1 is part of the series New Landmark . In this series, Tsang reversed the direction of his camera lens, and capture images of skyscrapers from an upshot angle. Through this process of looking, the artist started to observe closely the conditions of these landmarks in different times of the day and things happening in them. These images turn our focus to different dimensions of buildings and objects, and challenges our daily habit of perceiving our surroundings. The dense and horizontal steel forests of Hong Kong are transformed into deserts, ocean waves and the sky. In embodying the pressing desire for escapade of the city dwellers, the images also reveal the hidden anxiety about excessive modernisation in the urban space. New Landmark No.1 features a public housing named Yue Wan Estate in Hong Kong. The laundry pole and objects sticking out from the windows of the building, look like an art installation from an upshot.
Working primarily with photography, but more recently with video and lightboxes, Eason Tsang Ka takes inspiration from the urban density of Hong Kong as well as from everyday objects.
J’ai pleuré devant la fin d’un manga — Edouard-Manet de Gennevilliers Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook J’ai pleuré devant la fin d’un manga — Edouard-Manet de Gennevilliers Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next J’ai pleuré devant la fin d’un manga Exhibition Ceramic, drawing, film, lithography / engraving.....
Coherent divergence at John Molloy Gallery – Two Coats of Paint Carter Hodgkin, Dither 12, cut paper collage with acrylic paint, inkjet & protective varnish on canvas over panel, 24 x 24 inches Contributed by Jonathan Stevenson / “Mutability,” a thoughtfully conceived and curated group show at John Molloy Gallery, by its title contemplates the elastic aesthetic capacities of painting, drawing, and sculpture...
Berlin Remake ( 2005) combines extracts of East German films with images filmed by the artist in Berlin...
Why Is There A Huge Mural Of Rembrandt On Mare Street, Hackney? | Londonist Why Is There A Huge Mural Of Rembrandt On Mare Street, Hackney? By M@ M@ Why Is There A Huge Mural Of Rembrandt On Mare Street, Hackney? Image: Global Street Art If you walk down Mare Street in Hackney, you might get the feeling someone is watching you...
The Hole’s Journey by Ghita Skali follows a complex political satire involving a worn-out floor, a political activist, and the Ouled Sbita tribe of Morocco...
Burning Questions: Can Critics Criticise during a Pandemic? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints August 5, 2020 As the work of artists evolve with the restrictions of COVID-19, do critics also need to reassess how they look at performance? Four critics, Loo Zihan, Teo Xiao Ting, Jocelyn Chng and Germaine Cheng discuss their responses as more and more performances go online, and whether it has led to a recalibration or softening of their critical eye...
This series of photographs, Sobre la igualdad y las diferencias: casas gemelas (On Equality and Differences: Twin Houses) , taken in Havana in 2005, belongs to a wider group of works that the artist has been developing over many years, generally titled Bifurcaciones y encrucijadas (Forking Paths and Crossroads) ...
The Louvre welcomes Renaissance masterpieces from Naples Capodimonte Museum - France 24 Skip to main content The Louvre welcomes Renaissance masterpieces from Naples Capodimonte Museum Issued on: 27/06/2023 - 17:31 Modified: 27/06/2023 - 17:38 02:24 Video by: Catherine VIETTE Follow The Louvre museum is hosting masterpieces from the Capodimonte museum in Naples, offering the world's largest exhibition devoted to the Italian Renaissance for six months, along with its own collections...
The central point of Vanishing Point is the most direct physiological reaction of the body to the environment...