Moving Clocks Change Rhythm
2011 - Film & Video (Film & Video)
Renee Rhodes
The artist writes about her work: “There is an endless desire to know what we look like from outer space and many of us have evolved into a species that exists across the disorienting spaces and timeframes of virtuality. Within my current work, dance and simple movement scores act as a language for simultaneously collecting, mapping and producing volumes of information and knowledge. Moving makes a map and performing is observation. Digital mediations translate bodies into uncanny organisms and minimal dances become distant accumulations of pixelated information. Entanglements between human physicality, technology and natural systems are imagined through a playful aesthetics of information. As every last body and landscape is mapped and measured, through rigorous technologies of ever increasing distance, I look for the newly emerging territories that mineralize at the intersections of the virtual and the physical. These are the territories that we live in, archived in the memory drives of muscles, or through endlessly shifting choreographies of information.”
Renée Rhodes grew up amidst the fantasy and rigor that is the world of classical ballet. Choreography, organization and the use of movement as a communicative language continues to be a primary influence in her current video, performance and book based works.
Colors:
Related works sharing similar palette
© » KADIST
Sabelo Mlangeni
2019The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...
© » KADIST
Pascual Sisto
2013All Watched Over by Machines of Loving Grace takes its title from a 1967 poem by American writer Richard Brautigan, which describes a utopian future where computers are in harmony with and protective of mankind and nature, performing all the necessary work while we retreat back towards nature...
© » ARTSJOURNAL
Royal Winnipeg Ballet asks patrons to avoid 3rd-party sites after record level of online ticket fraud | CBC News Royal Winnipeg Ballet asks patrons to avoid 3rd-party sites after record level of online ticket fraud | CBC News Loaded Manitoba Royal Winnipeg Ballet asks patrons to avoid 3rd-party sites after record level of online ticket fraud The Royal Winnipeg Ballet is urging patrons to buy tickets directly from its website or box office after it lost $10,000 to online ticket scammers during its recent production of The Nutcracker...
© » KADIST
Qiu Anxiong
2011A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
© » ARTS EQUATOR
U Maung Maung’s blast from the past (via The Myanmar Times) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 20, 2018 To some people, these maybe nothing more than trash, some useless pieces of equipment from a forgotten past, but to others these are rare gems that brought back some bittersweet memories from not so long ago, when strife of all kinds – from World War I, World War II, up to the cold war era — dominated the world...
© » KADIST
Mikhael Subotzky
2006At the halfway point along South Africa’s Highway N1, running from Cape Town to Johannesburg, sits the small town of Beaufort West...
© » HYPERALLERGIC
Women Are the Post-Apocalyptic Future Skip to content Dana Schutz, "Civil Planning" (2004), oil on canvas (all photos Ela Bittencourt/ Hyperallergic ) BERLIN and PARIS — In recent years, impending ecological apocalypse has spurred a number of contemporary artists to visualize fears of an environmental collapse...
© » KADIST
Matthieu Saladin
2016L’effeuillage des effacements (The Stripping of Erasures) 2016, presents a piles of posters gathered in decreasing chronological order from 2015 to 2400 B...
© » KADIST
Sabelo Mlangeni
2019The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...
