The artist writes about her work: “There is an endless desire to know what we look like from outer space and many of us have evolved into a species that exists across the disorienting spaces and timeframes of virtuality. Within my current work, dance and simple movement scores act as a language for simultaneously collecting, mapping and producing volumes of information and knowledge. Moving makes a map and performing is observation. Digital mediations translate bodies into uncanny organisms and minimal dances become distant accumulations of pixelated information. Entanglements between human physicality, technology and natural systems are imagined through a playful aesthetics of information. As every last body and landscape is mapped and measured, through rigorous technologies of ever increasing distance, I look for the newly emerging territories that mineralize at the intersections of the virtual and the physical. These are the territories that we live in, archived in the memory drives of muscles, or through endlessly shifting choreographies of information.”
Renée Rhodes grew up amidst the fantasy and rigor that is the world of classical ballet. Choreography, organization and the use of movement as a communicative language continues to be a primary influence in her current video, performance and book based works.
The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...
Weekly Picks: Indonesia (22 - 28 April 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do April 22, 2019 Top Picks of Indonesia art events in Solo, Bandung, and Jakarta from 22-28 April 2019 One way to spread values in life is through the media of films...
A line is not a border — Group show — Xippas Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook A line is not a border — Group show — Xippas Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back A line is not a border — Group show Exhibition Installation, painting, photography, sculpture.....
Dutch Emerging: Ruben Janssen X GRA Fashion Bachelor 2023 – A Shaded View on Fashion From the back to the middle and around again — Ria’s wedding dress, Alan’s patterns and John’s model: ‘My project is an investigation into evolution, explored through prisms of biology, computation and a poetic personal narrative, shifting between timescales on an evolutionary timeline...
Michelle Handelman’s video work Irma Vep, The Last Breath takes its inspiration from Musidora, a famous French silent film actress, and a character she played called Irma Vep, from the film Les Vampires (1915), directed by Louis Feuillade...
Royal Winnipeg Ballet asks patrons to avoid 3rd-party sites after record level of online ticket fraud | CBC News Royal Winnipeg Ballet asks patrons to avoid 3rd-party sites after record level of online ticket fraud | CBC News Loaded Manitoba Royal Winnipeg Ballet asks patrons to avoid 3rd-party sites after record level of online ticket fraud The Royal Winnipeg Ballet is urging patrons to buy tickets directly from its website or box office after it lost $10,000 to online ticket scammers during its recent production of The Nutcracker...
Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors...
Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour ...
Women Are the Post-Apocalyptic Future Skip to content Dana Schutz, "Civil Planning" (2004), oil on canvas (all photos Ela Bittencourt/ Hyperallergic ) BERLIN and PARIS — In recent years, impending ecological apocalypse has spurred a number of contemporary artists to visualize fears of an environmental collapse...