Mud Man
2017 - Film & Video (Film & Video)
26:00 minutes
Chikako Yamashiro
The film installation Mud Man by Chikako Yamashiro is set on Okinawa and South Korea’s Jeju Islands, two locations at the center of local controversies surrounding the presence of the United States military. Japanese and Korean languages are mixed (a combination of unclear Japanese — Uchinaaguchi , fragments and mumbles in Korean and onomatopoeic sound effects to complement the narration), and the landscape of the two islands (Okinawa and Jeju Island) juxtaposed. The film tells the story of a community visited by bird droppings that resemble clumps of mud falling from the sky. These droppings awaken the slumbering people, who pick the clumps up to listen to voices emanating from within, and speaking of history and inheritance, nature and other communities. The work continues Yamashiro’s interest in employing flesh and earth as metaphors to personify the political body of Okinawa. It is a film hard to forget, addressing historical memory and layers contained in a territory in an original way; it deals metaphorically with the complexity of history, but also physically, with a final montage mixing war reminiscences and beatbox rhythms.
Chikako Yamashiro engages with political and social histoires of Okinawa to create haunting works drawing on oral accounts. Her work reveals lesser-known aspects of Okinawa’s contemporary reality, while questioning dominant historical accounts of Japanese and American occupation of the islands. The site of fierce battles between the US and Japan at the end of World War 2, Okinawa still has a high concentration of American military bases, occupying around 20 per cent of the land — despite the wish of many of its natives. Yamashiro’s work spans performance, filmmaking and photography, employing bodies as vehicles through which to carry stories from marginalised voices, bodies and souls from Okinawa, through uniquely poetic imaginings.
Colors:
Related works sharing similar palette
© » KADIST
Sawangwongse Yawnghwe
202122022021, Yawnghwe Office in Exile by Sawangwongse Yawnghwe belongs to a body of work made in response to the Myanmar military coup that began in February 2021...
© » KADIST
Kristen Morgin
2008Donald of Doom Tank (2008) is a replica of a vintage metal toy with Donald Duck’s image one side and a soldier on the other...
:quality(70)/cloudfront-eu-central-1.images.arcpublishing.com/irishtimes/UYMP5ZXCDORG2HWTIQKIDTGNRM.jpg)
© » LENS CULTURE
MIDO - Photographs by Julie Joubert | Text by Magali Duzant | LensCulture Award winner MIDO From atmospheric studio shots to grainy selfies, Julie Joubert uses a spectrum of different image formats to paint a multilayered portrait of a young man’s journey to define himself in the face of struggle...
© » KADIST
Mariana Castillo Deball
2015Taking archaeology as her departure point to examine the trajectories of replicated and displaced objects, “Who will measure the space, who will tell me the time?” was produced in Oaxaca for her exhibition of the same title at the Contemporary Museum of Oaxaca (MACO) in 2015...
© » KADIST
Seeing Sound , a traveling exhibition organized by ICI With works by Marina Rosenfeld, Aura Satz, and Samson Young, curated by Barbara London, founder of the Video-media Exhibition and Collection Programs at MoMA, New York Seeing Sound is a series of exhibitions that explores sound as a material and dynamic branch of contemporary art practices...
© » ARTS EQUATOR
The Body Witness: Gardens Speak, en route, As Far As Isolation Goes at SIFA 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Arts House Limited June 28, 2021 By Vithya Subramaniam (1,600 words, 6-minute read) Though cancelled last year amid the developing pandemic, Singapore International Festival of Arts has done well to lean into the possibilities of small-group, distanced programmes for this year’s line-up...
© » THE GUARDIAN
‘Living in Brixton allowed me not to be judged non-stop’: Zineb Sedira, the artist who makes people feel at home | Art | The Guardian Skip to main content Skip to navigation Skip to navigation Zineb Sedira photographed in the Whitechapel gallery, where her Brixton living room has been recreated in wallpaper...
© » WALLPAPER*
Mollie hotel celebrates Aspen’s close ties to the Bauhaus | Wallpaper (Image credit: Photography by Nicole Franzen) By Adrian Madlener published 12 February 2024 Set along Aspen, Colorado’s central Paepcke Park, Mollie is a new 68-room hotel with stylistic nods to the Bauhaus, the German architecture and design school that helped spawn modernism...
© » ART & OBJECT
Colombia Wants to Recover $20 Billion from Storied Shipwreck, San José | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » SLASH PARIS
Mark Rothko — Louis Vuitton — Exhibition — Slash Paris Login Newsletter Twitter Facebook Mark Rothko — Louis Vuitton — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Mark Rothko Exhibition Painting Mark Rothko, Light Cloud, Dark Cloud, 1957 Collection of the Modern Art Museum Fort Worth, Museum purchase, The Benjamin J...
© » KADIST
Paloma Contreras Lomas
2020Paloma Contreras Lomas has frequently used animals as metaphors in her work...
© » KADIST
Discover the full program Nouf Aljowaysir, Carlos Amorales, Eric Baudelaire, Sofia Crespo, Mathew Dryhurst, Mashinka Firunts Hakopian, Holly Herndon, Ho Rui An, Agnieszka Kurant, Juan Obando The Centre Pompidou and KADIST are launching a three-year collaboration to explore artificial intelligence and text-to-image technologies, and how they will impact the field of artistic creation and production...