Mesoamericana (new grand civilizations), Economic activities
2016 - Drawing & Print (Drawing & Print)
26.77H x 45.66W inches
Edgardo Aragón
Mesoamericana (Economic activities) is part of a larger project titled Mesoamerica: The Hurricane Effect, which includes a video as well as series of hand drawn maps -based on historical cartography- that examine the effects of foreign power in Mexico today. Mesoamerica was home to a rich civilization that emerged around 10,000 years BC and out of which grew the rich Maya, Aztec and Zapotec cultures, among many others. These cultures were destroyed by the Spanish, who arrived in the 15th and 16th centuries. Today, “Mesoamerica” is also the short name for a multi-million dollar development project that is officially called the Mesoamerican Integration and Development Project and is financed and run by the United States. However, due to rampant corruption at all levels, the project doesn’t benefit the poor communities and instead helps foreign companies that operate in the region. Mesoamericana (Economic activities) speaks about how drugs are representing a large part of the global economic system. Maps depict various countries in Latin America via historical maps onto which the artists draw fantastical and menacing creatures as well as as pointing towards economic and political dependencies and realities as the result of colonial rule and contemporary political corruption.
Edgardo Aragón’s works employ reenactment to reflect the everyday reality of rural Mexico. Using narratives inspired by the particularities of their respective local contexts, Aragón evokes events—some with very violent undertones—and shapes them into scenes molded by landscapes. His work also addresses points of familial and social inheritance that are conditioned by the local environment, creating a personal body of work recounted through poetic narratives. Each piece is a story slowly told—a description of a memory or a reconstruction of a personal experience—that shows some of the darker sides of Mexico’s social and economic realities.
Colors:
Related works sharing similar palette
© » FAD MAGAZINE
DaDa Return With Their Annual Social Justice Lecture by Artist Ashokkumar D Mistry - FAD Magazine Skip to content By Mark Westall • 27 November 2023 Share — Liverpool-based arts organisation DaDa return in December with their annual Edward Rushton Social Justice Lecture which takes place at Museum of Liverpool on Sunday, 3rd December from 1-3pm, held on United Nations International Day for People with Disabilities and named after the local poet, activist, abolitionist, and disabled man, Edward Rushton ...
© » ART & OBJECT
Marco Almaviva and the Pursuit of Innovation After Spatialism | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » FAD MAGAZINE
Damien Hirst first artist to take over entire Château La Coste estate - FAD Magazine Skip to content By Mark Westall • 12 December 2023 Share — From 2nd March until 23rd June 2024, Damien Hirst will stage a major exhibition at Château La Coste spanning the 500-acre estate and its five exhibition pavilions designed by some of the world’s most renowned architects including Renzo Piano, Oscar Niemeyer and Richard Rogers...
© » KADIST
Daniela Ortiz
2021The Rebellion of Roots by Daniela Ortiz depicts a series of situations in which tropical plants, held hostage in the botanical gardens and greenhouses of Europe, are protected and nurtured by the spirits of racialized people who died as a result of European racism...
© » KADIST
Rodney Graham
1991Ponderosa Pine IV belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that live in Northern California...
© » ARTSY
10 Artists to Discover in Foundations Winter 2024 | Artsy Skip to Main Content Art 10 Artists to Discover in Foundations Winter 2024 Artsy Editorial Jan 23, 2024 2:00PM Foundations is Artsy’s seasonal online fair spotlighting fresh works from galleries known for spotting and nurturing rising talent...
© » KADIST
Julius Koller
Anti-Happening refers to Koller’s 1965 manifesto, ‘Anti-Happening (System of Subjective Objectivity)’...
© » ARTS EQUATOR
Some Southeast Asian picks from the Busan International Film Festival (via Bangkok Post) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles October 25, 2018 How do Aceh and Japan, two places that seem unrelated, separated by a vast distance of land and sea, connect on the personal and historical level? For one, they both have been hit by a tsunami — Aceh in the massive tragedy that struck many parts of Southeast Asia in 2004 and Japan in 2011...
© » ARTOMITY
Angel Vergara at Axel Vervoordt Gallery – ARTOMITY 藝源 Angel Vergara / Acts & Paintings, Hong Kong / Nov 18, 2023 – Mar 16, 2024 / Opening: Saturday, Nov 18, 1pm – 7pm / Artist Performance with Hong Kong New Music Ensemble, Nov 18, 3 pm – 3:30 pm / Axel Vervoordt Gallery 21/F, Coda Designer Centre 62 Wong Chuk Hang Road Entrance via Yip Fat Street, Wong Chuk Hang +852 2503 2220 Tuesday – Saturday, 11am – 7pm axel-vervoordt.com Painting is often considered a static art form...
© » SLASH PARIS
Nina Azoulay — Comme un rond dans un carré — Frac île-de-france, le Plateau — Exhibition — Slash Paris Login Newsletter Twitter Facebook Nina Azoulay — Comme un rond dans un carré — Frac île-de-france, le Plateau — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Nina Azoulay — Comme un rond dans un carré Exhibition Installation, sculpture Closing Nina Azoulay, Olivia, 2024 © Nina Azoulay Nina Azoulay Comme un rond dans un carré Ends in 7 days: January 11 → February 18, 2024 La Project Room est le nouvel espace prospectif et expérimental du Frac qui prend place dans la dernière salle du Plateau...
© » COLOSSAL
Does anyone else miss art school? The sweet smell of invasive ceramic dust, the satisfying scrape of fresh charcoal across a giant sheet of Strathmore, the mortifying class-wide critique of your meager attempt at drawing a poorly-lit vase that you really should have spent more time on but you were partying all night at Avery’s “performative art sequence” at that creepy abandoned carwash...