Mosaic Collage (Fang Banger)

2010 - Photography (Photography)

Nathan Mabry

location: Los Angeles, California
year born: 1978
gender: male
nationality: American
home town: Durango, Colorado

Working primarily in sculpture and work on paper, Nathan Mabry was trained as a ceramicist and his monumental-scale sculptures are cast from clay models and found objects. Mabry’s works-on-paper assemble imagery across historical time, “crashing” multiple aesthetics and cultural motifs together, to make a blended trans-cultural aesthetic, infused with American hybridity. There’s a dose of the uncanny in his work; the creepy ability for certain figures or faces to create a feeling of embodied presence.


Colors:



Related works featuring themes of: » Abstract Versus Figurative Art, » Anthropomorphism, » Appropriation Art, » Collective History, » American

EASTER MORNING
© » KADIST

Bruce Conner

2008

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Untitled Inkblot Drawing (CT-1491)
© » KADIST

Bruce Conner

1995

Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions...

Condition Report
© » KADIST

Glenn Ligon

2000

Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...

Shadows V, Set of 3
© » KADIST

Charles Gaines

1980

To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure...

Cityscapes 1 (boats), 2 (woods)
© » KADIST

Hamra Abbas

2010

At first glance, Cityscapes (2010) seems to be a collection of panoramic photographs of the city of Istanbul—the kind that are found on postcards in souvenir shops...

Itch
© » KADIST

Yang Guangnan

2011

Itch explores the relationship between technology and daily human experience with a motorized arm that extends from within the gallery’s wall, moving up and down while holding a projector that shows a desperately scratching pair of hands....

Untitled #242, 104, 975 combinations of a 2×2 grid, 18 colors
© » KADIST

John Houck

2013

Untitled #242 is part of Houck’s Aggregates Series, which uses digital tools to manipulate chosen sets and pairs of colors, creating colorful index sheets, bathed in colors and lines...

Man and Pet
© » KADIST

Jeffry Mitchell

2012

In Man and Pet (2012), two benign ceramic figures smile sweetly upward...

A meditation on the possibility…
© » KADIST

Daniel Joseph Martinez

2005

Martinez’s sculpture A meditation on the possibility… of romantic love or where you goin’ with that gun in your hand , Bobby Seale and Huey Newton discuss the relationship between expressionism and social reality in Hitler’s painting depicts the legendary Black Panther leaders Huey P...

Black Imitates White
© » KADIST

Hank Willis Thomas

2012

Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content...

The Last Post
© » KADIST

Shahzia Sikander

2010

The Last Post was inspired by Sikander’s ongoing interest in the colonial history of the sub-continent and the British opium trade with China...

8 Possible Beginnings or: The Creation of African-America
© » KADIST

Kara Walker

2005

In her masterpiece 8 Possible Beginnings or The Creation of African-America , Walker unravels just that, the story of struggle, oppression, escape and the complexities of power dynamics in the history following slave trade in America...

Untitled (Governor of Ohio Judson Harmon), Damaged series
© » KADIST

Lisa Oppenheim

2003

The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...

I am the Greatest
© » KADIST

Hank Willis Thomas

2012

Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s...

Untitled (Women)
© » KADIST

Matt Lipps

2011

Untitled (Women) (2011) presents a startlingly succinct history of violently romanticized femininity...

27 Punk Photos: 11. Dim Wanker: F Word, May, 1978
© » KADIST

Bruce Conner

1978

In 1977, as an already-established artist best known for his films, Bruce Conner began to photograph punk rock shows at Mabuhay Gardens, a San Francisco club and music venue...