61 x 94 cm
David Gustav Cramer’s are composed of simple, descriptive texts accompanied by found photographs, letters or other materials. The elements juxtaposed in each work operate like the lines of a Haiku. It is the tension between them that opens space for thought. The Portraits evoke the writing of Yasunari Kawabata or Robert Walser and the films of Yasujiro Ozu: a language of restraint that conceals an emotional struggle, a struggle which becomes ever more palpable in the effort of its concealment. Cramer’s works evolve as an ongoing form of research, like a traveler’s journal that describes human conditions, drawing on images of a collective experience and commonly shared memories. Through this process, Cramer taps into philosophical questions of the experience of time, the formation of language and images and the boundaries of perception. This work, featuring a photo of Lance Armstrong taken by Buzz Aldrin during the 1969 moon landing, is entitled Michael, a reference to the Michael Collins, the astronaut who remained aboard the Apollo 11 during the expedition. The work operates as a sort of ‘expanded’ image, drawing parallels between the idea of objective scientific truth, represented by space exploration, and an objective truth in images. It draws our attention to the power of narrativity in history and images in the collective imaginary.
This untitled ink and pencil drawing by James “Yaya” Hough is made on what the artist calls “institutional paper”, or the state-issued forms that monitor the daily activities of prisoners, of which, each detainee is generally required to fill out in triplicate...
Coué 1 is an animated sculpture that hypnotically highlights the self-motivating leitmotiv of the ‘Coué Method’: “Every day, in every way, I’m getting better and better.”This is the mantra that is repeated by different male and female voices in the soundtrack – first in an incomprehensible painfully slow slur, becoming clear and speeding up into a drilling hilarious sounding high pitching spin, as if helium had been inhaled...
James Ensor: series of anniversary shows to reveal ‘the man behind the mask’ Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Exhibitions news James Ensor: series of anniversary shows to reveal ‘the man behind the mask’ Belgium commemorates 75 years since the artist's death with a year-long season of exhibitions and events, often highlighting the lesser known aspects of his work Eddi Fiegel 15 December 2023 Share James Ensor, Pierrot and skeleton in a yellow robe (1893) Photo: Hugo Maertens The Belgian artist James Ensor may be easily recognisable for the macabre faces that so often feature in his works, but a major new season of exhibitions and events in his home country aims to reveal “the man behind the mask”...
A child and dreamer my whole life long (broken tree) (2004) is a sculpture made of filler, wire, copper, oil paint, and wood depicting a tree just at it’s moment of breaking into half – one part alive with foliage and blooming branches and the other the crisp of the break exposed, with the trunk adhered solidly to a plinth...
Collectors’ Favorites is an episode of local cable program from the mid-1990s in which ordinary people were invited to present their personal collections—a concept that in many ways anticipates current reality TV shows and internet videos...
‘The more art I see, the broader my perspective gets’: a visual artist’s week with the National Art Pass | Me and my National Art Pass | The Guardian Skip to main content Skip to navigation Skip to navigation Paid content About Paid content is paid for and controlled by an advertiser and produced by the Guardian Labs team...
As the caption purposely admits, these drawings were made by friends of Ondák’s at home in Slovakia asked to interpret places he has journeyed to...
Particularly shaped by his own youth in the 1990s, his recent works have incorporated things like a marijuana leaf, a dragon-emblazoned chain wallet, metal grommets, and the ubiquitous (in the 90s) Stussy symbol...
Mary Weatherford Revisits an ARTnews Profile of Joan Mitchell – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All September 4, 2020 10:27am ©ARTnews In 1957, art critic Irving Sandler paid a visit to the studio of painter Joan Mitchell , an Abstract Expressionist known for her brushy images capturing nature...
Oren Pinhassi’s work examines the relationship between the human figure and the built environment...
In the early 2000s, as urban redevelopment accelerated and intense construction significantly diminished public space in Tehran, state-funded murals began to represent imaginary landscapes on building facades...
SDEA Theatre Arts Conference Keynote Interviews: Drama lessons in a pandemic (Part 1) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints May 2, 2021 By Sarah Tang SDEA is holding its first fully online Theatre Arts Conference this year from 22 to 30 May...
To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure...